David McDonald Posted February 23, 2014 Report Posted February 23, 2014 Dear All Not sure if this is the correct area of the board but is a start. Star stamp Kokuri Rikugun Zōheisō 小倉 陸軍 造兵 Showa ni ju nen ni gatsu 昭和二十年二月 On mune two katakana – Ri Ri リリ (maybe two ko 小小with missing stroke?) So is this a gendaito? And who would be the smith? The blade has been sand papered so can not see much but there is a chu suguha in nioi With koshiba in the ura side. And I can see one slanted peak in the hamon. The peak goes up about 3 mm above the suguha. Boshi is ko-maru. Any thoughts would be great. thanks david mcdonald jswords@mcn.net Quote
Stephen Posted February 23, 2014 Report Posted February 23, 2014 http://home.earthlink.net/~ttstein/riku.jpg something to do with Army officer club? nice find looking forward to learning more about this smith Quote
David McDonald Posted February 24, 2014 Author Report Posted February 24, 2014 Dear All Just as a note Chris Bowen at viewtopic.php?f=15&t=14628&p=127923&hilit=Kokura+Rikugun+Zoheisho#p127923 has translated Kokuri Rigun Zōheisō as Kokura Army Armory for the signature and at viewtopic.php?f=9&t=7146&p=57017&hilit=Kokura+Rikugun+Zoheisho#p57017 George has Kokura Kosho: Hakuryushi Tadataka, Taira Sadashige, Kanenobu Do one of these smiths use a chu suguha in nioi and koshiba??? And that the from the above, it seems that true gendaito appear with1. tosho mei and small logo stamp, eg "saka", and "na" etc (eg Ichihara Nagamitsu with "saka"). 2. Blades with mei (no date?) and star stamp made "on-site". 3. Blades with mei, date and star-stamp made "off-site" by Rikugun Jumei Tosho . So what is a star stamp that is dated but no tosho mei just Kokuri rigun Zoheiso????? later david mcdonald jswords@mcn.net Quote
george trotter Posted February 24, 2014 Report Posted February 24, 2014 Hmmm, As per the RJT rules (see "articles" link) a smith had to sign and date his work. Of the several RJT swords I have seen with "such and such" Rikugun Zoheisho, they all had a 2 kanji mei at least. See Slough p.135. This should not exist....I hope someone will comment. Regards, Quote
zentsuji2 Posted February 25, 2014 Report Posted February 25, 2014 I am no expert on this subject but could this be a blade that slipped through the stringent rules of the rjt scheme. As we know many blades were turned out by these Smiths,and this one has a well cut kokura Rikugen Zoheisho, and date,the inspector could have passed the blade inadvertently. This is theory only and I can't back it up,but people do miss things. Has anybody seen this style of cutting on any of the kokura Rikugen Zoheisho nakago before?We know kuniie cut mei for smiths and yakire,hopefully someone may recognise the work on a sword or oshigata of a Krz smith, who signed in this style. This is just a thought and apart from the lack of mei,it is for all intent and purpose a star stamp, or an attempt to deceive,which I find unlikely. We are still learning about these swords and anomalies appear from time to time. I hope it's solved, as usual these interesting swords are giving us more to debate and look into. Best regards. Ian bellis Quote
cabowen Posted February 26, 2014 Report Posted February 26, 2014 Please notice the date on this sword. It is more than likely that in the last days of the war, things went out in a rather hurried fashion, without all protocols being followed. Quote
george trotter Posted February 27, 2014 Report Posted February 27, 2014 I agree with Ian and Chris, I don't think this is a modern day attempt to deceive, I think it is just an example of a curious "anomaly"...as they say, never sat never with nihonto. Chris's comments re the date and the rush of late war production seems quite reasonable. BTW Itend to think the two kana stamps on the mune are indeed "ko" as this is the inspection stamp for Kokura. Looks like nice RJT blade...any blade pics? Regards, Quote
David McDonald Posted February 27, 2014 Author Report Posted February 27, 2014 Dear George Here are some images. Not much to see. The sword had been rusted/pitted. Last owner used a sander on the blade. Rounded over the shinogi and mune. Left some deep gouges. The sword will need a polisher to set it right. The hamon is not a straight line suguha but suguha with very small gunome. A few places it looks like a very narrow nioi. The post viewtopic.php?f=15&t=14628&p=127923&hilit=Kokura+Rikugun+Zoheisho#p127923 Has much the same signature but with a 1944 date. We now have two swords signed this way? Might the smith just not like the blade and choice not to put his name on the sword? later david mcdonald jswords@mcn.net Quote
george trotter Posted February 27, 2014 Report Posted February 27, 2014 Thanks Dave, Hmmm...two unsigned RJT blades and both from Kokura...I think we'd better call this the "McDonald variation" haha. Maybe best to wait until someone can ID the work to a known Kokura smith before you spend money on a polish? Anyway, it has the star stamp so that is a promising sign...maybe, if someone knows the names of the smiths that worked at Kokura (do an on-line search)? we could compare known works to this for nakagojiri, yasurimei and mei kiri characteristics. A mystery worth solving IMHO. Regards, Quote
Nihonto Chicken Posted March 17, 2015 Report Posted March 17, 2015 Hmmm...two unsigned RJT blades and both from Kokura...I think we'd better call this the "McDonald variation" haha. FWIW, link to my thread regarding a third similar example (thx to reeder for flagging this current thread): http://www.militaria.co.za/nmb/topic/16353-interesting-late-44-gunto/ Seems the missing personal swordsmith mei may not be a one-off inadvertent slip up. Quote
cabowen Posted March 18, 2015 Report Posted March 18, 2015 It is possible that the armory simply put out these as generic work, perhaps made by students. They were Army and could do what they wanted to as far as the stamping is concerned. There were a few good smiths known to have worked at the Kokura Zoheisho but looking at the poor quality of the nakago finish and the almost amateurish way the mei is cut I would say this is not the work of one of the better smiths like Sadashige. Quote
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