Brian Posted December 4, 2016 Report Posted December 4, 2016 Saw this on FB today.The hamon looked oil quenched, and then I saw the Sho stamp. So yet another Showato that slipped through the registration cracks in Japan.And that "horimono" looks like it was done by someone with a Dremel Nah..not my thing at all. Seems the authorities are getting a little more lax in their registration procedures lately, or they just don't care as much? Anyways, ugly sword award of the day (imho) goes to.... http://www.nipponto.co.jp/swords3/KY327482.htm Quote
Greg F Posted December 4, 2016 Report Posted December 4, 2016 Oh man what were they thinking. Surely it won't sell at that price Brian. I think your right about the Dremel. Greg Quote
Geraint Posted December 4, 2016 Report Posted December 4, 2016 At least they only did it to a Showato............. Quote
Jimmy R Posted December 4, 2016 Report Posted December 4, 2016 Evokes the "just learned to color in the lines" feeling. Quote
Brian Posted December 6, 2016 Author Report Posted December 6, 2016 I do..a huge one. Japanese aesthetic vs Western or amateur decoration. At least the clouds maintain a certain Japanese aesthetic. Quote
Baka Gaijin Posted December 6, 2016 Report Posted December 6, 2016 I can think of a few this side of the pond who would jump at something blinged out by that. And they all, to a man, have the title Soke or Professor somewhere in the CV. Quote
paulb Posted December 6, 2016 Report Posted December 6, 2016 I have to say I don't like the authentic piece either. If you look at the underlying sword it is quiet and attractive with a fine ko-itame hada and gentle suguha hamon. To my eye putting such a glaring horimono on it detracts from the original work in a very negative way. Just as well we are all different and have different takes on things, the only problem here is that once it's done it can't be undone so you would need to be vey sure it was what you wanted (I am sounding like I am talking to my daughter about tattoos!!!) 1 Quote
Jimmy R Posted December 6, 2016 Report Posted December 6, 2016 Brian, I was kidding. Of course they are miles apart. But I also very much agree with Pauls observation. I think that being lovers of Japanese art beyond mere amateurs most of us have an appreciation for the understated. The subtle interplay between nature and the Japanese vision of aesthetics draws the aficionado deeper down this vortex of a hobby. Quote
Brian Posted December 6, 2016 Author Report Posted December 6, 2016 Didn't say I like the second one either, just that is looks more Japanese than the former Neither do very much for me. Quote
Toryu2020 Posted December 6, 2016 Report Posted December 6, 2016 I dunno has kind of an Ainu feel to me. Cool for its uniqueness... -t 1 Quote
Curran Posted December 6, 2016 Report Posted December 6, 2016 -T Ainu tsuba for you: http://www.kusanaginosya.com/SHOP/37.html 14mm thick. Quote
Greg F Posted December 6, 2016 Report Posted December 6, 2016 Wow Curran I'm not sure I've see tsuba so thick! I do like it though. As for the second sword I think it's definetly better and the horimono has a much more Japanese look to it. Greg Quote
Carlo Giuseppe Tacchini Posted December 29, 2016 Report Posted December 29, 2016 just that is looks more Japanese than the former Neither do very much for me. The first is an absolute joke... Quote
Carlo Giuseppe Tacchini Posted December 29, 2016 Report Posted December 29, 2016 I have to say I don't like the authentic piece either. If you look at the underlying sword it is quiet and attractive with a fine ko-itame hada and gentle suguha hamon. To my eye putting such a glaring horimono on it detracts from the original work in a very negative way. Just as well we are all different and have different takes on things, the only problem here is that once it's done it can't be undone so you would need to be vey sure it was what you wanted (I am sounding like I am talking to my daughter about tattoos!!!) Maybe the clouds were carved to cover forging defects... Quote
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