John C

You're right. I meant to say chrome but it could be silver coated. John C.

A quick question...were there carved wood kozuka in the Edo period or are they modern tourist pieces? I've seen listings on Christie's for them, but have never been sure. Thank you for reading, John C.

The red and brown tassel is a field grade tassel (Major or Colonel); the brown and blue is a company grade (WO, captain, lieutenant). General tassels would have yellow fringe. Also, I'm not sure about the tsuba and seppa. The tsuba nakago ana does not seem the right shape and the seppa seem too shiny (aluminum perhaps?). I would wait for the opinion of others before making any final conclusions about it. John C.

Tristan: From those pics it seems legit, however the tassels are different in some of the tsuka pics. John C.

Dion: It appears the blade has been coated with cosmoline. You could remove some, possibly under the habaki, with denatured alcohol or acetone (nail polish remover). It may take some rubbing, however if it comes off you might be able to see if there is any hamon. John C.

Ouch...

The first pic is the date Showa 20 (1945), 1st month. John C.

Showa 59 = 1984. He would be a modern smith. Do you know his background at all? John C.

I think that may be the same person I emailed a few weeks ago. They refused to change the listing. John C.

Ron: In Downloads, there is an article by Bruce Pennington called The Mysterious Naval Landing Forces Sword, which goes into great detail about these souvenir swords and their origins. John C.

I thought about other materials, however I wanted to keep it as simple as possible. Cutting a piece of PVC and using it as a clamp would have worked as well, however I wanted the materials to be natural. Even the cord is hemp cord. The pole actually tapers the entire length so a rigid metal tube would have required more shimming etc. to fit. At some point, I will do a permanent fix by using double headed screws, glue, a filler piece (to account for the taper), and matching lacquer. But for now, it displays fine. John C.

This will hopefully be of interest to some folks. As some of you know, yari poles often come cut here in the US, due primarily to shipping costs and storage issues (see pic 1). I wanted to display the pole as a single piece, however not by doing a permanent, blended repair (may come later). I also didn't want the fix to look completely out of place (e.g., clamps, duct tape, etc.). I decided on a quick collar that resembled a kaburamaki to somewhat blend in with what would normally be on a pole (I know - its position is too low but that's where the cut was). See pics 2 and 3. This attaches without glue or fasteners so the pole can be disassembled for storage or shipping. Here was the process for those interested in doing a similar fix: 1. get a pole of larger diameter. In my case, a wooden curtain rod worked. 2. cut to length and drill out the center. I used a 1 inch forstner bit. 3. Sand to a barrel shape to represent the kaburamaki 4.Wrap with cord. In this case, I used yellow hemp cord that I dyed black. 5. Slip over the ends without glue or fasteners. It will hold for display and allow the pole to be quickly taken apart and shipped/stored. John C.

Mal: In reference to the OP and the anchor stamp/kakihan, have you seen anything like that before with military smiths? I know you have a reference to Teruhide in Naval Part 2, page 68, making kanna blades, however I was wondering how prevalent it was among other smiths making items other than swords. John C.

If anyone is interested (beyond my price range). https://www.ebay.com/itm/316468073826? John C.

Jose: The black mark on the tang is the number 8 (hachi); an "assembly" number. The fittings look like the type carried by Gunzoku, civilians working for the military. Are there any marks above the signature closer to the habaki? John C.