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Posted

A great uncle of mine procured these during or shortly after WW2, although sadly I don’t know their provenance beyond that. Can anyone provide me any opinions of their quality, age, style and perhaps value?  Forgive my ignorance I am only beginning my journey and education in Nihonto and their associated fittings and accoutrements.  Thanks in advance. -Reid 
 

2-B9-A730-F-25-BB-42-A6-B822-7048-E47951
3-EAD01-FA-D659-42-B7-A284-B77671-CE9460

  • Like 1
Posted

Dear Reid.

 

Well I like the kogai.  A question on the tsuba: the style of the decorative foliage makes me wonder if this is a san mai awase tsuba, i.e. three layers.  Have a look in the nakago anna and see if the outside layers are very thin on a thicker core.

 

All the best.

  • Thanks 1
Posted

I think Geraint is correct about it being san-mai. Having enhanced the photo you can see the outer layer has worn through on the shishi's head, the photo's definition is not good enough to see the layers in the nakago-ana very well.

image.thumb.png.7a423b7692b53d60aeaa0dcf8a90e1dd.png

Posted

So the body of tsuba itself is a solid piece of iron. The higher raised details such as the temple dogs and other animals appear to be another, softer metal (shakudo?  bronze?) which were then gilded. 

Posted

Agree with Geraint, it's a sanmai awase tsuba, i.e. a mass-produced one, BUT it's an old one (pre-Edo, possibly) and should deserve a ko-kinko certification.

BTW, the core layer should be copper, so non-magnetic (try it).

Posted

Hi Reid,
why you want a kanteisho for it? It will cost you quite a lot, with a comparatively little increase in market value of your tsuba. Of course if you want to enjoy the experience, go for it...
Regards, Mauro

  • Like 1
Posted

I think papers help to add credence to a signed tsuba and increases the value but it has too be worth the cost

I submitted 5 tsuba a couple of years ago because they were NOT signed and had a couple of surprises but these were (in my opinion) good quality tsuba

 

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