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Jack Zacao

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    Asian art and antiques

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    Jack Z

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  1. it is an obidome, impractical to use as menuki, i have seen menuki as long but never this tall. the character is a kao, but i can’t tell whose it is. seems to be mito school, the description is correct in that. below is an example from a Mito school as well, note the last charator , a similar Kao https://www.britishmuseum.org/collection/object/A_1951-1114-41
  2. I certainly was hoping the base is gold and silver alloy but the color is too pale in reality. Is there anyway to tell without equipment ? the pair weighs about 14 grams and are 1 7/16 inch long
  3. That seems to be the edge of the gold plate or where the gold color stops. There seems to be a small crack around the edge where I can almost tell the gold is applied by a foil. at least the circled area on the left suggests. Other than the base metal I am more interested in knowing if this is Goto work or other school immitation?
  4. After searching the internet again I finally found the Kozuka that has the same design and made by Goto 10th geberation head: https://tsuba-kanshou.hatenablog.jp/entry/dcf90a14c54397050ddd0d72b9cd8e85
  5. Hi guys, Could anyone find similar examples to the menuki below? It has silver back plate but the willow tree seems to have gold color, may be plated with gold. I tried to search online for similar examples but not seem to have any success. The design with egret and willow tree is very common in Japanese art and I have seem it often on kozukas and Tsubas. Based on the style I would say it is Goto school because I have seen one example from the 10th mainline master on a kozuka where four egret almost of the same design/gesture on a willow tree. However, I have since lost the link so not able to find it again. The closest example to it is the link below: https://collectorsfirearms.com/39515-kinko-menuki-mgj428.html/ but it has lower quality than the one I post. If anyone has something similar or can identify the possible school or maker I would appreciate it very much. My guess is a Goto school artist mid edo. BTW, I also wonder how gold is applied to silver base and why there aren't many silver based menuki around whereas shakudo and gold menuki seem to be more common. Thank you. Jack
  6. Thank you both for the informative comments.
  7. Thank you Charlie for your comments. could you please elaborate on what you mean by ‘ complexity of decroation’? Base on the color, I think it is made of shibuichi and the gold eyes and feathers are 象嵌,which i learned recently. The beek is gilding? the belly is of silver color and with black feather, possibly shakudo inlay. please let me know what you think. Thanks.
  8. these are 4.9cm long, way bigger than average. i guess they were made in meiji period.
  9. Here are a pair of Menuki of geese design. They were repurposed into earrings in the first half of last century. The workmanship is excellent but I do not know the school or possible maker because there are no signature or Kao. Any comments are welcome.
  10. Just to add 高瀨榮壽is a student of 泰山元孚
  11. I also have doubts these belong to a set. The fuchi seems to be iron ground or looks different in material and quality than those of the kashira. Fuchi is definitely better and may be authentic
  12. https://www.seiyudo.com/ko-041024.htm another example of his work
  13. 高瀨榮壽,he was pretty famous, but not sure if the work is authentic
  14. Jack Zacao

    Kozuka id

    upon further research , it is found that the 文殊四郎 family was famous in making kitchen knifes in the small city of Sakai which is a suburb of osaka. please read the following link (second paragraph) using google translate: https://www.lib-sakai.jp/kyoudo/kyo_digi/monodukurisakai/monodukuri_hotyo.htm
  15. Jack Zacao

    Kozuka id

    blade says 摂州文殊四郎包清 摂州 is location or 攝津國 which is today’s osaka 文殊四郎 is family name 包清 is name
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