Gabriel L Posted August 31, 2014 Report Posted August 31, 2014 Hello everyone, A while back I posted a breakdown of ken horimono terms and their Buddhist context. Barry Hennick graciously requested to use that material for the JSS/US newsletter. I was happy to oblige, except that I was not wholly satisfied with the forum post. Accordingly it has now been expanded to a more complete article format which makes a few small revisions/corrections and includes more information on Shingon Buddhism etc. You are invited to read the full PDF (~7 MB) here. This is the final draft that was submitted to Barry last week, and it should be 99% of what appears in the JSSUS bulletin. There were some growing pains in expanding the post to an article, and I realized along the way that these topics and themes could fill a book or more. Nevertheless, I am happy with the final result and I hope you all enjoy it. Special thanks to Barry Hennick, Ford Hallam, Darcy Brockbank, & Pablo Kuntz for their help and contributions. Regards, —G. Quote
cabowen Posted August 31, 2014 Report Posted August 31, 2014 Excellent job! Very detailed with well documented research. I was pleasantly surprised to see a few blades by the smith Oguri Motoshige, having brought him to Chicago for a show some years back. He is an excellent smith and a very talented hori-shi as well... Quote
seattle1 Posted September 1, 2014 Report Posted September 1, 2014 Hello Gabriel: Excellent work Gabriel! It is great to see such an interesting article on a little touched upon subject. Very good also to see the co-operative help you have received. Arnold F. Quote
Peter Bleed Posted September 1, 2014 Report Posted September 1, 2014 Gabriel, This is, indeed, a terrific contribution. It is well researched and quite useful. I am also very pleased that you have made it available thru the JSSUS. Thanks!. Peter Quote
cabowen Posted September 1, 2014 Report Posted September 1, 2014 You can tell what turns the academics on! :lol: Quote
Brian Posted September 1, 2014 Report Posted September 1, 2014 Great job Gabriel, fantastic article. A seriously professional look to it. Would love your permission to host it in the articles section, or otherwise link it there. Thanks for your time and effort. Brian Quote
Gabriel L Posted September 2, 2014 Author Report Posted September 2, 2014 Thanks for the kind words everyone. Brian, you are certainly welcome to host it. Cheers, —G. Quote
kusunokimasahige Posted September 2, 2014 Report Posted September 2, 2014 Thank you ever so much for this great article !! KM Quote
Jussi Ekholm Posted September 2, 2014 Report Posted September 2, 2014 Awesome article Gabriel, very well written. Quote
Kevin Adams Posted September 2, 2014 Report Posted September 2, 2014 Wonderful article, thanks Gabriel! I can see the distinctions also being a useful start in looking at some tosogu (i.e. menuki)... Quote
Gabriel L Posted September 3, 2014 Author Report Posted September 3, 2014 Your comments are all appreciated. Kevin, certainly these themes exist beyond horimono. Keeping the article centered on horimono was a convenient way to limit the scope, but it would be nice if there was a comprehensive dictionary of nihontō/tōsogu-related motifs, wouldn't it? There are actually elements of vajra etc. that I was continuing to discover as I was polishing the final draft. For instance: * A closed vajra (with the prongs meeting at the tip) is peaceful, an open vajra wrathful. * The male double-sided vajra vs the female vajra bell. * The quatrefoil vajra, which is basically two crossed vajras. * The "shoulders" on Japanese vajra prongs were originally sculpted "makara" mouths in Indian vajra, a sort of aquatic mythical beast, and the prongs were tongues. * At least one example of a Shingon ritual involving the ken. * At least one example of a Shingon ritual involving fire. * Many complex interrelated concepts regarding the five wisdoms, the five wisdom kings, the five great Buddhas, lotuses, mantras, sutras, circles, etc. At some point however it would have stopped being a nihontō article and started to become a Buddhism book. I also slightly regret not including more example photos of fine historic horimono, since a central point of the article was that originally they had more personal meaning than they may have for many nihontō owners today. The modern ones I included are gorgeous but I think swapping a few out for some Heian/Kamakura examples might have been a good idea. Anyway all this is to say that there is a lot more to the subject than I could really fit in an article, but that is trivially true I suppose. Just more incentive to keep studying. Thanks again, —G. Quote
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