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Ray Singer

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Everything posted by Ray Singer

  1. I agree with Uwe. On the reverse, I can only make out Ju. 武蔵守藤原兼中 住 Separately, if you tap the rust with the flat of your nakago-nuki gently then the rust patches will dislodge and fall off. Best regards,
  2. Hi Stephen That is a very low resolution image, but what you highlighted looks like a shape that is defined more by the hadori work than an actual artifact of the blade. On the left, the border is the outer limits of the hadori. On the right it is a line of nie arching out of the hamon becoming chikei. Perhaps others can see more here or there is an oshigata we can refer to. This seems quite different from the other example in one of the Hocho Masamune, with a fan-based structure extending from the hamon into the ji. Best regards, Ray
  3. As Hoanh said, being mumei of course has impact on value. If this sword were ubu and signed (it already appears to be ubu) then the chances are that it would be Tokubetsu Hozon or higher and would have a accordingly higher sale price. Although it is mumei it is nice to see that there are three attributions all going to Kunihiro (shumei, Tanobe-sensei and the NBTHK). It appears to be a very beautiful sword, and was a rare opportunity to get an authenticated example by this Saijo smith at such a reasonable price point. Best regards Ray
  4. Hi Taran, My understanding is that the Botanzukuri is more important for the koshirae than the blade, as it is an intact Nambokucho period mounting. I would recommend the Yamanaka newsletters as a good reference which includes information on both the Botanzukuri Koshigatana and the Hotarumaru. Best regards, Ray
  5. I am not certain how many of those swords have been located since the list was written. At least one, the Akihiro, was found a couple of years ago and has been written about in this discussion forum (findable under the keyword Akihiro). It may be the only one. Separately, perhaps the finest and most important missing swords and one not included in that list is the missing National Treasure named Hotarumaru (蛍丸), an ubu odachi by Rai Kunitoshi. Unlike the Honjo Masamune, which was judged to be a less-than-spectacular sword by the scholars who studied it prior to becoming lost, the Hotarumaru was considered one of the best of the Kokuho. It disappeared from Aso-jinja (Aso shrine) along with the Botazukuri koshigatana. Considering the legends surrounding the Hotarumaru, and that fact that it was a masterpiece among masterpieces, it would get my vote for the most interesting sword to base a book on.
  6. Taran, see below. http://www.sydneytokenkai.com/new-page-10.htm Best regards, Ray
  7. It does not answer your question about body cutting tests, however nagamaki (koto and shinshinto) were used in the extreme cutting tests described in the article below. http://www.nihontocraft.com/Aratameshi_Nihonto.html Best regards, Ray
  8. Whoever wrote that "sayagaki" may have intended to write Heianjo Nagayoshi rather than Heianjo Yoshinaga.
  9. Ray Singer

    Matsukawa

    Now listed, officially. http://www.aoijapan.com/wakizshi-mumei-atttributed-as-norishige Time for a second mortgage.
  10. Heianjo Nagayoshi comes to mind. Best regards, Ray
  11. Ray Singer

    Matsukawa

    Very nice example. They are usually more careful to exclude the sayagaki from their kantei blades. Nagamakinaoshi seem to be rare for this smith. The sayagaki does not indicate if it is already Juyo, but Tanobe-sensei gave his chinchin juju notation. Best regards, Ray
  12. Too true, I definitely get it. A bit of information below. Also, Grey Doffin wrote a longer article on oshigata making for the JSSUS and has offered to share it with members in the past who requested a copy. http://www.ksky.ne.jp/~sumie99/oshigata.html It was Grey's oshigata demonstration I was thinking of, and at the moment only see videos online for his sword etiquette demos (also worth watching). Best, Ray
  13. IMHO, it's a great educational opportunity to go through this process yourself. A nice way to intimately study the details of a sword you own and see features you might otherwise have overlooked. I believe that there was a video tutorial on oshigata drawing online that was filmed at a past sword show. If I can find it, I will share the link here. Best regards, Ray
  14. One of the more beautiful gendaito I have seen was an Ota Chikahide that Moses Becerra sold. I likewise would appreciate seeing additional examples of his work. Best regards, Ray
  15. Sold and donation placed to the NMB. Thank you Tim. Best regards, Ray
  16. Appears to be signed Uda Kunimune. Best regards, Ray
  17. Yes, that is true. It is the digital book I was thinking of, which I believe Roger will sell through his site. Best, Ray
  18. It is a quality sword and the hamon has similarities to the abunome gonome hamon (horsefly eyes) of the first two generations. The very fine hada you described is known as konuka hada and is representative of the school. I would suggest finding a copy of Roger Robertshaw's book on the Hizen Tadayoshi school. This will give you a tremendous amount of background on his lineage. Hizento.net Best regards, Ray
  19. I think you did very well with the Masanaga. I clearly remember that sword when it was listed for sale and how much I liked it at the time. It reminded me of a nidai (Kawachi no Kami) in a good friend's collection. Sandai works seem to be relatively rare on the market. Enjoy. Best regards, Ray
  20. Thank you, I will look out for your email. This piece is now on hold. Best regards, Ray
  21. Frankly I am surprised as well. Unlike the detritus I see selling on eBay for much more, this one is healthy and appears to be eminently restorable, or could be enjoyed in its current condition if someone were not able to restore right away.
  22. Bump. Pictures are poor, but this is a nice sword. Beautiful hamon, interesting mei, no kizu. Best regards, Ray
  23. Kasane is 6mm. Best regards, Ray
  24. Although Nakahara does not buy into the idea that the length of signature in Sue-Bizen has a relationship to whether it is a kazuuchimono or not, my experience is that in daito from mid-to-later 1500s a long signature like yours [bizen (no) Kuni Ju Osafune Sukesada Saku + Date] indicates a better quality sword. Best regards, Ray
  25. Nagasa is 41.7cm. Motohaba is 27mm. This is just blade, habaki and saya. Best regards, Ray
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