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Posted

Went to the Chantilly Gun Show today and started my Tsuba collection with the following two pieces. Any tips on identifying: age, maker, location made, etc? Also, any suggestions on how to go about learning more about Tsubas? Suggested books?

 

Also had the pleasure of meeting, conversing and learning a ton from Chuck Cillo.

 

Don J.

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Posted

Hi Don,

 

The suggested books have been discussed countless times before. You'll find them by using the search function above. The basic advice is that read a lot before you buy and try to get a chance to handle excellent tsuba (note the plural - not 'tsubas' :) ).

 

Also I would recommend going through the old topics in the forum, which I found very useful and using the Links-section on top to find helpful sites.

 

I do not wish to comment on your first two tsuba. The one on the left gave me the first impression that it might have been in a fire once, but the more experienced guys will know more.

Posted

Don

Not a bad start. The first is interesting since it seems to use the ken-katabami mon, with just one plugged with brass. I wonder if you see evidence that others of the cut-outs were filled?

 

Also of interest is the two plugs either side of the nakago-ana, could this have been mounted on a wall somewhere?

 

The second does indeed match Dirk's motif quite well, i think better photos of each are in ordero say more...

-t

Posted

Interesting tsuba and very nice F/K set, but not matching theme. On tsuba a popular fabric design, on F/K lightings omong clouds.

Bye, Mauro

Posted

Thanks to all who responded. These obviously don't compare to some of the incredible works of art on some Tsuba owned by many board members but I thought they were fun.

 

T, in conversations with a few people, the plugs might once have been part of a belt buckle. :) As far as the other cut outs being filled...I don't believe so. Is the coppery looking material shakudō?

 

Don

Posted

Hi Don,

I'm unable to answer your question, the hitsu-ana plug (umegane) is almost surely shakudo, the other material could be either unpatinated shakudo or another copper-based alloy.

I had a second look at the other tsuba (with the engraved sayagata pattern) and only now I see some seal script kanji. It could be interesting and educative to have them translated.

Bye, Mauro

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