Curran Posted January 3, 2012 Report Posted January 3, 2012 Up for Sale in Japan: http://page6.auctions.yahoo.co.jp/jp/auction/f106032944 This is one I was considering bidding on myself. I have another financial priority for now, but it does tempt me for a long sword. Quote
Guido Posted January 8, 2012 Report Posted January 8, 2012 Coming a little late to this thread, but anyhow, here's my favorite Daishôkake; it easily can be disassembled (for travelling, I guess) and has Aoi no Gomon in Takamakie (gold), Hiramakie (Kin-nashiji) and Togidashi. On the backside is another, bigger one in Takamakie - unfortunately the finely raised lines within the Takamakie Mon don't show in my pictures. It's signed, but I don't know the artist - can anyone with knowledge of lacquer artists identify him? Quote
sanjuro Posted January 8, 2012 Report Posted January 8, 2012 Guido. A very elegant katanakake/daishokake if I may say so. Do you have a 'thing' for the Tokugawa or was the specifics of the mon decoration merely an accident? Quote
Bugyotsuji Posted January 8, 2012 Author Report Posted January 8, 2012 The signature would seem to read 普明 Fumyo Does the name have some esoteric meaning, I wonder? Quote
Eric H Posted January 8, 2012 Report Posted January 8, 2012 An unusual collapsible Kake for two swords, the rests positioned on both sides. There are on the roiro-nuri Aoi mon in hiramaki-e (low lacquer design) as well in togidashi (completely flush with the ground) but I cannot make out neither takamaki-e (high relief lacquer) nor nashiji (pear-skin) -nuri...possibly the third mon from left on the front side. Eric Quote
Guido Posted January 8, 2012 Report Posted January 8, 2012 Do you have a 'thing' for the Tokugawa or was the specifics of the mon decoration merely an accident?Just coincident. Quote
Guido Posted January 8, 2012 Report Posted January 8, 2012 The signature would seem to read 普明Well, thanks - I can read the Kanji myself . I'm rather convinced that it's a name (especially with the lacquer "Hanko" below it), not a reference. Quote
Guido Posted January 8, 2012 Report Posted January 8, 2012 An unusual collapsible Kake for two swords, the rests positioned on both sides.No, just on top and on one side.There are on the roiro urushi Aoi mon in hiramaki-e (low lacquer design) as well in togidashi (completely flush with the ground) but I cannot make out neither takamaki-e (high relief lacquer) nor nashiji (pear-skin) urushi...possibly the third mon from left on the front side.As I said before: the solid gold ones are in Takamakie, and the third one from the left is Hiramakie in Nashiji. Quote
sanjuro Posted January 9, 2012 Report Posted January 9, 2012 Whilst we are on the topic, has anyone ever seen a stand that is intended just for a naked blade? The pic attached is of one that I have which is just a copy I made of an old one my sensei used to own. I use this for when I need somewhere to put the blade during cleaning, when I need both hands free (Putting oil on cloth, refolding washi paper etc). I have never seen similar for sale. What would this be called in Japanese (apart from a crappy copy by a dumb Gaigin). Quote
Curran Posted January 9, 2012 Report Posted January 9, 2012 Blade only kake: https://plus.google.com/photos/10292032 ... banner=pwa There is one in Ford's photo folders above. Third row in the katanakake section. Guido: I have been told that the different Tokugawa lines had slight variations in their Tokugawa mon. Is this true? Source was a respected individual, but it may be more Nihonto modern urban legend than fact. Quote
Lorenzo Posted January 11, 2012 Report Posted January 11, 2012 Late on this thread, thanks Piers for opening it. Plus some truly exquisite example on the Tokugawa museum book... Should I find some time to scan the images :D Quote
Bugyotsuji Posted January 11, 2012 Author Report Posted January 11, 2012 I'll have the third and fourth ones, please. Quote
Lorenzo Posted January 11, 2012 Report Posted January 11, 2012 Not sure as I am in my office now but if I recall correctly the third is in Nagoya while the forth is in the Venice museum Quote
Eric H Posted January 11, 2012 Report Posted January 11, 2012 These are high grade lacquer works. Is the second Kake with the sword and koshirae yours? Eric Quote
Lorenzo Posted January 11, 2012 Report Posted January 11, 2012 Eric, I just collect books and pictures stolen from other websites or web shops... So no, the objects aren't mine and hopefully the real owner won't be upset if I posted the pictures L Quote
Lorenzo Posted January 11, 2012 Report Posted January 11, 2012 ...and before someone asks... no, I usually don't steal books Edit: I add this that is (was) mine. Olive wood, all assembled with sliding joints. Quote
Eric H Posted January 11, 2012 Report Posted January 11, 2012 Lorenzo, what a pity!, the habaki suggests a superior class sword. Eric Quote
jamesicus Posted January 11, 2012 Report Posted January 11, 2012 Eric, I just collect books and pictures stolen from other websites or web shops... So no, the objects aren't mine and hopefully the real owner won't be upset if I posted the pictures L That is a dangerous game to play. What you are doing leaves you open to legal action when you post such material on the Internet without permission of the copyright holder. James Quote
Brian Posted January 11, 2012 Report Posted January 11, 2012 James, Once posted in the public domain on the intenet, without a solid copyright notice and proof of ownership, and then saved and shared somewhere else online, not for commercial gain at all, but in the name of education, and across international borders? Let's just say that it would be a very hard one to prosecute, and I wouldn't be losing any sleep over it. There are worse things to worry about. Brian Quote
jamesicus Posted January 11, 2012 Report Posted January 11, 2012 James,Once posted in the public domain on the intenet, without a solid copyright notice and proof of ownership, and then saved and shared somewhere else online, not for commercial gain at all, but in the name of education, and across international borders? Let's just say that it would be a very hard one to prosecute, and I wouldn't be losing any sleep over it. There are worse things to worry about. Brian That is simply not the case, Brian. Displaying a notice of copyright ownership has not been a requirement for some time now in International copyright law (Berne Convention) and posting or publishing on the Internet does not consign intellectual property to the Public Domain. I think the following link provides good down to earth Copyright usage information: http://www.templetons.com/brad/copymyths.html I am an advocate for as much free use of online material as possible and I believe that Creative Commons licensing is an excellent means to that end. Follow this link for more information James Quote
sanjuro Posted January 11, 2012 Report Posted January 11, 2012 Publish and be damned, I say. If there is such a law, it is broken a thousand times a day on the internet. So, can we save the armchair lawyer opinions and get back to the topic please? It was after all, about katanakake not copyright laws and the internet. Quote
Curran Posted January 12, 2012 Report Posted January 12, 2012 Lorenzo, I don't think (Italian) olive wood photographs properly. It is a beautiful wood and takes on some depth of personality in time. I have a picture frame we made of olive wood from where I was working in Italy almost 20 years ago. We chose particularly good pieces for the construction. It has aged incredibly well. I also remember an architect's house outside of Siena about 25 minutes or so. He'd used in in a variety of ways in the restoration of his home. It left a strong memory. In contrast, olive wood pieces brought back from southern Spain 10 years ago have not aged nearly as well. _______________________________________________________ Piers, The very first photo you listed with the plain dark wood kake- where did that image come from? Know what sort of wood that is? I'd like to see more photos of it as an aide for a small modern kake design. Quote
Bugyotsuji Posted January 12, 2012 Author Report Posted January 12, 2012 Only just noticed your last comment, Curran. It's at home, but I am not sure what the wood is. It could be 紫檀 rosewood from memory. If I can remember to put it in the car this evening, I'll ask a clever friend for a second opinion, oh, and I'll take a couple more shots of it. Quote
Eric H Posted January 12, 2012 Report Posted January 12, 2012 If there is such a law, it is broken a thousand times a day on the internet Exactly... :lol: Herewith a variety of Kakes of different qualities of the lacquer work. The second pic exhibit clearly takamaki-e (high relief) on nashiji-nuri. Eric Quote
Bugyotsuji Posted January 12, 2012 Author Report Posted January 12, 2012 The variety is astonishing. Quote
Eric H Posted January 12, 2012 Report Posted January 12, 2012 To note is the obvious less quality of the gold lacquer on the contemporary wooden sword stand compared to the antique ones. As an example of bad taste is the second one, also a contemporary Kake. Eric Quote
Bugyotsuji Posted January 14, 2012 Author Report Posted January 14, 2012 Curran, the wood is quite dark so difficult to find illustrative contrasting shots for you. Very, very smooth surface, quite crudely carved underneath. Quote
Bugyotsuji Posted January 14, 2012 Author Report Posted January 14, 2012 Five more... yes, the upper bar does have a slight sori to it. Quote
Guido Posted January 14, 2012 Report Posted January 14, 2012 Piers, I've seen similar stands in Japan quite often (Tôken Shibata on Ginza sells a "deluxe version" with Ramma Sukashi in the front part), and they are indeed made of rosewood. I heard they are made in Indonesia, since wood and labor is much cheaper there. Quote
Bugyotsuji Posted January 14, 2012 Author Report Posted January 14, 2012 Thanks Guido. It looks good, but like many swords in koshirae, quite rattly when picked up. Perhaps it comes apart easily, but I haven't dared try. Quote
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