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Posted

Hello all, 

I'm curious about why it seems that some tsuba I've run across on the internet seem to have art that would almost certainly be covered by seppa. Were these intended for display only, and not use? 

If this has been asked before, I apologize, as I'm unsure how to search for the question. 

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Posted

The overlap is usually sunk below the level of the seppadai, so it can be mounted later ones with raised motiffs were not mean for mounting, but I suspect most of these were still made to be mounted, but the later they got, the more they were more art than function.

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Posted
6 hours ago, Brian said:

The overlap is usually sunk below the level of the seppadai, so it can be mounted later ones with raised motiffs were not mean for mounting, but I suspect most of these were still made to be mounted, but the later they got, the more they were more art than function.

Here's the flip side of the one above with the dragon. As someone who studied art a bit, it seems like the artist would want to consider the 'canvas' to mostly be the space that won't be covered. Seppa are a required bit of equipment, or so I understand, and thus it's a artistic choice that perplexes me. Granted menuki are often magnificent and often almost completely covered.... but even so. 


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Posted

Don’t mess with the template and avoid inlays that are higher then the ground on the seppadai and you are fine I think. 
If some of your work is later cut out or hidden by the seppa doesn’t matter I think. 
Just my 2 cents. 

IMG_7353.jpeg
 

Edit:  look at what the Nishigaki school did 

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Posted

This is a little off subject - but why tamper with existing "Art"? Lowering the background then rough punch marks [You might have thought they were drill marks] - Why do this?

Looks like they didn't like the results and gave up  - - too late!  :offtopic:?

doctored.jpg

 

 

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Posted

I think that this might have similarities to ancient Greek and Roman sculptors who carved pieces fully in the round, even though the back would never be seen. It is to make the piece finished, and because the artist would know, even if the average viewer would not. The flowing lines flow under the seppa and out again, making it seem like the seppa is part of the art… My best intuition is that it is an artistic choice, a way of playing with the form, and being complete. 

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Posted
11 hours ago, Okan said:

How about one with a built in seppa :)

 

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Now I'm going to have to find an artist and commission one like that but with a cat.... Why Cats Put Their Butts In Our Faces

O maybe two cats, on on each side.... 


 

 

On 8/15/2024 at 3:34 PM, ROKUJURO said:

The second TSUBA will be perfectly fine with SEPPA.

Do you really think so? Seems like it would be so very close if not on the face of the carp. 

But I fully grant I'm a beginner.... 

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Posted

If you have a tsuba with a decorated seppa dai that will prohibit the correct mounting of seppa, be very wary. Function before form. Correct decoration will always be in recess or flush with the seppa dai. Exceptions exist, but are usually purely decorative items.

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Posted
12 hours ago, DirkO said:

If you have a tsuba with a decorated seppa dai that will prohibit the correct mounting of seppa, be very wary. Function before form. Correct decoration will always be in recess or flush with the seppa dai. Exceptions exist, but are usually purely decorative items.

How much can be cut out of a seppa before the whole loses out? 

I actually bought that rain dragon one above because it enchanted me so, and I have seen seppa with a little bit cut out for the kogatana... 


 

 

15 hours ago, Spartancrest said:

plenty of cats here:   :):)



(forgive me not putting a lot of time into the shop for this image...

But what about.... image.thumb.png.b4e86953647f2d05d9173c8c131c2464.png

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