lonely panet Posted April 12, 2010 Report Posted April 12, 2010 just got this one, it looks to be late edo, but im not sure if it belongs to a school or style. can anybody make some suggestions to help me?. regards Hamish Quote
docliss Posted April 12, 2010 Report Posted April 12, 2010 Dear Hamish Your newly acquired tsuba is an iron, solid plate tsuba depicting, in low relief, maple leaves floating upon water. This is a populat theme in Japanese art, and may represent the Tatsuta river near Nara, described by the poet Narihira as being ‘Chinese deep-scarlet’ with the fallen leaves. The design also appears to include several water drops, depicted in gold ten-zōgan. I agree that this is probably C19 work, and is by either a Chōshū or a Bushū worker; my inclination is to favour the former. John L. Quote
Mike Posted April 20, 2010 Report Posted April 20, 2010 Nice looking tsuba, indeed late Edo period, to it looks choshu school sa well. A pleasant theme of Maple leaves on the running river. I wonder what the tsuba size. Mike Quote
Curran Posted April 20, 2010 Report Posted April 20, 2010 Silver beading and the sort of carving made me think later Umetada. But I would probably expect it to be signed in that case. Generated lots of different opinions on this one. Quote
Ford Hallam Posted April 20, 2010 Report Posted April 20, 2010 I'm with Curran....later Umetada seems more appropriate to me too. Quote
Pete Klein Posted April 20, 2010 Report Posted April 20, 2010 This has the look of Kodai Jingo work. Look at the plate surface and overall shape. Interesting. Quote
jason_mazzy Posted April 20, 2010 Report Posted April 20, 2010 It is a beautiul piece no matter the school and probably a worthwhile find. Quote
Curran Posted April 21, 2010 Report Posted April 21, 2010 Found the tsuba I was looking for... An Umetada I owned many years ago with some damage. Someone had pried out most of the silver centers to the clematis vine flowers. What I took away from this tsuba and other Umetada school of the time was a high degree of detail but not much depth to the engraving. Also the use of silver or gold and silver dots to give a feel of activity to the engraving. Patina is usually more of a black than a brown. Peter mentioned Kodai (later period) Jingo. I hadn't really thought of that. He considers more the plate surface and the shape. That would be a strike against my opinion of later Umetada, as they are usually relatively smooth surfaced. Ford- thanks for agreeing with me, but they won't make me a shinsa judge in this lifetime... Quote
machinist Posted April 21, 2010 Report Posted April 21, 2010 The illusion of motion in the floating leaves on Hamish's tsuba is really well done. Quote
lonely panet Posted May 6, 2010 Author Report Posted May 6, 2010 hello mike the sizes of the tsuba are as follows" 8cm across and 8.4cms top to bottom and 0.4cm thick on the rim this tsuba is dished in the middle. Rgards Hamish Quote
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