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Gerry

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  1. https://www.jauce.com/auction/m1176613035 Here's another oddity on Yahoo Japan, a very early (1931) shobu zukuri katana by Endo Mitsuoki, when he was probably still honing his skills as a self taught swordmith.. The torokusho is from Showa 37, so it's probably too early to be a gimei Mitsuoki blade. It looks pretty rough, with a big ware on the mune, and the mei oddly has Kunimune inscribed on it too, so not sure if Mitsuoki was going for a copy of a Kunimune shobu zukuri katana. It ultimately went for a steal.
  2. This listing for a koto nagamaki was quite interesting. https://www.jauce.com/auction/b1177089370 It looks like a beefy shobu zukuri ubu blade, with a very thin suguha hamon. The jigane seems a little odd with patches of what looks like core steel, but when I inquired with the seller about the weight of the blade only, he said it was 1,312g, which is pretty heavy. It didn't go for too high of a price eventually.
  3. It's pretty easy signing up for Jauce.
  4. It ultimately went for 3.6M yen...I guess some people must really like long swords.
  5. Ha ha...ah, seeing the feedback left on the other thread, I'm not the only one seeing red flags for this auction.
  6. https://www.jauce.com/auction/h1174332059 This odachi is getting a fair amount of bids. Swords of this length don't show up too often on Yahoo Japan, but the nakago oxidation and pitting looks a little off to me. What do you all think?
  7. Thanks for all the thoughtful responses, and it's very reassuring that I'm not the only person buying swords purely based on (not wanting to sound like Marie Kondo) sparking joy, ha ha.
  8. This has always been a question I ask myself especially when I'm looking at gendai blades that I really like. It's always a conundrum to me when I purchase non-papered gendai blades, because there's a very likely chance that the price will go down when I try to sell them, even for non-papered Mukansa level blades.
  9. Oh, I didn't realize that there was a habaki thread, and I'll make sure to post it there too.
  10. The mantis is such a recurring motif in tosogu.
  11. I've always seen that good blades are usually accompanied with nice habaki, and not usually the other way around, so I put good value in nice custom habaki. Most of my swords have the standard cat-scratch textured habaki, but I thought I'd share a few with more unique designs. I particularly like this one with the dragon detail. And this one on the left is just a massive regular habaki, compared to a similar one next to it on a 26.5" kai gunto.
  12. I have a Shigemasa kai gunto made in 1940 that has a bizen choji hamon with a midare komi boshi on the omote side, and a gunome hamon with a komaru boshi on the ura side.
  13. Aoi Art actually had a reasonably priced Morioka Miyaguchi daisho (900,000 yen) that I was almost going to buy back in Nov last year. I went down to the store, viewed the blades, and spoke to Tsurata-san about getting the daisho certified as such with NBTHK papers. He confirmed that as long as a katana and wakizashi were of the same smith with matching mei and nenki, NBTHK would paper them together on the same certificate. I went ahead and reserved the daisho, and was preparing payment when Aoi realized that Mr. Miyaguchi was still alive at 92 years old, and was still taking commissions for swords! So I couldn't get the daisho papered, and didn't proceed with the purchase. Therefore, it's apparently reasonably easy to get daisho NBTHK papers if you meet the conditions stated above, but you don't really see pre-shinshinto blades made as daisho.
  14. It's odd that another soshou mei Shigetsugu on Aoi Art's website sold for much less in 2022, with a nicer hamon and papers too. https://sword-auction.com/en/product/10012/as21733-刀:笠間一貫斎繁継作/ I guess the winning bidder in today's auction really wanted the sword.
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