Surfson Posted June 8, 2021 Author Report Posted June 8, 2021 Well done Mauro, exactly what the NBTHK papers say! Quote
Surfson Posted June 8, 2021 Author Report Posted June 8, 2021 What were the main clues that led you to this conclusion? Quote
MauroP Posted June 8, 2021 Report Posted June 8, 2021 Hi, I didn't realized it was a kantei game. My answer was just a Gestalt guess. Anyway, I'm trying to rationalise: the theme expressed in ji-sukashi could be either Higo, Akasaka or Tosa-Myōchin. In a Higo piece I'd expect a more bold kebori, and sometime a more rich texture on plain surfaces. The Akasaka design is associated with sharp, broken lines (and dishomogeneous layered metal, wich I was unable to evaluate from the pictures). So Tosa-Myōchin, with its delicate kebori and sinuous sukashi (and homogeneous iron), should be the most likely candidate. 4 1 Quote
Surfson Posted June 9, 2021 Author Report Posted June 9, 2021 Very helpful Mauro. I too find that Akasaka has a lot of jagged edges, while Higo and Myochin have fewer and more flowing sukashi shapes. I didn't know about the thickness and contrast of the kebori, but that is something that I will keep my eye out for. Had I not known that it was Myochin, Kamiyoshi might have been another guess. 1 Quote
MauroP Posted June 9, 2021 Report Posted June 9, 2021 You are right, Kamiyoshi (and Nishigaki) could also be candidates. Basically I never realized what clues in a sukashi tsuba make the difference with a simple Higo attribution. So I simply don't remind of them... Quote
Curran Posted June 9, 2021 Report Posted June 9, 2021 Mauro said it better than me. I didn't know if it was later Nishigaki or Tosa Myochin. Kamiyoshi makes sense too, though I often let the patina and surface feel of the tsuba convince me in that direction. On this one, I thought it a coin toss between mid to later gen Nishigaki or Tosa Myochin. 1 Quote
Surfson Posted June 9, 2021 Author Report Posted June 9, 2021 Do either of you know the connection between Tosa Myochin and the famous Myochin that made helmets and armor? I'm just being lazy here, as I'm sure that there are writings on the subject. Also, what is the connection to Tosa swords, like Yoshimichi and other famous early makers? Is it just sharing the same province or is there more? Quote
Curran Posted June 10, 2021 Report Posted June 10, 2021 Basically little connection other than location. "Washington slept here". So did I. Connected? 1 1 Quote
Infinite_Wisdumb Posted June 10, 2021 Report Posted June 10, 2021 On 6/8/2021 at 5:53 PM, MauroP said: Hi, I didn't realized it was a kantei game. My answer was just a Gestalt guess. Anyway, I'm trying to rationalise: the theme expressed in ji-sukashi could be either Higo, Akasaka or Tosa-Myōchin. In a Higo piece I'd expect a more bold kebori, and sometime a more rich texture on plain surfaces. The Akasaka design is associated with sharp, broken lines (and dishomogeneous layered metal, wich I was unable to evaluate from the pictures). So Tosa-Myōchin, with its delicate kebori and sinuous sukashi (and homogeneous iron), should be the most likely candidate. amazing. much respect Quote
Japan2112 Posted June 10, 2021 Report Posted June 10, 2021 From Tosogu CLassroom Vol II. (Thank you, Markus). 1st generation (Kawasaki) Munetoshi studied under Myochin Osumi no kami Munesuke in Edo and was given the Myochin name. 4th generation Tosa Myochin Muneyoshi studied with the Akasaka Tadashige (Tadanori) and and began copying Higo. i would have guessed Kamiyoshi if it were not for the rectangular yose tagane on the omote - a dead giveaway. Nice tsuba - the TM are generally under rated 1 Quote
MauroP Posted June 11, 2021 Report Posted June 11, 2021 Some more stuff to give a try: 3 tsuba papered Higo, Kamiyoshi and Nishigaki. Which is which? (sorry for the pics, no others/better ones available). Spoiler A Kamiyoshi,. B Nishigaki, C Higo Quote
Curran Posted June 12, 2021 Report Posted June 12, 2021 Ha- Got all three! I like the Nishigaki. Quote
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