Thank you so much Richard for your experience and comments. I would very much like to continue our conversation. I've been studying the language of Tsuba for awhile today, so here goes-
I prefer tetsu-ji over kinko as I believe it's a harder medium to work with, but I don't know enough yet about the two mediums. I would imagine iron is harder to work, but then again does softer alloys give you greater detail? I don't know. What do you prefer and why?
I sort of zeroed in on Shaomi & Choshu schools, especially the Aizu and Shonai branches of Shaomi. Am I correct in my assumption here with the Nara style being prominent?
I read your article and yes I'm willing to collect quality over quantity. The pieces I eventually acquire will someday be handed down to my two sons. I'm a man of only modest means but I intend to save and spend $500-$1000 per piece and will only be able to purchase one, maybe two pieces a year. Are there quality pieces available in this range on the market in your opinion? I'm only 45 so hopefully I have many years to collect at this point. I'm in no hurry here.
Lastly, I do feel inclined to only purchase signed (Mei) tsuba, but what if they do not have papers? What of quality unsigned (MuMei) pieces. Can I get your opinion on all of this?
Thanks so much again
Ed
Asheville NC