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Posted

Well, not Higo. The Edo Myochin used a mokume gitae iron technique of which your tsuba is reminiscent of,  but is much more pronounced making me think of something modern. The Edo Myochin focused on their plate and not so much on carving decoration, and so I feel that it neither Higo or Myochin. 

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Posted

thanks Mark 

i only have 3 tsuba book and nothing near that 

thanks for your expertise i am new in Tosogu and i try learning more now

Merci :) 

Posted

A deeply irregular surface (ōtotsu - 凹凸) is quite common in Sanada Tenpō, Myōchin and Shōami (of course..).  Your tsuba is not typical of one of the above schools, but does't looks modern to me, maybe late Edo.

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Posted

Geraint you are certainly right, one on it's own is a maybe - three all with the same imprints around the nakago-ana  that is definitely a series of fakes, darn good fakes at that. What are the chances though that they all turn up on the same week? The small amounts of 'gilding' are not identical so they are three individual pieces, not doubling up as sometimes happens when a dealer sells on two sites at once. Is it worth telling Diamyou54eb that he is selling a fake?

This thread is quite old. Please consider starting a new thread rather than reviving this one, unless your post is really relevant and adds to the topic..

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