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omidaijo

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Everything posted by omidaijo

  1. Hi All, Not being a fittings guy - would anyone like to comment on the attached Daisho Soten Tsuba before I take them to Japan for papers or conversely, trash them! Gimei/Soshin etc ? Signature is Nyudo Soten, So Hei Shi. I just picked them up (not cheap) in BC Canada .... the dealer who had just acquired them said they were straight out of an Old Scottish Estate so haven't done the usual rounds yet. Incidentally, I saw a Dragon Jizai in this town 18 years ago, and went back to check if I could find the 'house' again. After 2 days on Google Earth flying around at 5 ft getting nowhere, decided to do it the hard way and visit every antique shop in town. Lo and behold - someone recognized the man/house I was looking for, and I found the house! Dragon (baby female with gold eyes) is still there with my name all over it, but the lady owner wouldn't part with it despite some high end offers by me, so I walked away with the Tsuba instead.... Thoughts guys (other than rubbish photography), and please don't pull any punches .... the metal ground is shakudo Kind rgds, Roger
  2. Hi Lorenzo, The fuchi are 'formal wear' - they are usually black horn. I used to think they were there as a cheap replacement to lost kashira, but I was told in Japan that is not the case, and that they are for formal occasions. Often seen on Daisho. These particular fuchi are gold fleck lacquer, but I do not know the base construction. I put a magnifier on the edges, but they are lacquered as well - so without some kind of destructive testing, I am afraid I do not know. If I had to guess, I would say lacquered horn. Kind rgds,
  3. Hi All, Yes, the koshirae is for blades from ............ 9th Gen Tadayoshi! What else Tokubetsu Hozon shinogi-zukuri Wakizashi and old Tokubetsu Kicho papered U-no-Kubi Zukuri Katana. Both in suguha signed in the same style "Hizen Kuni Tadayoshi". The signatures are remarkably similar, and considering the 9th had a relatively short working period of 20 years... they could easily have been made together, although I acquired them separately (having an almost monopoly on Tadayoshi !). The large iron tsuba with brass inlay that I bought in Japan were way too heavy for the blades, and made them unbalanced, so after a few trials with Lee Bray and a tsukashi style tsuba here in Hong Kong, we decided to go for a 'Musashi' style - That proved impossible to buy in Japan as everyone wants one, let alone a daisho set. Lee had his Ford Tsuba with him, and having seen Ford's video on the tiger tsuba that week as well, there was no hesitation in asking Ford to help out. Then Ford came up with the idea of the gold nunome----stroke of genious. We agreed a price and Ford got to work -but I think it took him a 'little' longer than he anticipated and I got far more than my money's worth out of him !! Living in a humid environment, the tsuba have darkened down a little and are now the same patina as the bulk of the fuchi. Either that , or my sticky paws all over them! Luckily the fuchi have several different patinas of copper (and gold), so almost anything could have worked, but you have to like the way Ford matched the patina first go from photos, and aged these puppies as well! They just look like they were made a few hundred years ago. Ford, ever thought of becoming the equivalent of Shinkai ! Interestingly the tsuka came made up in Japan with no mekugi ana - so I guess someone had them made, then decided not to use them. The saya were then made in Japan specially to match the kashira, kind of the wrong way around really, but it worked . The whole project took nearly 2 years to put the set together... and with Ford's tsuba, the work is now finished and complete to survive another few centuries at least... unless I wear them out as I can't stop playing with them. Boys with toys.... Kind rgds,
  4. Immensely satisfied - terrific work by Ford that is perfect and way more than I expected. I think Ford is one of those rare perfectionists ...... just wish I knew how to do what he does, had the time, patience, skill etc :lol: Thank you Ford. Kind rgds, Roger
  5. Hi All, I spent 4 hours replying to this yesterday, hit 'submit' and gone..... To where I have no idea! One day I will learn to backup as I go. And I appologize if this is posted multiple times - having a bad computer technology day. Anyway, here is the 60 minute version of some random thoughts on the matter - mainly speculation as I have not analyzed a Hizen sword from the inside out, nor am I a sword smith. The Hizen Kaji was setup as one of the most advanced and innovative military machines of its day by the Nabeshima, who were tasked with, amongst other things, the protection of Nagasaki port. The location of the Kaji meant only a day’s travel by canal and ship to Nagasaki. Its location also saw a vast array of Samurai traveling the Nagasaki highway to/from Kyushu during dangerous times. Not only civil strife prevailed, but there was the constant threat of a reprisal from the ill fated Korean campaign a few years earlier, and there was an innovative Daimyo controlling the area. The Hizen Kaji was strategically placed to ensure its survival as a major sword production site for centuries to come and with an innovative leader, there comes innovative techniques. Clearly there was a huge requirement for modern swords of the highest caliber in Kyushu, there were the men and equipment to make them at Saga, and there were boatloads of highly sought after steel at the backdoor in Nagasaki. ..... And you "don't take coals to Glasgow" - which means if you have a supply of material on hand, why carry the stuff from far away. Namban tetsu was a highly sought after and expensive commodity, and it was the McDonalds version of steel - "takeaway", so it would have cut production times down significantly. It was right there under the immediate control of the Nabeshima who were the sponsors of the Hizen Kaji. The kaji needed steel, and the Nabeshima controlled it. (Fukuoka port was to the East in Chikuzen so steel from this port would have circumvented the Nabeshima and clearly found its way to ‘mainland’ sword smiths) Hizen Hada can be incredibly tight - almost muji - and I really do wonder if a sword smith can make this kind of hada that easily using traditional methods, and how much simpler it would be with foreign steel. I am not saying all Hizento were made with foreign steel, but there can be no doubt in my mind that some were, and I would like to think it was some of those 'man-cutter' huge swords with perfect hada - the ones you could take to the frozen wastes of Korea and it not break on the hessian and leather Mongol armour in the middle of winter. An over polished Hizento can display rather coarse core steel, much like your average Koto sword - so I doubt Barbarian steel, being an expensive commodity-would have been used in the core. Could it be that the thin outer steel was indeed the rather expensive and much sought after Namban tetsu? The Hizen Kaji did use foreign steel - they had a teppo factory just 25 yds down the highway from the Tadayoshi forge, and there was the cannon reverbatory factory 0.5Km back from the Nagasaki highway still in the Nagase-Machi 'area' under Hashimoto control. Interesting also how some Hizen tsuba appear very 'Namban' in nature. There was integration with the Nagasaki smiths - aka Yukihiro with Nagasaki Tanenaga, 8th Gen Tadayoshi and several other smiths who reportedly 'moved away to Nagasaki'. Eguchi states in his Hizento Hikkei when discussing Oranda kitae "In this way, in the Nagasaki district sword forging techniques that were not seen in other provinces flourished, and thus, there was a high degree of support for the branch lines of Hizento". I assume by this that the 'degree of support' meant use of Namban tetsu, but his comment is intentionally vague. Eguchi goes on to say "Namban Tetsu" expression is rather rare; however the inscription Oranda-kitae is fairly common. He specifically says that Hizen was in charge of Nagasaki and that "it was extremely difficult situation in which to acquire imports". I read that as the Nabeshima controlled ALL of the Namban tetsu import through Nagasaki, the only other supply to the rest of Japan being through Fukuoka. So if you were Nabeshima Katsushige in 1600 and have a supply of foreign steel and a vast kaji of metal workers hungry for the stuff - what are you going to do with it? Make ladies hair-pins, or wood nails, or use it in your advanced war machine to make pretty much perfect swords and keep it secret? It is recorded that Yukihiro made swords with Oranda-kitae, but a scan of Hawley shows no such signatures listed, only Motte Namban tetsu with a dozen or so other smiths working mainly in the mid 1600's. Eguchi lists Yukihiro Oranda signatures, but off the top of my head I do not recall actually seeing one in any of the Hizen books. (No doubt a keen eyed reader will point me in the right direction) So to me, that says if the Hizen Kaji were using foreign steel, it was being kept very quiet and not openly publicized by the Nabeshima Daimyo.... and who wouldn't keep the latest and hottest military innovations a secret. If you were using foreign steel, would there be a stigma attached to it? You could, as Clive has argued, say that since there weren't many signatures alluding to the use of Namban Tetsu, it didn't happen. Hard to prove either way, but I think what little barbarian steel that was acquired, was used in swords, just not publicized. Speculation. Talking of Hawley (and I know his book isn’t the definitive on this subject, but it is easy to quote from), there isn’t a single Oranda mei listed, and only a few Motte Namban Testu (some by high end smiths): NAMBAN TETSU MEI Akitsuna 1933 Echizen Kanenori 1661 Settsu Kunishige 1661 Nagato Masayoshi 1598 Echizen Shimosa 1661 Mimasaka Takamichi 1655 Musashi Yasukuni 1700 Echizen Yasutsugu III & IV 1658+ Musashi Yasutsugu 1600 (Big name smith) and his sons to 1781 Musashi Yoshisuke 1783 Hizen Yoshitoshi (Nagasaki) 1716 Interestingly there are some inscriptions that refer to different Tetsu …. Anyone any thoughts on these other than places in Japan?: Motte Mochitetsu Motte Hyotan Tetsu Motte Gotetsu (5 plate??) Motte Tohama Tetsu Motte Rikuchu Satetsu (from Rikuchu?) Motte Takasegawa Sheitetsu Motte Shiso-tetsu Motte Chikudo Satetsu (Chikuzen?) So there is very little factual evidence until we dissect a sword and have it analyzed (any volunteers?). But I think there is so much circumstantial evidence to be able to say "Yes, the Hizen Kaji must have made swords with Namban Tetsu", but to what degree is unknown. Clive, have you ever thought ………that huge, man-cutting Hizen Tadayoshi masterpiece I know you have tucked away in the safe - It may well have an outer steel of Oranda-Kitae, but it could also have core steel made of Pakistani Namban -tetsu, so I will gladly take it off your hands for a pittance. :lol: Kind rgds, Roger
  6. Hi Guys, Nihontophile was Ron Polansky from Texas,USA. His website was http://www.nihontophile.com but it is no longer available. He sometimes sold pieces to up his collection, then started selling for others with Pat O'Toole ? I have bought items from him before and yes he is trustworthy Not sure if this is the same person now, so caveat emptor. PS The Omi Daijo Tadahiro that was being discussed a month back is gimei. 100%. Cheers, Roger
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