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Posted

Good afternoon Kunitaro san,

 

This is the article in question; from paragraph 8 of the main body of text after the introduction:

 

http://www.shinyokai.com/Essays_TameshigiriReigi.htm

 

Cheers

 

Malcolm

 

PS The Catalpa Bow is a fascinating record of an almost vanished aspect of cultural heritage.

Dr Blacker was researching in Japan during the 1960's

 

Here is a pdf excerpt:

 

https://eee.uci.edu/clients/sbklein/GHO ... nimals.pdf

Posted

Keith,

I am aware of all that and agree with what you're saying however I have read that in some quarters it's considered that tameshigiri can resurrect aura or spirits and that spiritually cleansing ceremonies should be practiced before and after as the cutting is symbolic of a persons death and was curious as to whether that was what was being referred to.

Posted

Hi Chris.

 

Yeah, I got that after reading your post a third time. I'll admit folklore and mysticism wasn't something that entered into my thinking originally. Sorry, I didn't mean to treat your post on such a superficial level. :) It raises an interesting aspect though. Sword lore is sometimes overlaid by shinto and shamanistic folklore. Often, particularly in the West, we forget how deeply some of these ancient beliefs run. :)

Posted

Malcolm san,

Thank you for the link,

 

This is the article in question; from paragraph 8 of the main body of text after the introduction:

http://www.shinyokai.com/Essays_TameshigiriReigi.htm

Malcolm

 

Text is saying that

 

"If using an older sword whose history is unknown, the sword should be inspected by an expert"

 

is meaning they were using old (Japanese) sword after inspection by expert.

 

The article was written in 1978 in USA.. there was a lot of bad conditioned and mono-steel machine made swords in US which people were using.

 

However, The owner of the sword should be expert...

At least till ww2. The sword man were Experts.

as Dai Nippon Butoku-kai, or Chuo-Token-kai.

After 1951, Japanese sword became An Art object and Budo became a sport.

 

And

Shinto (神道) doesn't use Incense....

Use Shime-Nawa to separate Sacred and worldliness.

 

but, not 神道(Shinto) but 新道(Shindo) !?!?

 

I guess, a lot of myth has created in 60' and 70'

 

what do you think ?

 

And Could you give your opinion about relation between Tameshigiri and "The Catalpa Bow" ?

because, i don't get it.

Posted

Good morning Kunitaro san,

 

Thank you for your insightful comments, they answer a number of questions.

 

I had no idea that Shinto (神道) does not use incense.

 

Do you mean at all, or as a form of purification?

 

Now regarding Tameshigiri and The Catalpa Bow.

 

The excerpt I included above was to give a taste of Dr Blacker's scholarly approach to quite an esoteric subject for us in the West, it is the only readily available pdf text from what is quite a large and complex Book .

 

Dr Blacker researched a number of rituals involving induced trance states where adherants would perform acts where they were said to be protected from harm by their temporary possession by various levels of spiritual beings from Foxes to Bodhisatva, Elemental beings without name to Kamisama.

 

There are a number of photographs in the book of festivals and gatherings on Mt Haguro & Mt Ontake in the early 1960's including the Goma Fire ritual and a ladder constructed of sword blades, festooned with Gohei and a Yamabushi climbing up the edges of the blades.

 

There are many references to spirits contained within objects and well as people, together with observations of various practices including Kujikiri and Yorigitou exorcism.

 

It's the only book written by a Westerner, I have found thus far which covers these subjects in a rational manner.

 

Cheers

Posted

There are many references to spirits contained within objects and well as people, together with observations of various practices including Kujikiri and Yorigitou exorcism.

 

BTW, Kuji-kiri,

Kuji is meaning 9 letters, which is part of my signature

 

臨兵闘者皆陣列在

Those letters are written(cut) on The Nakago of the sword made by Izumi no Kami Kanesada (Nosada)Late Muromachi period.

 

兵ノ闘イニ臨ム者 皆 陣列ノ前二在レ

Hei (no) Tatakai (ni) Nozo (mu) mono, Mina, Jinretsu (no) mae (ni) a (re)

 

All(each) of the man who are facing to Battle, should be the most front !

post-4263-14196844574205_thumb.jpg

Posted

Good morning Kunitaro san,

 

Thank you for showing the Nosada blade, it is truly fascinating.

 

Perhaps a poetic insight into the heart of one of its long passed custodians.

 

I have seen various invocations to Hachiman Dai Bosatsu or Fudo no Myoo for example, but never the Kuji-kiri.

 

どうもありがとうございます

 

Cheers

Posted

I had no idea that Shinto (神道) does not use incense.

Do you mean at all, or as a form of purification?

 

Not at All.

There is no incense smell in Shinto Shrine or Dojo.

hope that we will be able to contribute to lore Legitimate Japanese Tradition through our NMB.

 

Btw,

Posted

Indeed.

There is a lot of interesting controversy around that time.

 

at same time.

The Book of Tea by Okakura kakuzo.

http://www.sacred-texts.com/bud/tea.htm

was published.

After the Samurai period The long isolation of Japan from the rest of the world,

 

Those who cannot feel the littleness of great things in themselves are apt to overlook the greatness of little things in others. The average Westerner, in his sleek complacency, will see in the tea ceremony but another instance of the thousand and one oddities which constitute the quaintness and childishness of the East to him. He was wont to regard Japan as barbarous while she indulged in the gentle arts of peace: he calls her civilised since she began to commit wholesale slaughter on Manchurian battlefields. Much comment has been given lately to the Code of the Samurai, --the Art of Death which makes our soldiers exult in self- sacrifice; but scarcely any attention has been drawn to Teaism, which represents so much of our Art of Life. Fain would we remain barbarians, if our claim to civilisation were to be based on the gruesome glory of war. Fain would we await the time when due respect shall be paid to our art and ideals.

 

Those two books are very good to observe, because they are written in English originally by Japanese person who are educated from original samurai period.

we can lean the spirits of Samurai and spirits of art appreciation from those.

Posted

I too echo these sentiments. I have cherished a copy of Inazo Nitobe's book since my early twenties when I bought it from a second hand book store. I still find it not only a very pleasant read, since the English style is fairly precise and common to the early 20th century, but also because I still find in its pages insights that have eluded me in previous readings. For so small a volume it holds much to be assimilated.

 

I'm motivated now to go and find a copy of Okakura's book to compliment it. :)

Posted
Read what Taisaburo Nakamura said about iaido.

 

Apologies for chiming in on this late, but I've read Nakamura's article several times and and much as I'm inclined to respect the opinions of those that came before, I still conclude that he isn't terribly wise. His conclusions are based a deeply narrow cognitive framework of Japanese swordsmanship in general. For starters, the core of his criticism seems to be centered on kneeling techniques. What's more, he almost completely dismisses the clear and obvious link between kendo and iaido. For anyone with even moderate experience in either, not seeing the similarities and encouraging study in both for the most comprehensive education in Japanese swordsmanship demonstrates that one's sentiments extend past their odd logic. He's just the sort of person that would join a iaido dojo with his head filled with preconceived notions and quit six months later. As a person that teaches iaido, I've seen it time and again.

Posted

Japanese sword is made by

 

1) Material = Tamahagane (new and old method of Tatara and quality of Satetsu)

2) Sugata = Size and Shape (Haba, Kasane, Sori, Funbari, Ha-niku), same as Nakago.

3) Hamon = Treatment steel with fire and water (Nie-deki, Nioi-deki,Suguha, Midareba)

 

and Sword Polisher.

 

Koshirae is made by 

1) Saya/Tsuka maker (wood craft)

2) Kinko 1 Habaki maker (metal craft)

    Kinko 2, Fittings maker

    Kinko 3, Tsuba maker 

3) Nushi-shi (Lacquer craft)

4) Maki-shi (Tsuka binding)

 

All of those skilled craftsmen with positive spirits in good balance makes a good Japanese sword.

Posted

Here is a very brief synopsis of Nakamura's credentials:

 

Nakamura was awarded 10th dan hanshi battōdō by the International Martial Arts Federation, 7th dan kyoshi by the All Japan Kendō Federation, 8th dan hanshi, Jukendō and 8th dan hanshi, Tankendō. In 1992, by Imperial Decree he was awarded Japan's highest cultural award, Living National Treasure.

 

As you can see, he was an expert at both iai and kendo. Additionally, he had what very few other modern martial artists can claim: a lot of actual practical, battlefield experience with the sword, which, if he had a few drinks in him, he would relate in detail. :shock:

 

I would be very cautious in my criticisms of anyone with his depth and breadth of knowledge and experience.

Posted

Thank you.

so, it is costing (a lot) to practice cutting....

 

Fresh Bamboo and Old tatami-omote are free in Japan..

but, shipping to Europe will cost....

 

I thought about to plant bamboo to my garden.

 

That is good idea.

Posted
Try this link:

 

http://www.ninecircles.co.uk/Swords_and ... tting.aspx

 

I would recommend them as a reputable company.

 

They are very cheap, buy VERY soft

 

These are more, but good

 

http://www.karasu.se/KARASU_swordworks/Targets.html

 

Fresh Bamboo and Old tatami-omote are free in Japan..

but, shipping to Europe will cost....

 

Welcome to our part of the world .Sorry :cry:

 

 

I thought about to plant bamboo to my garden.

 

Still waiting for mine!

post-756-14196846896647_thumb.jpg

Posted
what do you think, how much time it takes to have enough bamboo for cutting?

 

It was told to me that they grow fast.

 

:laughabove: maybe in a better climate. I wish I knew :badgrin:

Any keen gardeners?

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