Ray Singer

I am not certain how many of those swords have been located since the list was written. At least one, the Akihiro, was found a couple of years ago and has been written about in this discussion forum (findable under the keyword Akihiro). It may be the only one. Separately, perhaps the finest and most important missing swords and one not included in that list is the missing National Treasure named Hotarumaru (蛍丸), an ubu odachi by Rai Kunitoshi. Unlike the Honjo Masamune, which was judged to be a less-than-spectacular sword by the scholars who studied it prior to becoming lost, the Hotarumaru was considered one of the best of the Kokuho. It disappeared from Aso-jinja (Aso shrine) along with the Botazukuri koshigatana. Considering the legends surrounding the Hotarumaru, and that fact that it was a masterpiece among masterpieces, it would get my vote for the most interesting sword to base a book on.

Taran, see below. http://www.sydneytokenkai.com/new-page-10.htm Best regards, Ray

It does not answer your question about body cutting tests, however nagamaki (koto and shinshinto) were used in the extreme cutting tests described in the article below. http://www.nihontocraft.com/Aratameshi_Nihonto.html Best regards, Ray

Whoever wrote that "sayagaki" may have intended to write Heianjo Nagayoshi rather than Heianjo Yoshinaga.

Now listed, officially. http://www.aoijapan.com/wakizshi-mumei-atttributed-as-norishige Time for a second mortgage.

Heianjo Nagayoshi comes to mind. Best regards, Ray

Very nice example. They are usually more careful to exclude the sayagaki from their kantei blades. Nagamakinaoshi seem to be rare for this smith. The sayagaki does not indicate if it is already Juyo, but Tanobe-sensei gave his chinchin juju notation. Best regards, Ray

Too true, I definitely get it. A bit of information below. Also, Grey Doffin wrote a longer article on oshigata making for the JSSUS and has offered to share it with members in the past who requested a copy. http://www.ksky.ne.jp/~sumie99/oshigata.html It was Grey's oshigata demonstration I was thinking of, and at the moment only see videos online for his sword etiquette demos (also worth watching). Best, Ray

IMHO, it's a great educational opportunity to go through this process yourself. A nice way to intimately study the details of a sword you own and see features you might otherwise have overlooked. I believe that there was a video tutorial on oshigata drawing online that was filmed at a past sword show. If I can find it, I will share the link here. Best regards, Ray

One of the more beautiful gendaito I have seen was an Ota Chikahide that Moses Becerra sold. I likewise would appreciate seeing additional examples of his work. Best regards, Ray

Sold and donation placed to the NMB. Thank you Tim. Best regards, Ray

Appears to be signed Uda Kunimune. Best regards, Ray

Yes, that is true. It is the digital book I was thinking of, which I believe Roger will sell through his site. Best, Ray

It is a quality sword and the hamon has similarities to the abunome gonome hamon (horsefly eyes) of the first two generations. The very fine hada you described is known as konuka hada and is representative of the school. I would suggest finding a copy of Roger Robertshaw's book on the Hizen Tadayoshi school. This will give you a tremendous amount of background on his lineage. Hizento.net Best regards, Ray

I think you did very well with the Masanaga. I clearly remember that sword when it was listed for sale and how much I liked it at the time. It reminded me of a nidai (Kawachi no Kami) in a good friend's collection. Sandai works seem to be relatively rare on the market. Enjoy. Best regards, Ray

Thank you, I will look out for your email. This piece is now on hold. Best regards, Ray

Frankly I am surprised as well. Unlike the detritus I see selling on eBay for much more, this one is healthy and appears to be eminently restorable, or could be enjoyed in its current condition if someone were not able to restore right away.

Bump. Pictures are poor, but this is a nice sword. Beautiful hamon, interesting mei, no kizu. Best regards, Ray

Kasane is 6mm. Best regards, Ray

Although Nakahara does not buy into the idea that the length of signature in Sue-Bizen has a relationship to whether it is a kazuuchimono or not, my experience is that in daito from mid-to-later 1500s a long signature like yours [bizen (no) Kuni Ju Osafune Sukesada Saku + Date] indicates a better quality sword. Best regards, Ray

Nagasa is 41.7cm. Motohaba is 27mm. This is just blade, habaki and saya. Best regards, Ray

Hi Andy, I believe it is 40cm in length but will confirm all the dimensions in the morning. Best regards, Ray

This is an interesting and flawless Bizen blade. While the complete mei is not intact, the remaining characters that can be read clearly are BI___ OSAFUNE _____. The sword has a feeling of Shinto Bizen. On the opposite side of the nakago there is a second inscription which may be an owner's name: Sadaharu Rokuyoshi. The hamon is choji gonome-ba in bright nioi. There do not appear to be any issues which present a problem for restoration. The saya is done in 'deer hair' lacquer with a few losses. The tsunoguchi and kojiri need to be added. The habaki is copper. $650 (plus shipping & PayPal). Any questions, please email raymondsinger@gmail.com.

On my first trip to Japan Tsuruta-san showed me this massive, beautiful Yoshimune that was a contest winning sword in the 1930s. It must have been 71cm with a wide mihaba. One of my all time favorite gendaito. Agree with Brian's comment, the Hiromasa is looking great. Best, Ray

I will dig through my backups Stephen. Unfortunately it looks like this one did not have the photos automatically archived online. If I can locate some images on disk I will definitely send them your way... http://web.archive.org/web/20101230064231/http://www.swordsofjapan.com/Yoshimune.htm Take care, Ray