Soshin

I opened the NBTHK Tokubetsu Kicho Paper for the new tsuba coming into my collection and can confirm M. A. Quigley is Michael Quigley as name is written on the old paper. Thanks everyone for their reply and any information provided. It was very helpful. I hope to photograph the tsuba this comping weekend.

Does anyone know who M. A. Quigley was? There are three kanji associated with his name that I don't know off-hand without checking my kanji references. Attached is a image for reference. I am researching piece that is new to my collection. Any information would be helpful. Thank you very much.

Contacting @Toryu2020 Tom, he is the boss. I would like to make it to the San Francisco show next year and also attend/submit something for the NTHK shinsa. I will likely skip out of the show early on Sunday and do some Buddhist things with my wife while in northern California. California dreaming!

On a badly damaged tsuba like this where I don't see much of the good natural patina of the iron I would think it would be a significate amount of work to try improve the texture and details of the surface of the tsuba. I would need more photos with good lighting so I could see the extent of the damage and the particular details of the surface texture. With all said I would not say it is not an impossible task.

Very nice, congratulations! My Yagyū Seigōryū battō training sword has a Yagyū Utsushi made by @Manuel Coden back in 2020.

Hi Chen, from looking at the additional photo, I would say Ko-Shoami group or early Edo Period Shoami School. The rim shape in particular does not look like the workmanship of the Owari group to me. The surface looks very damaged likely by sandpaper or something similar (hard and abrasive) was used to remove a lot of active rust from the surface as noted by @Bugyotsuji.

I need many more detail and much better quality photos to confirm. Providing more background information about your request would also yield more replies.

I had a great show. I took a few photos of me packing up and unpacking from the show. I sold two tsuba and reduced my collection of Japanese sword fittings by -1. Thanks to @Mark and family for creating such a positive and welcoming atmosphere at the Chicago show. My wife Tamaki-san wants to join me the next time I go to the show.

Getting everything ready for the show. Only one more day of work helping students as a high school and college‑level private tutor in biology and chemistry before heading out. I’m looking forward to seeing everyone who can make it to the Chicago show this year. Everything I’ll be bringing has been appraised and is 100% authentic. If you have any questions, feel free to let me know.

I have done something similar with my Japanese coin collection last year. I used an app on my iPhone that IDs the Japanese coin and gives me an idea of the appoxiamate grade and value. I submit the top value gold and silver coin regarded by the app using AI from the Edo Period and both passed and came back with a high grade from the PCGS and they were also able to narrow it down to the specific Era in the Edo Period when the coins were minted by the Tokugawa government via the Goto family. I think international Japanese sword collecting in general could learn a thing or two from the international coin collecting hobby.

It should be noted that Matt is a member of the American branch of the NBTHK. This presentation will be well worth the time investment. I have old photos of us attending a old Mid Atlantic Token Kai meeting in northern Virginia way back in 2010. I think we became members of the the NBTHK around the same time. I joined the NBTHK a few years earlier in 2007.

I remember purchasing from his website way back in 2006. It was a nice tusba at a reasonable price that has long since left my personal Japanese art collection. I haven't been at his website recently, but still have it bookmarked. I think I will take a look.

I’ve already been in touch with the presenter for the 1:00 PM session on Saturday, April 25, 2026. I’ll be bringing a fine set of large Ko-Kinkō menuki with NBTHK papers. While they feature an iconic dragon motif, the pair also showcases several contrasting stylistic elements and techniques when compared with contemporary Ko-Gotō examples.

I have a signed copy of that book and that tsuba set is number 89 of the book. In the book it stills looks like a fake to me. Proof positive that no one is immune to the occasional fake as a collector. I have had my fake over the years.

Just wanted to follow up on my original comment with a post saying that I like Bonhams and still register and bid on their Japanese art auctions even to this day. I like their commitment to Japanese art throughout the years and have always had positive interactions with their director Jeff Olson. I just registered for their current fine Japanese and Korean Art auction here (Bonhams : Fine Japanese & Korean Art). It should be noted that I selected local pickup only during the registration process. So, I should be able to avoid extra fees associated with shipping and handling of the auction items. I recommend all NMB members who bid and win at the Tsuba: The R. E. Haynes Study Collection Auction to pick up their items at the auction house directly if possible.