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Posted

Dear Hamish

 

Your newly acquired tsuba is an iron, solid plate tsuba depicting, in low relief, maple leaves floating upon water. This is a populat theme in Japanese art, and may represent the Tatsuta river near Nara, described by the poet Narihira as being ‘Chinese deep-scarlet’ with the fallen leaves. The design also appears to include several water drops, depicted in gold ten-zōgan. I agree that this is probably C19 work, and is by either a Chōshū or a Bushū worker; my inclination is to favour the former.

 

John L.

  • 2 weeks later...
Posted

Nice looking tsuba, indeed late Edo period, to it looks choshu school sa well. A pleasant theme of Maple leaves on the running river. I wonder what the tsuba size.

Mike

Posted

Silver beading and the sort of carving made me think later Umetada. But I would probably expect it to be signed in that case.

 

Generated lots of different opinions on this one.

Posted

Found the tsuba I was looking for...

 

An Umetada I owned many years ago with some damage. Someone had pried out most of the silver centers to the clematis vine flowers.

What I took away from this tsuba and other Umetada school of the time was a high degree of detail but not much depth to the engraving. Also the use of silver or gold and silver dots to give a feel of activity to the engraving. Patina is usually more of a black than a brown.

 

Peter mentioned Kodai (later period) Jingo. I hadn't really thought of that. He considers more the plate surface and the shape. That would be a strike against my opinion of later Umetada, as they are usually relatively smooth surfaced.

 

Ford- thanks for agreeing with me, but they won't make me a shinsa judge in this lifetime...

post-51-14196779242877_thumb.jpg

  • 2 weeks later...

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