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Posted

Did a quick run just before closing time when there were fewer people, in order to grab some paperwork and a few photos. Some lovely Koshiraé there. Will definitely go again in the next couple of weeks.

 

Here are some printed materials. If anything grabs your fancy, I’ll put up a photo.

 

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The Koshiraé were mainly in the upstairs exhibits room.

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Posted

OK, there does seem to be some interest here after all. I shall pick a few that I particularly liked then, and post them here.

 

Nagadachi 長太刀

 

First of all, this GIANT Kinkarakawa tsutsumi-zaya nagadachi koshirae.

Oh, ...did I mention that it is quite big?

 

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In fact it was too big for the camera, so here’s half of it, the Tsuka end.

 

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Posted

The panels speak for themselves. I am sure there is more to say, but brevity probably overrules museum explanations.

Most of these photos get bigger and bigger the more I click on them, up to three times larger, or closer.

 

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And another angle…

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Posted
9 hours ago, Brian said:

Some seriously fine koshirae there. I guess there were no blades. Most on loan from private collectors?

At present, the ground floor of the Osafuné Sword Museum has a display of sword blades representing the various ages, while the second floor was for the Koshiraé exhibition. Private collectors, yes.

 

(Tumi works there full-time, and he and Paul Martin have been featuring as a combo on TV recently.)

Posted

Owning a lovely little Tantō of his, I have a soft spot for the very late Edo and into early Meiji, Bizen Sukenaga.

IMG_5457.thumb.jpeg.504167afd17fbcec4a97bca700994de0.jpeg

 

and in Japanese

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Another blade for Brian

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  • 2 weeks later...
Posted
On 3/6/2025 at 3:15 PM, Bugyotsuji said:

A couple of eye-catchers next.

(What’s this first one made with?)

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And

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Not sure if anyone answered but the white appliqué are otoliths... fish inner ear bones. 

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Posted

Dear Piers, thank you so much for satiating our visual cravings! These are wonderful koshirae. I particularly like the various tachi ones - the efu one and kenukigata one. 
 

Without reading the labels and from a distance while not zooming in, I thought we were dealing with plain old egg-shell technique in the above conundrum. Interesting to learn something new in relation to the otolith usage. 
 

Please keep sending us info and images (much appreciated!) as Tumi is too busy given all that is going on in the museum and his exciting life stage,  and Paul Martin - even busier with the various media outlet participations and projects. 
 

Thank you sir! 

  • Like 1
Posted

Apologies for posting these in dribs and drabs, but I thought it unfair on the museum to post everything all at once. (Even though they kindly allowed photographs.)

Posted
9 hours ago, Bugyotsuji said:

Apologies for posting these in dribs and drabs, but I thought it unfair on the museum to post everything all at once. (Even though they kindly allowed photographs.)

No apology needed. Its the best way to appreciate each piece.

btw Do you remember the maker of the blade in the last photo? The info sheet is too blurred to make out the attribution.

Posted

Thank you Piers, that ōdachi koshirae is wonderful. While not maybe on par in craftsmanship with others, to me it takes the cake in historical importance. :thumbsup:

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