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For your appreciation today is a piece which I have recently restored. It had a fair amount of rust particularly in the recess. Now looking much more healthy. Interesting that this example is not cut all the way through like most of the examples of this style I can find online. I wonder why?

 

it strikes me as very logical that this symbol was a demonstration of serene and skilful craftsmanship. I suppose the wearer was demonstrating to his audience a similar aspiration of equanimity.


Your comments And observations would be most welcome.

The extent of my notes concerning its description…..

 

Iron, oval-shaped tsuba with openwork in “sayagata” pattern (interlocking buddhist “manji” symbols). Bushū Itō school. ?

 

Sayagata is a pattern of interlocking manji. The Manji symbol is a testament to the Buddhist ideal of interconnectedness. It signifies the interdependence of all phenomena, emphasizing that each individual being is intricately linked to the vast web of existence. This interconnectedness fosters compassion, empathy, and a sense of responsibility towards all beings. The Manji serves as a reminder of our shared humanity and the interconnectedness of our actions, highlighting the importance of cultivating kindness and mindfulness in our interactions with others.

 

I can’t think of better words at the moment to encourage us to all reflect on ways of living in these difficult times…..

IMG_7002.jpeg

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Posted
7 hours ago, Spartancrest said:

In my opinion a much more difficult technique to do than to cut all the way through the plate which effectively does both sides at once. Carving straight and to a set depth must take great skill.

By any chance did your piece come from this Cape Town auction? :)

1100040591.JPG   https://www.swelco.c...n-june-2023-lot-620/

This is the very chap. Well spotted. Definitely looking much happier now after it’s bath and some quite lengthy attention with a porcupine quill and Egyptian cotton.

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