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I think you make a good point. It is interesting, and I'd agree it was probably made to fill an order for an Omamori. The time period this one was made would suggest that if more than one were made the smith would certainly want to maximize his return on output by signing all of them. In pre-Meiji the smiths had a much larger market to facilitate selling their unsigned pieces. This could also just be an example of a smith providing the client with several truely completely finished works (including mei) to choose from, with the unchosen one(s) left with odd placement mearly a consequential result.

 

Interesting, and though we can speculate from the placement, the intention and reasons are still a bit of a mystery.

This thread is quite old. Please consider starting a new thread rather than reviving this one, unless your post is really relevant and adds to the topic..

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