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Posted

Greetings everyone,

 

Can I get some help with the mei on this katana. It’s being advertised as an “ancestral blade” and is coated with a dry film of cosmoline. I did not see an arsenal stamp on it but appears to have been remounted for WWII.

 

Many thanks,

Khalid

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Posted

There were several Showa period smiths who used the mei Yoshichika. Sesko's lists one from Mino (Gifu), Slough's and Fujishiros list one, Mori Yoshichika. Mori Yoshichika worked from Taisho to Showa and made high grade gendaito. There were others.

 

Is this sword by one of these smiths? Is it traditionally made? Who knows.  No one could say for certain judging solely on those two poor photos.

  • Like 1
Posted

Those arsenal/rack markings and numbers (paint/laquer) are almost exclusively used on Showato. Not to say you can't find them on Gendaito (exceptions exist) but by far the majority are on stamped arsenal blades.

  • Like 2
Posted

Greetings,

 

I have two more photos for you to review for more context. How is this a tachi and not a katana? Also can we tell which Yoshichika this is? I assume such a determination can only be made at shinsha.


Best,

Khalid

 

 

 

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Posted

The mei is signed on the side of the sword that faces outward when the sword is slung from the waist, i.e. tachi style. But its not such a big point of distinction with wartime blades, as they were all worn the same way. In other words, they were all made to be mounted in wartime scabbards with wartime belt hooks, so I think the placement of the signature is more an affectation of the smith rather than an indication of what he intended the sword to be. If this sword were to be registered, my guess is that it would get registered as a "katana". But, as I say, its not a major point - not with this era of swords, anyway. 

 

Regarding the Yoshichika, I see only one Shōwa era Yoshichika (吉近) in Markus Sesko's index: civilian name of Yoshioka Tetsujirō. 

  • Like 3
Posted
  On 12/1/2023 at 2:15 AM, SteveM said:

The mei is signed on the side of the sword that faces outward when the sword is slung from the waist, i.e. tachi style. But its not such a big point of distinction with wartime blades, as they were all worn the same way. In other words, they were all made to be mounted in wartime scabbards with wartime belt hooks, so I think the placement of the signature is more an affectation of the smith rather than an indication of what he intended the sword to be. If this sword were to be registered, my guess is that it would get registered as a "katana". But, as I say, its not a major point - not with this era of swords, anyway. 

 

Regarding the Yoshichika, I see only one Shōwa era Yoshichika (吉近) in Markus Sesko's index: civilian name of Yoshioka Tetsujirō. 

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Steve, check Sloughs and Fujishiros for additional Yasuchika gendaito.

  • Like 1
Posted

Dear Khalid.

 

So what you are looking at is a Showato, by no means is this an ancestral blade so that's that out of the window. That is either misinformation or sales pitch.   Missing ito, same and menuki, easily done but at a cost, and do we assume that it has a saya?

 

As Ed suggests not a lot more can be said from these photographs other than the blade appears to be in reasonable condition.

 

Let us know how this turns out for you.

 

All the best.

  • Like 1
Posted
  On 12/1/2023 at 1:34 PM, Geraint said:

Dear Khalid.

 

So what you are looking at is a Showato, by no means is this an ancestral blade so that's that out of the window. That is either misinformation or sales pitch.   Missing ito, same and menuki, easily done but at a cost, and do we assume that it has a saya?

 

As Ed suggests not a lot more can be said from these photographs other than the blade appears to be in reasonable condition.

 

Let us know how this turns out for you.

 

All the best.

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Geriant,

 

I have come to the realization that “purchasing” and “learning” do not correlate to one another. More often than not that is learned the hard way. I broke even on my first restoration and was not happy with the blade after all the kizu in it became very apparent upon polishing. They really detracted from the beauty of an elegant hamon in a visually obtrusive manner. I was intrigued by this blade because of the way it was represented. I wouldn’t take the risk on pursuing this one. There are many diamonds in the rough in the wild still. I stumbled into this one yesterday I look forward to sharing more details in the future.

 

Best,

Khalid

 

 

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