Lee Bray Posted November 14, 2010 Report Posted November 14, 2010 That was a direct quote from Nakahara's book, Chris, just not well punctuated. I saw a Muramasa tanto at this years DTI and at first thought,"Woohoo! A Muramasa!" But then after seeing so many areas where the hamon ran off, I lost interest very quickly. Definitely more artifact than art, that one. Quote
Brian Posted November 14, 2010 Report Posted November 14, 2010 I have added the quote block now for clarification. I would also like to know if we can agree on Micha's theory on the nakago jiri....I would like to update the pdf. Brian Quote
Jacques Posted November 14, 2010 Report Posted November 14, 2010 Hi, Quote Definitely more artifact than art, that one. I disagree, a sword is an artifact, it can be a piece of art (that has been already longly debated ); its state of preservation does not matter. The "Venus de Milo" is still a piece of art even if it has lost its arms. Quote
Eric H Posted November 14, 2010 Report Posted November 14, 2010 Well, I prefer to refer to authentic sources namely Fujishiro Koto-Hen Pics from left to right - Muramasa shodai - Muramasa nidai - Muramasa sandai Eric Page 255 Plate I: EISHÔ JÛNEN MIZUNOTO-TORI JÛGATSU JÛSANNICHI Plate II: MURAMASA, MYÔHÔRENGEKYO (The Lotus Sutra) The "Jûgatsu Jûsannichi" inscription to the right is the death anniversary of Nichiren Shônin Page 257 Plate I: MURAMASA Plate II: HAKO MIDARE This is called a hako midare which has collections of nioi appearing, a narrow ha and gonome choji. This is a blade which resembles Sengo Masashige, Mino Kanesada and Kanefusa, Shimada Yoshisuke and Sukemune, and Heianjô Nagayoshi nado. Most of the works of Nagayoshi and Nosada have a gentle ha, and Muramasa and Nosada also have works with severe togari in the ha. Plate III: SEISHÛ KUWANA GUN MORITA SHÔ FUJIWARA ASON MURAMASA SAKU Plate IV: TENMON JÛNINEN MIZUNOTO-U GOGATSU HI Page 258 Plate I: SEISHÛ KUWANA FUJIWARA ASON MURAMASA SAKU Plate II: TENMON NIJÛNINEN KUGATSU KICHIJITSU Irregularities can be seen in the mei kanji, but this is probably one done in his old age. MURAMASA SANDAI [TENSHÔ 1573 ISE] SUEKOTÔ CHÛJÔSAKU He is probably the son of Muramasa of the Daiei era. His works seem to be extremely few. Signature: MURAMASA Plate III: MURAMASA Quote
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