johnb Posted April 22, 2007 Report Posted April 22, 2007 Right now I have 5 sword stands. All different, all crap cheap ones. So I thought I'd take the oppurtunity that I'm now living in Indonesia and get half a dozen made that are all the same. I thought you might like to have a look at the prototype. It's re-cycled teak with a tiger wood panel. (Actually some type of gum). Quote
WoodbridgeGaijin Posted April 22, 2007 Report Posted April 22, 2007 Looks really nice. Are you going to have them all made the same way? I have been thinking of making them for high end nihonto out of exotic materials but I`m not certain if the owner of a say $150,000 piece would display a blade on a katanakake or have it in a showcase. I used to make high end humidors for cigars and I have some materials I'm not doing anything with. Anyways, it looks really nice! Good luck with the rest of them. I hope they all turn out as well. V.Giardina Quote
Bungo Posted April 22, 2007 Report Posted April 22, 2007 is that Hiroshige print in the background " of the period " or a " later re-print " ? milt the ronin Quote
WoodbridgeGaijin Posted April 22, 2007 Report Posted April 22, 2007 How can you tell its a Hiroshige or a Hokusai ? Looks like a nicely decorated space but as for the print? Wow if you can see that ...its amazing, all I see is glare. You must really know your art. V.Giardina Quote
Bungo Posted April 22, 2007 Report Posted April 22, 2007 WoodbridgeGaijin said: How can you tell its a Hiroshige or a Hokusai ? Looks like a nicely decorated space but as for the print? Wow if you can see that ...its amazing, all I see is glare. You must really know your art. V.Giardina what ? One of the famous design by Hiroshige......... if authentic and of the period, it's worth a few swords. milt the ronin Quote
Bungo Posted April 22, 2007 Report Posted April 22, 2007 http://www.reeddesign.co.uk/images/hiroshige.jpg this one milt the ronin Quote
WoodbridgeGaijin Posted April 22, 2007 Report Posted April 22, 2007 I am thoroughly familiar with his work...I think its called " Sudden Shower" but I am still amazed that you could discern between it being a painting of a watermelon or an Ando woodblock. I think I need new glasses. Good for you man. Very observant. V. Giardina Quote
WoodbridgeGaijin Posted April 22, 2007 Report Posted April 22, 2007 I forgot to mention, the Westin Miyako Hotel had a few period ukiyo e by Hiroshige , one was slightly torn and on had a corner piece about 2 inches in size missing...they were both around the 150 000 yen mark. I was surprised. Maybe if I wasn't such a poor bugger I could have bought one instead of drooling on them. V. Giardina Quote
WoodbridgeGaijin Posted April 23, 2007 Report Posted April 23, 2007 LOL....I know Stephen, Don't tell me you have the eyes of a hawk too. I love Hiroshige,Hokusai, Kunisada, Toshi and Hiroshi Yoshida, but I am amazed at how observant you guys are. I love Kandinsky's work as well and I can picture many of his works in my head with ease, but I don't think I would be able to spot a piece of his art being obscured by a katanakake. I guess thats why you gentlemen are so knowledgeable about Nihonto while after 4 years of Japanese School I can barely utter a few sentences, and I can't fathom the wealth of information you must have locked up in your head in respect to Nihonto. I've spent allot of time reading your posts, its quite impressive. I hope to get there someday. Val Giardina. Quote
johnb Posted April 23, 2007 Author Report Posted April 23, 2007 Cor Blimey! I'm glad the katanakake has made such an impression!! Well spotted, it is a Hiroshige. "People on a Bridge Caught in the Rain", from "One Hundred Famous Views of Edo". Unfortunately it is a reprint but I suspect quite an early one. (Not that my knowledge is up to much). I bought years ago and was told it was a late 40's reprint. PS. Glad you like the decor WoodbridgeGaijin. Quote
johnb Posted April 23, 2007 Author Report Posted April 23, 2007 Further to the woodblock. Here are three varios images of Caught in the Rain. Which is the Early Edition, which is the Restrike (Reprint) and which is the Recut? Frankly I haven't got a clue, although a close look at the background detail gives some clue. Ukiyo-e!!! Another complex Japanese hobby. I've attached the Van Gough version...probably the most valuable by far. (God knows why). Quote
Henry Wilson Posted April 23, 2007 Report Posted April 23, 2007 That is a nice spread. The Hiroshige print in question hangs in our study and is the first Japanese print I feel in the love with. It is a modern repro mind. There is an original (maybe a late printing) going for something like 1,500,000 yen in the Oriental Bazzar in Harajuku...... Also saw the Van Gogh in Amsterdam too which is actually quite small. Thanks for that Quote
Bungo Posted April 23, 2007 Report Posted April 23, 2007 actually I just traded an old Hiroshige together with a Yoshitoshi 100 moon prints for a tsuba. Hiroshige prints are not all in the thousands' range......... There's this guy Dr. phil ( not the TV dude ) who's expert in Hiroshige and he has a few for sale all the time at very reasonable price. Condition is not the best but he's not asking an arm and leg either. milt the ronin Quote
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