Hinawaju Posted November 15, 2012 Author Report Posted November 15, 2012 Hi Paul, There are "only" 30 rivets, which makes 1860. It is amazing when you think of how much work there was put in making such kabuto. Regards, Guy R. Quote
myochin Posted November 15, 2012 Report Posted November 15, 2012 Thanks Guy. The one in the Stibbert Museum also has 30 rivets per row so this could be another feature. Luc, the armour you mention sold at Christie's, does it has a gold sun lacquered on the front of the bowl ? Paul. Quote
Luc T Posted November 16, 2012 Report Posted November 16, 2012 Paul, it was the famous october sale 2009, lot 79. My Nagamichi has 32 koboshi per ken. by the way, has anyone the Christies catalogue of 1985 for sale? Quote
myochin Posted November 16, 2012 Report Posted November 16, 2012 Thanks Luc. So we have 30 (Guy & Stibbert) & 32 (Luc) rivets per row. Paul. PS: I guess you are referring to the Christie's 6 catalogues Set of 1985. I don't have a spare copy but can scan anything you need. Quote
Luc T Posted November 16, 2012 Report Posted November 16, 2012 the nagamichi from christies 2009 has 31rivets per ken. Paul, there was a sale of a famous armor collection. That's the one I am looking for. Quote
Luc T Posted November 17, 2012 Report Posted November 17, 2012 I just double-checked my Nagamichi, it has 31 rivets. Quote
IanB Posted November 17, 2012 Report Posted November 17, 2012 Luc, Like yours, my Nagamichi helmet has 31 rivets per plate whereas my koboshi kabuto by Saotome Ietada has 25. Ian Bottomley Quote
Luc T Posted November 17, 2012 Report Posted November 17, 2012 Ian, I suppose your Ietada is the one from your book? Very nice kabuto! 25 seems to be common for Saotome. These koboshi kabuto are so beautifull... I can't imagine how they could make them so perfect. Quote
Hinawaju Posted November 30, 2012 Author Report Posted November 30, 2012 Hi, are these just for decoration or what? The cranes have different poses so I doní think they are mon, at least I haven´t found anything similar. Regards, Guy R. Quote
IanB Posted November 30, 2012 Report Posted November 30, 2012 Guy, I agree, I do not think your cranes are a kamon and may have been applied just as decoration. I suspect they were added later. It was very common for the owners of armour to remove their kamon when they sold them during the early Meiji period. One trick was simply to break off the fukigayeshi - I have a fine momonari kabuto that has been given this treatment. Another very fine helmet I can picture in my mind but cannot for the life in me remember where I saw it, has small circular menuki of the type you get on tanto tsuka substituted for the original kamon. Ian Bottomley Quote
Hinawaju Posted November 30, 2012 Author Report Posted November 30, 2012 Ian, Thank you for the answer. The kabuto needs to be tended to, so I will have to discuss this with the person who is going to do the job. Regards, Guy R. Quote
Shimazu Posted January 4, 2013 Report Posted January 4, 2013 Hi All, I have an unsigned koboshi kabuto that to my eye looks similar to several posted in this thread though clearly not as nice as those shown. Did Nagamichi or other known armor makers ever produce unsigned pieces, or are unsigned kabuto usually/always considered school or student pieces? I am a complete novice when it comes to Katchu so please be gentle. There are 31 koboshi per row. I just joined the NMB a week or so ago, and hope it is not considered bad form to join this topic so late. Thanks, Jack E Quote
Shogun8 Posted January 5, 2013 Report Posted January 5, 2013 Jack, Firstly, welcome to the forum. That is a very nice kabuto. I think the precision of the hoshi speak to its quality - there's nothing to be apologetic about! In fact, if not for the lack of telltale signs of a Nagamichi which Luc detailed earlier in this thread, this could certainly be mentioned in the same breath. Nice find. John Quote
IanB Posted January 5, 2013 Report Posted January 5, 2013 Jack, Welcome to the group. Yours looks like a Nagamichi kabuto with the three columns of rivets on the front plate. It also has the precision one would expect. I wouldn't worry that it is not signed, the bowl speaks for itself. I have never been happy with the various explanations as to why something, whether sword or armour, is or isn't signed. Perhaps it was a specific order from someone of high rank; who knows? I have just been struggling with who made the two famous Daikoku helmeted armours of Tokugawa Iyeyasu, both of which are unsigned. Kunozan Toshogu Shrine claim the one they have was made by Iwai Yosaemon and that he was armourer to Ieyasu. He certainly made at least four of the armours given to European royalty by Ieyasu, and signed them in red lacquer on the inside of the shikoro and inside the muneita, but he didn't sign the Daikoku armour - if he made them, why not. The four armours given as gifts are all do-maru or honkozane ni mai do with akodanari kabuto and o-sode - totally at variance with the Daikoku armours which are nuinobe do. Kunozan Toshogu claim he worn their armour at Seki ga hara whereas Nikko Toshogu claim he wore the namban armour they have. It is all very confusing. Ian Bottomley Quote
Luc T Posted January 5, 2013 Report Posted January 5, 2013 first off all, welcome Jack! Very fine kabuto! Congratulations! I think is is a late 17 century Haruta. Unsigned? No problem, the quality is stunning, even on the inside. Quote
Shimazu Posted January 5, 2013 Report Posted January 5, 2013 John, Ian and Luc, Thank you very much for the information and encouragement! Your knowledge is impressive and your comments are greatly appreciated. I suppose I will keep my eyes open for other pieces, but other than a collection of abumi, this is my only piece of armour. Quote
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