Jump to content

Recommended Posts

Posted

Hi, I have seen DVD's / footage of a togishi and in the final stages they appear to use some sort of pen / burnishing tool on the shinogi-ji covering it in what looks like some type of black ink. Can anyone shed any light on what they are doing or using at this stage. Regards John.

Posted

Hi, AFAIK the burnishing stage involve powdered horn paste which is being used to clean the shinogi ji, and then it is dried using ibota powder. At this stage the togi-shi starts burnishing using his burnishing tools. I hope it gives you some help.

Mike

Posted

To elaborate on Mike's correct answer; this stage is called "migaki" or burnishing. It is performed with a variety of hardened steel or tungsten rods and knife shaped tools in a process that compresses the sword's surface to make it mirrored, and contrasted to the other parts of the sword. The ibota is a wax-like substance that provides a lubricant to prevent the tools from gouging the surface of the blade. Like everything else, migaki can be done either skillfully, or abhorridly. Once completed, the areas should not only be clear and mirrored, but a good job also will allow the hada of the blade in those regions to be seen which can be a vital part of identifying the sword's origins and age. Polishers will often times install lines under the habaki where the burnish terminates, and at the kissaki on the mune. These are called "migaki nagashi" and are a decorative mark of the polisher. Their patterns and numbers vary, but are nearly always an odd number placed on each surface. Many swords do not have them at all.

Posted

I've heard several explainations including preference of school, polisher, time period, etc.. Certain polishers do have a style they prefer. I've also heard that some polishers vary it periodically to identify when it was polished.

 

Bottom line (no pun intended) is that it varies according to the polisher.

  • 1 month later...
Posted

Just a quick reply..

 

As Mr Arnold indeed said, those lines are called nagashi and are basically the signature of the polisher.

However it is also a good way to see if the sword was polished by a Hon'ami or a Fujishiro polisher...a Hon'ami polisher will normally "sign" the sword using an odd number like "7, 9, 11,13"

and so on, whereas Fujishiro will normally use an even number like "4,6,8,10" and so on

 

Of cause you will find swords that are exceptions to that rule..but if you have a sword that has an odd number of lines, chances are that it was indeed polished by a Hon'ami taught polisher.

This thread is quite old. Please consider starting a new thread rather than reviving this one, unless your post is really relevant and adds to the topic..

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

Loading...
×
×
  • Create New...