Jesta Posted April 18, 2024 Report Posted April 18, 2024 I bought this tsuba a while ago, just on impulse because I am a sucker for wave patterns. I am increasingly convinced that it is not an Edo period piece, although I should be clear that I don't think that the shop was in any way dishonest. I should have spent more time looking at it, but that's life. I like the waves, and I am not going to get rid of it. I will keep it around as a reminder to be more careful, and as a reference to look back on. This is an attempt to illustrate some probable issues with it as a way for other people (like me) to learn from, so please feel free to add your comments on things that I have missed. The front of the tsuba. The reverse. These images show what I have noticed about it that indicate that it is not really a good piece. The sekigane looks like it is not actually another piece of metal, just a shape in the metal. These patterns look like they are artefacts from either a casting or stamping process, but I am not entirely sure. The concave shape (see below) makes me think that it was stamped. 1 Quote
Spartancrest Posted April 18, 2024 Report Posted April 18, 2024 The colour of the alloys is pretty 'off' as well. The rounded top end of the nakago-ana is not a good sign either. 2 Quote
kissakai Posted April 18, 2024 Report Posted April 18, 2024 Some good points made and shows how to make an initial assessment 1 Quote
Matsunoki Posted April 18, 2024 Report Posted April 18, 2024 Also, the way the fish scales have been engraved/carved is extremely crude. Usually Japanese artists will take the time to carve them properly, and not by using a hasty cross-cross pattern that in this case also extends beyond the intended boundaries. 1 2 Quote
ROKUJURO Posted April 18, 2024 Report Posted April 18, 2024 Justyn, the concave shape of the TSUBA plate is not necessary a sign of stamping. There are many hand-made TSUBA which show that feature. Stamping could easily be done in any shape desired, be that flat, convex, or concave. But I agree that the TSUBA above is not authentic in the sense of a traditionally made Japanese swordguard. Quote
Jesta Posted April 18, 2024 Author Report Posted April 18, 2024 On 4/18/2024 at 9:15 AM, ROKUJURO said: Justyn, the concave shape of the TSUBA plate is not necessary a sign of stamping. There are many hand-made TSUBA which show that feature. Stamping could easily be done in any shape desired, be that flat, convex, or concave. But I agree that the TSUBA above is not authentic in the sense of a traditionally made Japanese swordguard. Expand Thanks for the info. I haven't seen many concave tsuba, so it's good to know that they are out there. Quote
Tim Evans Posted April 18, 2024 Report Posted April 18, 2024 Katakiri carving with a chisel usually results in a sharp cut, meaning that the cross section of the cut will look like a "V". Cast copies won't have that feature, the cross sections will look like a "U". Dirt or other coatings may disguise the sharp cut. This is difficult to tell from a photo sometimes so may need to enlarge or use a magnifying glass. Another tell on these reproductions is the extensive use of silver. Silver was usually used to pick out small details. 1 1 Quote
kissakai Posted April 19, 2024 Report Posted April 19, 2024 Tim has said about the shape of the kanji and it is one of the first things I look for 1 Quote
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