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Steves87

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Everything posted by Steves87

  1. Maybe this one relates more to Jean's thread on concentric circles, but in terms of mei, I believe this one is something similar
  2. Hello Marcos, I was wondering if there is an English conversion of: La investigación de monturas de sables japoneses en colecciones públicas españolas. Un punto de inicio para los estudios hispánicos sobre la materia I am interested in reading this for a university subject, I have access to it through my institution in its native language, and could probably get it translated, however, I don't think I could cite it as the institution is English speaking and it may go against subject policy. No problems if there is no translation, thank you.
  3. I can confirm through first hand experience that the Nosyudo.jp guards do actually rust and are magnetic (at least the handful that have come my way)
  4. Yep crane and i also yep, do it... there is nothing wrong with buying this modern repro stuff for other purposes, especially if it costs "nothing". I do it, either for iaito/working shinken mounting, sticking to boxes for decoration, or even as coasters or paper weights. It all falls perfectly into the other thread on Tsubafication. Just like I opened my big mouth on the Murtha collection (and thus, knocked myself out of the market) I'll also say it for modern repro... some of it IS collectable, the only examples I'm throwing out there are, the cas Hanwei/dragon king "Tsuba sets" and the Alva museum stuff. Have some fun with throw-away Tsuba!
  5. The first one looks, and may be, "authentic" (in the sense of construction), but it is damaged through wear; possibly impact. The other two look very much as Jean says. On reviving the thread, possibly this is a good segway for @Spartancrest to post about the Kofu rain dragons in relation to the op's first question?
  6. I actually had the tools out today, so I thought I might take a picture for the visual explanation of the fibreglass pens. In the photo you can see the the brushes, bamboo sticks, various fibreglass pens (some almost stubs now), pine toothpicks, and two mystery utensils for special occasions, which I won't go in to (Aluminium and brass).
  7. Could be this thread I am thinking about, but I am sure I have seen an English conversion of the linked Sesko document
  8. There is definitely something out there like this, it was posted on this forum around 2019 and was an historical publication of some kind. If I remember correctly it listed the top schools for the period (maybe 1910's?) And I'm pretty sure namban was near the top. It will be a big search if nobody else remembers it, but I'll give it a go
  9. Richard is fairly spot in with the dangers of fibre glass pens, although, I suspect there are differing degrees of hardness to them. I have two different kinds, one tends to be able to get into solid stuff, where as the other just smudges, if that makes sense. Modern day tent struts can be cut down and worked into a suitable shape with a power sander. This picture is an example close to yours in both smith and condition, I used the pen for the plate and hard up to the inlay (and on the inlay), I used a pine toothpick. Everything else was soap and a "soft" spec toothbrush. Unfortunately I have issues with remembering to photo a Tsuba "before", the before photos in this case didn't show the rust well (or at all really) so focus on the wax removal on the sakura
  10. Plus one for fibre glass pens here too
  11. Hi Marcos, I was unable to attend, but I will definitely be watching the recording if it becomes available. I am studying information institutions at university, and I can see that there may be some information that I could cite in research articles. I have to do some research into cultural collections soon, and preservation/disaster management is what I will likely be focusing on. Please let us know if there is a recording available.
  12. ahh yes I did see that one back up. the seller is generally good, but they do often use a colouring of some kind. Whatever they use, it does leech when submersed in liquid.
  13. I think you have summed it up well Brian. It is most definitely for the beginner, it touches on basic terms and features of Tsuba by exampling guards that are within the reach of any collector. It should make transitioning to the more scholarly texts just that little bit easier for someone testing the waters into collecting Tsuba.
  14. Thanks Piers, great link there. I guess that confirms that it has nothing to do with the slot shown in the above Tsuba!
  15. I just had this pop up on the instagram feed. I have no idea how this works, but the first idea that came to mind was some sort of slot through the Tsuba for a Tsuka mounted trigger. Then I remembered this thread, so I thought I'd pop the pic on here to see if any one knew if the slots would be able to accommodate a trigger?
  16. There are some interesting research papers on the resurgence of hard copy text vs electronic text out there on the scholarly databases. It seems that the initial rise of electronic texts has flattened and there is now an equally steady consumption rate between hard copy and electronic media. Both Dale and Brian made good points there, I prefer hard copies for long stints, .pdf for a quick reference, and I cannot stand the current navigation on most museum websites (specifically the MET, they had a good system and then they "modernised" it)
  17. Thank you for posting this, Luca. I am in much the same mind as you when it comes to a guard I own with many similar features. I hope you do not mind me posting the pictures, I hope it can further the discussion.
  18. A great thought there Dale, very plausible. Also, adding a sequence to a process can lead to efficiency, in this case they were so efficient, that it looks like a couple thousand got made!
  19. Good point Dan, perhaps the ones which have a mei (some don't), are the ones where the decoration has fallen off? maybe I should change it to 40 - 60?
  20. Well, it could go either way in my opinion. I would vote for unfinished - 60 to 40. Why? Because of the lack of nunome, and ten zogan. That stuff doesn't just "fall off" unless it has had time induced impact forces, or, rust from below lifting it. I have seen Kinko guards of this same theme with the faces missing, but ten zogan still embedded
  21. And here is an example of the typical incomplete horsey guard: https://www.ebay.com.au/itm/285145304043?mkcid=16&mkevt=1&mkrid=705-154756-20017-0&ssspo=2UubEKaEQJa&sssrc=2349624&ssuid=OjC70kueRUa&var=&widget_ver=artemis&media=COPY
  22. Hi Dan, I must assume that one of those opinions you refer to in the other thread, are mine. I just want to go on record saying I don't necessarily think that particular guard was cast (with post added embellishments), but I do agree that it is possible, and that it definitely did happen. I think that we would see a lot more of that exact design if it were cast, just like the grazing horse theme I mentioned, those horse guards are all basically identical.
  23. hi Colin, Jean could very well be correct, there are quite a few Soten/Hikone Tsuba that were done this way. Quite often one will pop up for auction that is just the base casting - no added inlay/zogan, they are mostly complete, just missing the alternate metal faces. A typical example of this is the soten grazing horse theme. I have personal doubts that the mei on these guards were cast in, but that is not for today. I have one a guard with a theme that I believe is similar to your example. Although I have no confirmation, I believe it could depict poet Li Bai, who derived inspiration while sighting a waterfall.
  24. Steves87

    Scary Tsuba

    There is a guard in Grev's Birmingham I believe is also related to these devil guards
  25. Good thread, I've never considered a cat theme for Tsuba. Not quite as rare as fire themed Tsuba though!
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