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Baka Gaijin

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  1. Hi Bill & Brian, Okinawan Karate-Do, Kobudo Weaponry and serving G.I.'s can be a rather grey area of understanding, particularly during the 1950's, '60's and '70's. Here's a useful link, which may help: http://www.wonder-okinawa.jp/023/eng/001/001/index.html From a practical standpoint, the old Sai used by Farmers to mark land plots etc were constructed in a really sturdy manner, being comprised of one piece forged and split into the cross form, later two pieces of steel were jointed and strongly welded to make the tines and the shaft. From the the '60's Sai were being produced commercially for Martial Arts students, these were essentially made in three pieces and just welded and chromed, resulting in really weak spots, which could and would snap away according to the degree of proficiency of the attacking force against the tines usually (Kon (Staff) against Sai, Bokuto (Wooden sword) against Sai etc.) These items were designed for kata, much in the same way as an Iai-To. This may explain the breakage shown in the image. Maybe best to take Nobody san's advice and contact the organisation in Okinawa direct. Best regards Malcolm
  2. Thanks Guys for all this great input and the links... Can I extend the question slightly by asking if Hagane iron sand were to heated to liquid state and during this process carbon added, to 0.5 - 2.00%. Could it be poured into a mould or former and cooled as a flat sheet of steel, and could that be worked subsequently with chisels, files and saws etc? Also while we're here, were acids used to "resist cut" areas on Iron/Steel tsuba? If so, what schools please........ One for Ford perhaps. Thank you all again for the input. Malcolm
  3. Thank you one and all for the input. Question answered and more questions generated. That's the beauty of this Forum. Malcolm
  4. Here's a question that has been perplexing me...... What is the main difference between Iron and Steel related to Tsuba? Malcolm
  5. Thank You Ian, You accurately described the first Wakizashi I ever bought, way back in 1966. The Same had the large nodes on Katana Omote side and was full wrap with paper packing strips at top and bottom. The Cotton itomaki was about 3/4 of an inch wide, doubled over on itself, as if cotton sheets had been ripped down their length to produce the strips. Christmas Steps in Bristol, £4 10 shillings, I could have had its longer Brother for £6.00, or the two for £10.00, but my saved Pocket Money would not stretch to such grand heights. Just to extend the theme slightly, I've heard various UK dealers over the years refer to Blue and Green itomaki as being typical of "Hama Mono", one colour supposedly being Yokohama and the other being Nagasaki. Is there any truth in this? Best regards Malcolm
  6. Hi Ian, Could you elaborate on your opinions regarding "Rebellion" Mounts please, this is fascinating stuff indeed. Best regards Malcolm
  7. Evening Piers, Thank you for the post regarding disassembly of Tanegashima. What is the large ceramic to the left of the Katchu? Best regards Malcolm
  8. I take your point, I was there once myself, but face it, unless you actually picked the piece up from the Japanese Officer concerned in Theatre so to speak, all you really know is that it was on the sword just before you became custodian. No More. All else is anecdotal. Sorry Mate, but it's going to be a harsh learning curve if you want to truly study a Sword's history, you have to become dispassionate and ride the knocks, it's how we truly learn. Malcolm
  9. Hi John, The cord is what is left of a Fusa Himo (literally Tassle Cord). The two wooden toggles are the formers around which the Fusa tassles are formed. They appear on sword bags, armour and even mobile phones. Cheers Malcolm
  10. Thank you very much for the information, it's cleared up some misconceptions. Malcolm
  11. Morning all, Two questions please: 1: In the case of a plain Iron Marugata Tsuba with both Kogai Hitsu - ana and Kodzuka Hitsu - ana, how do you decide front and back? 2: What is the purpose of the Soritsuno hook on a Saya? Best regards Malcolm
  12. Evening All The Tome Raider strikes again...... :lol: Malcolm
  13. Hi Stefan, Great to hear that you are making a study of Nihonto. I agree with Sergio, use a Bokuto (Wooden sword) for your Budo practice. Most students wreck their first Mogito/Iai-to. A Bokuto is more forgiving, better a few blisters than lost fingers, or even worse a damaged blade..... Gambatte!!! Malcolm
  14. Good Morning all. The Art Newspaper has collated World Fine Art auction prices realised for over 20 years and every year publishes the previous year results together with a retrospective. http://www.theartnewspaper.com/ I regard Nihonto as Fine Art BTW Malcolm
  15. Evening all, The base element of the Tsuba looks very much like Tenpo style with the "Hot stamped" characters Ten, Kaze and possibly Kotobuki. Thanks for a great Forum chaps. Malcolm
  16. Morning all, If it truly says Okinawa Hilton, why not try Hotel key fob, Hotel room Door escutcheon plate for lock, or Hikite for fusuma door...??? As it has a design on both sides, my last two thoughts are a bit thin, so I'll say Key Fob. Just a thought. Malcolm
  17. Good Morning, There is an example with a screw threaded nakago on this site. http://www.japanesesword.com/ REF: Item: 1005gunto8 Malcolm
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