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Okan

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Everything posted by Okan

  1. Those are museum catalogue numbers.
  2. Why are you wearing gloves?
  3. Meow
  4. Steve, This question was already answered..Mark gave you a list of Nobukini’s..it’s one of them. Hawley 15 ones. Why do you want to pinpoint the smith? Why don’t you study the blade and learn something from it?
  5. Just a light coat of oil will be fine! No need for bags.
  6. I would keep it.
  7. Hey guys, Any idea from which schools these might be? Thank you!
  8. Okan

    Moon tsuba

    My lil piece
  9. From Markus: "The mei appears to read: Miyashita – Tadamasa (宮下・尹正)" Looks like another mystery is solved..thank you everyone! @Shugyosha You cancel your next eye exam appointment!
  10. One more try with the pictures.
  11. Dear Chris, Thank you very much!! Here is the excerpt from Markus's book. I'm still amaze that they were able to sign on a "micro" spot where I can't even read with a 10x magnifier Toshinori (寿矩) was a student of Kiyotoshi. His civilian name was „Morimiya Heikichi“ (森宮平吉) and he was born in the first year of Tenpō (1830) the son of a cooper (okeya, 桶屋). His former family name was, according to transmission, „Miyashita“ (宮下). He used the gō „Ryūseimin“ (竜青眠 or 龍青眠) and died on the 15th day of the ninth month of Meiji 30 (1897). His son Heijirō (平次郎), who continued the original family name „Miyashita“, specialized after the Meiji Restoration in the mounting of rayskin (same, 鮫) on sword hilts under the name of „Samehei“ (鮫平).
  12. Hello guys, appreciate if you help out with this one..sharing both sides with multiple angles. Thanks in advance.
  13. I am sure he had done his research before selling this otherwise he would be asking a lot more and its clearly gimei.:treasure hunting needs some basic knowledge right? (I think this is the 6th time i’m repeating myself)
  14. Thank you @Markus !!!!
  15. I totally agree with @SRDRowson!!!! On one side there is this guy who doesn’t want to learn, doesn’t respect anyone, doesn’t respect nihonto, only hears what he wants to hear, and uses this forum and its members to buy and sell some swords…on the other side there are people who gave their best to teach him..and still trying to teach him..why deleting their comments instead of removing this troll? Every post he creates ends up being a locked discussion!!!
  16. My only supporting evidence to your theory would be that i found it in a flea market in Kyoto as much as i love detective work, i won’t be able to go any further on my own due to my lack of kanji.
  17. i knew this was was coming
  18. Thank you @SteveM !!!
  19. Thank you in advance!
  20. Hello all, Last month or so I wrote an article about Japanese Arms in Dutch paintings. Edited version is published in one of my favourite magazines with more information but less pictures. https://www.tokyowee...-armor-european-art/ Also attaching the pictures of the armors incase you don't want to google them You can find their story in the article. Thanks
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  21. Thank you @Gakusee No @Baba Yaga not yet. Peter wrote a great article about signed Nanban Tsuba recently: https://www.mandarin.../signed-nanban-tsuba
  22. Hiya! I wrote an article on Japanese swords in the Golden Era Dutch paintings. Hope you enjoy it. (Had to go through nearly 6000 paintings, literally.) https://medium.com/p/a21cb4051788
  23. Steven, Did you even read the description? It says signed Kozuke Sukesada..not "signed by Kozuke Sukesada" himself. He also mentions "There are copies of his work. A shinsa should be consulted as final authority. " So he clearly says this can be a copy! He couldn't be more clear about this! You always need to hear some positives because you are lacking in basic knowledge..If you like treasure hunting, you need to have some. (Dejavu) Thats a good idea. I think you meant Shinsa, not Sho-shin. Sho-shin means real signature. Brian says, US Shinsa in his post. So you can google " US Shinsa" and find out the answer yourself... Seriously?
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