Oshy Posted April 16, 2020 Report Posted April 16, 2020 Came across this, curious if this is an example of a blade that has been re-tempered? Looks a little funny in some spots/angles. https://www.facebook.com/pg/Samurai-sword-and-others-311039152711539/photos/?tab=album&album_id=842749512873831&ref=page_internal Quote
ROKUJURO Posted April 16, 2020 Report Posted April 16, 2020 Mike,as many others, I am not on Facebook, so I could not see what you mean.Can you please show some photos here and expand on what you see? Quote
paulb Posted April 16, 2020 Report Posted April 16, 2020 Hi Mike, Normally if a blade is retemepered there are a number of telltale signs. The hada tend to look "glassy" there is mizukage (not sure of spelling) which shows itself as a cloudy line running at an acute angle from the hamachi towards the shinogi and the sori tends to be exaggerated. I don't see any of these on the images you linked to. The hamon does look a little strange but I don't think that is a result of Saiha. 1 Quote
Oshy Posted April 16, 2020 Author Report Posted April 16, 2020 Thanks Paul! Jean, here are some pictures: Quote
ChrisW Posted April 16, 2020 Report Posted April 16, 2020 If there is a mizukage, that'd be the dead giveaway. Quote
ROKUJURO Posted April 16, 2020 Report Posted April 16, 2020 Mike,I think what we see here is the effect of a rather 'sloppy' polish, not SAIHA. 5 Quote
Grey Doffin Posted April 16, 2020 Report Posted April 16, 2020 I agree; the polish is a stinker. Grey Quote
Geraint Posted April 16, 2020 Report Posted April 16, 2020 Dear all. "If there is a mizukage, that'd be the dead giveaway." Careful with this, not always the case. See here and scroll to the end. http://www.ksky.ne.jp./~sumie99/utsuri.html Mizukage is also a feature of some smiths work. All the best. 5 Quote
ChrisW Posted April 16, 2020 Report Posted April 16, 2020 That's true. I forgot about that! Have to agree with Grey though, that polish is meh. Quote
vajo Posted April 16, 2020 Report Posted April 16, 2020 Re-temper? I didn't see anything like this on that sword. Quote
Oshy Posted April 16, 2020 Author Report Posted April 16, 2020 Thanks for the input everyone! Love to learn ???? 1 Quote
Andi B. Posted April 16, 2020 Report Posted April 16, 2020 While performing initial yaki-ire the blade should still have an unsharpened edge to avoid any hardening cracks. After a fire damage isn't it required to reshape the blade to a 'new born' shape to withstand a second hardening process? This followed by a new foundation and final polish, I assume the blade will lose a noticeable amount of steel. So could mizukage on a very healthy blade speaks against a re-tempering? Quote
Dave R Posted April 17, 2020 Report Posted April 17, 2020 You might find this interesting... http://www.nihontocraft.com/Yakinaoshi.html 4 Quote
Ken-Hawaii Posted April 18, 2020 Report Posted April 18, 2020 Sanbonsugi hamon, & the polish isn't that bad. Quote
Bruce Pennington Posted April 18, 2020 Report Posted April 18, 2020 Ok, don't groan too loudly, but for a guy completely ignorant about polishing, can someone possibly explain for me why the hamon pattern on this is a result of it? I'm like Mike at the start - it looks like a suguha overlaid by a wavy hamon. Seems like 2 patterns. Quote
RichardP Posted April 18, 2020 Report Posted April 18, 2020 On 4/18/2020 at 3:20 PM, Bruce Pennington said: Ok, don't groan too loudly, but for a guy completely ignorant about polishing, can someone possibly explain for me why the hamon pattern on this is a result of it? I'm like Mike at the start - it looks like a suguha overlaid by a wavy hamon. Seems like 2 patterns. Me three! Hoping I’m not muddying the waters, but there’s this, from Mr. Hofhine’s site: “If the blade has a hamon such as sanbon-sugi or some togari-ba, a sashikomi finish may also be preferable. This is because the hamon consisting of many narrow, high, widely separated peaks, may not fit well into a keisho wave form...” (http://ipolishswords.com/Keisho.html) Regarding this polish, would it be fair to criticize the suguha element as overexposed? (The suguha seems to cut through the peaks and overpower them, resulting in what seems like two overlapping hamons, rather than a single harmonious one—or am I well off base?) Here’s Mr. Brockbank on sanbonsugi: https://yuhindo.com/kanemoto-katana/ 1 Quote
Tom Darling Posted April 24, 2020 Report Posted April 24, 2020 I doubt it, looks normal. In fact I have never seen a re-tempered ubu waki, of course there are always exceptions. Peace. Tom D. Quote
Lance Posted April 24, 2020 Report Posted April 24, 2020 My understanding is you will never see the remnants of an old hamon on a re hardened sword, as before a new one is created the blade is heated and allowed to cool naturally. This removes the old hamon, both functionally and visibly. (I think this is also when the grain takes on the looser and glassy look,from multiple expansion contraction and change in carbon content) From the photos it just looks like the polisher didn't consistently follow the hamon, so the peaks aren't as white as the the rest when using hazuya finger stones, http://www.ksky.ne.jp./~sumie99/utsuri.html As an aside, maybe I just haven't seen enough swords or my logic is faulty, but I don't think there are as many re-tempered swords out there as people believe. It seems to me any swords that were really important and worth the effort are already very rare, (for example blades made by Koto masters damaged in a fire that were given to Echizen Yasatsugu and re tempered for the Shogun) Any munitions grade swords for ashigaru or even mid level blades were probably scrapped, and not worth digging through the rubble after a castle fire, and any that were reworked during a campaign due to battle wear saw attrition through just being used up. Regards, Lance 2 Quote
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