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1 hour ago, Tohagi said:

That blade was yours'?

 

I wish it was! The blade I held was one that one of his apprentices was working on, an early Edo era sword.

 

The other one Hitoaki was working on we didn't talk about, but I'm assuming it's a very expensive one. With so much demand for his skills, he needs to draw the line somewhere, so he only works with the finer swords.

 

One funny thing I forgot to mention. I asked one of the apprentices why he started learning this art. He said it's because he is a martial arts teacher, in iaito, battojutsu, etc. and it's a good extension of his business to be able to provide polishing for his students.

 

He went on to explain that he uses a Muromachi era katana for cutting. Which I mentioned would never be done in Europe or USA. It was the first time he heard that the Chinese make fully working shinken for as low as 120 USD, they were laughing and couldn't believe it. I went on to show them some pictures of ryansword which they were not impressed by, other than the low price.

 

Later on we went to the club and tried some tameshigiri cutting with that Muromachi katana. It was very beat up and slightly bent halfway down the blade. It was still a cool feeling to cut with a 500-600 year old katana. And the coolest part was probably to meet their grandmaster, in his 80s, he's a descendant from a long line of Samurai who has passed the swords skills down, dating all the way back to the Edo period.

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