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Posted

I would guess Owari and Momoyama/Early Edo for this piece. It's probably too bold for anything else. Wakazashi sized huh ?, I can see the masame type hada in the mimi.

 

Rich

Posted

Hi Pete,

 

I would agree with Rich. Early-ish Edo Owari would be my guess. The boldness, the heavy squared mimi, the geese motif, the symmetry all suggest Owari to me, though it has a relatively "new" feel" to it, I think...

 

Steve

Posted

Thanks Rich and Steve. It is wakizashi sized. The patina is a bit patchy as it looks like some idiot tried to clean it. Do you have any idea whats the best way to restore the patina back?

Posted
Thanks Rich and Steve. It is wakizashi sized. The patina is a bit patchy as it looks like some idiot tried to clean it. Do you have any idea whats the best way to restore the patina back?

 

couldn't be worse than my " magical mytery tour tsuba ". :badgrin: .........too bad you are in merry ole England or you could bring it to the Chicago show .

 

milt the ronin

Posted

Hi Pete,

 

I am of the school advocating "leave it alone." Appreciate it for what it is, I say. Jim Gilbert has an outstanding page on his site on (not) cleaning tsuba. You may want to check that out...

 

Steve

Posted

Owari feel.

Squared off mimi w/ masame grain lines, sort of pseudo Yagyu.

Smaller compact size.

 

Think "Ono" shop.

A bit on the crude side but clean cut side for Ono. My guess is later... Mid Edo, maybe.

 

Maybe someone else (*ahem* -cough, cough- you know who you are...) would like to show their good example of an Ono tsuba. I could slice bread with the masame grain lines in that one. Cool thing is they go very clearly all the way through the tsuba.

This thread is quite old. Please consider starting a new thread rather than reviving this one, unless your post is really relevant and adds to the topic..

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