Gunome Posted October 26, 2023 Report Posted October 26, 2023 Hello, This small iron tsuba (6,5cm) is not signed but appear to be late edo. From your point of view, to which school it belong to ? Thanks 4 4 1 Quote
Matsunoki Posted October 26, 2023 Report Posted October 26, 2023 Sebastien…..can’t help re school but beautiful tsuba. I saw the cuckoo quickly but took a minute to spot the moon. Lovely interpretation of that subject. Interesting that the raised design encroaches onto the seppadai. Did it need a modified seppa? It has obviously been mounted. love it Colin Quote
Franco Posted October 26, 2023 Report Posted October 26, 2023 Venturing a guess and that's all it is so it could be completely wrong, however, Toryusai comes to mind. Thanks for sharing. Kind Regards, 1 Quote
Gunome Posted October 26, 2023 Author Report Posted October 26, 2023 Hello Thanks for the replies. A senior collector suggested Hamano or probably more Tanaka. Son Toryusai seems à Goodyear call too. Th me tree is carve so no need to have a modified seppa. 1 Quote
ROKUJURO Posted October 26, 2023 Report Posted October 26, 2023 Sébastien, What about KAGA SHOAMI school? Quote
Gunome Posted October 27, 2023 Author Report Posted October 27, 2023 Maybe. I don't know enough this school to have an opinion about it, but I Will do some research on it. Quote
Ford Hallam Posted October 27, 2023 Report Posted October 27, 2023 The tree does echo Hamano treatment of that sort of subject, and the 'misty' nunome is very Tanaka/Toryusai, as it the mimi shape, perhaps even a little late Umetada in there too ( the ones with the plum blossom stamp). On the overall balance I'd lean Tanaka/Toryusai myself. Increasing I feel that if there's no mei it's not 'of a school' at all but merely 'in the style of' or 'showing the influence of'. A similar example here, attributed Tanaka Toryusai by the NBTHK. 5 2 Quote
Gunome Posted October 27, 2023 Author Report Posted October 27, 2023 Many thanks Ford for your post and the link. The workmanship of the tsuba in the link is very close of mine ! Thanks for the reference. 1 Quote
paul tsubadotinfo Posted October 30, 2023 Report Posted October 30, 2023 Thank you Ford for the mentioning! yes indeed this would be Toryusai and it is quite a nice piece! Typical for toryusai school Tsuba it has this flat Nanban style Kin Zogan. It is said that Tanaka Kiyotoshi the founder of the school was the son of a Nanban Tsuba artist which is why he used this technique a lot. 1 2 Quote
Gunome Posted October 30, 2023 Author Report Posted October 30, 2023 Thanks Paul for these additionnal informations Quote
DoTanuki yokai Posted October 31, 2023 Report Posted October 31, 2023 On 10/26/2023 at 2:49 PM, Matsunoki said: Interesting that the raised design encroaches onto the seppadai. Did it need a modified seppa? It has obviously been mounted. love it Colin The circled gold inlay seems to be pressed flat by the seppa, I think it is indeed a little higher but the tree is on the same level. I tried to show with my lazy smartphone skills how i think it looks in the crosssection. Edit: it is very lazy and the drawings are not very accurate especially the lower red line where the right side of the groove should be more like 90degrees 2 Quote
Gunome Posted November 1, 2023 Author Report Posted November 1, 2023 Hello, Indeed, as you drawn on the photo, the edge of the trunk is hollow engraved. The circled gold inlay is flat, but not sure it is due to a seppa. I enclose a photo, but it is hard to take a good one to show the relief. 4 Quote
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