John C

Varg: Is this a for sale item? If so, it will need to be posted in the for sale section. Also, pictures of the tang and the entire blade without mounts will be needed. From the pictures included, the blade looks oil quenched. Does the blade have a star stamp? Who is the smith? The tsuba is not ww2. Was it original to the sword? Thank you, John C.

Thanks, Nazar. As a proof of concept, it worked well. John C.

Bruce: Is that same celluloid? If so, I was thinking late war with the wire sarute, however it also has pierced tsuba...what do you think date-wise? John C.

This thread (the part from Steve Waszak) talks a bit about acids and forging techiniques to reach the effect.

Should be no problem, however two cautions: First, it will be a harder wood so If carving by hand, be prepared to sharpen the gouges often. Second, if the tree is still whole, you will need to cut the planks and let them finish drying to avoid movement, shrinkage, and tension release after it is carved to final shape. John C.

Google is incorrect. The tannic acid dissipates over time through off-gassing. While this happens faster with kiln dried wood due to 6% moisture content, the concentration is higher and therefore more deleterious to metal. Personally, I don't worry too much about it. Unless the sword is never cleaned or maintained, it should not be a problem. John C.

The word 'nie' means seeth or boil. If you look at the circled area of the picture I posted, you will see what appears to be something that looks like boiling water. That's nie. And it is a sign of water quenching. The thinner, whiter, cloudy areas are called ko-nie. That means 'small nie'. Technically, they are too small to see with the naked eye, which is why it just looks like a cloudy line. All of the above is created by the martensite crystals as they differentially cool in water. John C.

As others have said, honoki is most common in Japan as it is readily available, light weight, straight grain, and easy to carve. Any wood can be used, as long as it is either low acidic (never use oak, for example) or has been air dried for a few years. Kiln dried wood, which is popular in big-box stores, concentrates the tannic acid and could lead to rust production as it reacts with metal. I tend to use poplar or cherry that has been air dried for 5 years because honoki is virtually impossible to get here. John C.

Lance: Seems legit to me. Not ww2 but older blade. If you could take off the habaki (brass collar) and show that area where the tang meets the blade, it may tell us more (the imaginary line drawn between the edge and back should be perpendicular to the center line of the tang. Chinese copies are usually off-center). John C.

All of the clues are in the pictures, Steve. You can see nie and activity in the hada. The hamon has some life and activity in it. John C.

I mentioned in a previous post it is the word Lan (orchid). I wonder if it has anything to do with the Japanese occupation of the Dutch east indies or just an abbreviation for a company name? John C.

Not sure what you have there. Note also that the cuts on the tassel strings are straight and not jagged. I would guess it is not from another gunto. Does F&G have anything on it? John C.

The one next to the 32 could be an artillery sword. The scabbards are similar to some of the ones laying there. John C.

Michael: Looks like a legit type 98 to me. It also looks like the peg (mekugi) should come right out. Remember they are tapered, so when holding the sword in the right hand, the peg comes out from left to right (as if against the palm). A chopstick or thing awl should pop it right out with a few light taps. The information on the tang is what we really need to see. May have once had a leather cover on the scabbard (saya) given it is bare and there is a hole in the tsuba. John C.

No problems loading, however drop down menu on forums is now missing. Not sure if that's a local problem or not. John C.

@Iaido dude Steve: Any insight on these? John C.

Very common for baggage handlers to steal. It has been an issue for a long time. Indeed, roughly 10 percent, depending on the business, of employees steal from businesses of all types. Opportunity + Incentive (pressure) + rationalization = Employee theft triangle (Cressey). John C.

Ron: Here is a diagram of what Grey was talking about. Getting a picture of the boshi will be important. John C.

Konrad: Just looking at this as a piece of steel, it is a hard question to answer. You have no idea what type of steel was used (i.e. 5160, 1095, 01 tool steel, etc.). The dark and light areas are done with an acid etch, which is also deceiving. You also have no idea how it was hardened (i.e., temperature). Does a magnet stick to it well? This means at least it is steel and not an alloy. Does it retain an edge when chopped into wood or something hard? Could mean the steel is good and the quench was successful. If not, it may be mild steel and cannot hold an edge. Regards, John C.

Konrad: Three tell-tale signs this is a reproduction: The "script" writing is not something usually done on swords; the "serial number" on the habaki was not done; and the "damascus" style pattern of the steel is not something the Japanese did. This is a western/Chinese imitation style. John C.

Terrance: Here is some additional info. You are correct in it being a type 98 and the date is August 1943. The scabbard is missing a few parts. A decorative collar and the end piece. The tassel is a company grade tassel, meaning it would have been used by a Captain, Lieutenent, or Warrant officer. The small square stamp above the signature is the Nagoya stamp and I think there is a remnant of the Seki stamp above the date. These would indicate a non-traditionally made blade. The numbers on the tsuba are 501 and would have corresponded to number stamped on the other parts as well as written in lacquer on the tang (appears to have been cleaned off at some point). Hope this helps, John C.

I couldn't imagine having the patience or skill to create something like number 18. John C.

If this were true, my guess is that it would not be from before or during the war. Sticker residue on the ito, or anywhere else for that matter, would not go over well. John C.

Lou: Here is some information about the two styles. The second paragraph talks just a bit about the differences. John C.

Mauro: If you don't mind, what does NBTHK think? I cannot read what they wrote. John C.