Bugyotsuji

Thank you, although I did pay for this gift! Actually the gold spot could be Kondō, copper with gold gilding. The surface looks kind of melty.

Change the topic to: "Would it grab get you?"

That's a difficult question, John. There are fakes and poor condition examples around, rare in themselves, but a good example of a Tanzutsu (Bajozutsu) is even more rare. Prices will vary, but ultimately it is what the buyer and seller agree upon. It was a surprise to see that price, for me, but all things considered, 'way out of line', probably not, particularly as they seem willing to start the peace process with that early position.

Check out the Nezumi no Yomeiri story. ネズミの嫁入り This fable first appeared in the 沙石集 Shasekishu, late 1200s, apparently.

Mmm, yes, I am liking that John. Quite unusual. Nice find. Looks heavy at first glance, but it could be a Netsuke. Sometimes spare tsuba were used to anchor sagemono to the obi, so it would be an easy and logical step to making a specialized one. (I have various other articles fitted with such seated rings, some of which are removable/reversible.)

Looks fine and complete from their five photos John, but 1700-1850 might be a safer date, and on my link it says 900,000JPY!?!?!?! (But then it does say they are open to offers…)

五三桐紋 Gosan no Kiri mon kirigane on top of butt behind dōgané band.

Cleaning up the brass plate, I discovered a rabid dragon, and ahead was that gold disc.

Sometimes we see tosogu fashioned into other things. This is a fuchi, covered with a badly scratched silver or shibuichi (?) kashira top plate. The fuchi is inlaid with gold, silver and shakudo flowers and leaves. The nakago ana has been plugged in silver, and the Netsuke is fitted there with a ring and chrysanthemum seat. The copper top plate of the fuchi itself is inscribed with 後藤光照 Goto Mitsuteru + kao. This is apparently one of the alternative names used by the 11th Goto Honke Master, 通乗 Tsujo in early mid-Edo.

It's a Showa stamp, Curtis. The Mei is Noshu Seki Ju-nin Kanemitsu Saku

Some of the unusual features on this gun, besides the smith name. 1. The bi-metal hikeshi no ana. Sometimes you see them stacked, like the hachimanza on a kabuto, but this is half-and-half. You can see tiny pins holding each hemi-section in place. 2. The mekugi hole surrounds are Japanese apricot (梅) flowers, but each one is pinned. I cannot remember seeing such pins before; normally these were simply set into place, presumably hammered in and glued. (?) 3. Under the stock is a solitary, seemingly random, small solid gold disc, like the sun. This puzzled me for a while until it clicked. It's supposed to be a ho-ju dragonball, and the large kirigane dragon is actually chasing it. 4. The trigger is a sukashi type, unusual for Sakai, and the near sight is not a Mt Fuji style as you might expect for an Osaka gun. 5. On the top of the butt is a paulownia (Hideyoshi) kiri mon. The smith's or the owner's ancestor must have been a supporter of the Hideyoshi family at the seige of Osaka, not of the Tokugawa. Apart from these, and the various kirigane inlays in shinchu and silver, here I was happy to find a gun with the oft-missing trigger guard and ring fitment still intact. Projects. Get the bisen loose, de-rust the barrel, and make a new pan lid/guard/cover.

Two overall shots to start with. Pity I didn’t take any before shots! You would not have believed it! Generally I was building up a collection representing all the regions and gunnery schools in Japan, so I am pleased to finally get a Sakai gun. Most collectors seem to start with one, but here I am going the other way round. (I started about 25 years ago with an Awa long gun, and the next was one from Hino.) And Notice the Hikeshi no Ana chrysanthemum surround is half silver and half shinchū.

Yes, the push-through feature is neat, I agree.

When we say 'match', we are discussing the burning cord. When you cease firing, you grab the cord, lower your gun, flip it sideways to expose the left side of the butt, and there you have a firm surface with hollow, into which you can push your cord, instantly smothering the burning end, like extinguishing a cigarette. It works fine, and I use mine regularly.

Slightly off-topic but I have a Tantō with NBTHK hozon to an unlisted smith. There is probably no way they could have compared the Mei as part of their Shinsa process. (Just to say such a thing is possible.)

Those Gothic 'u's are probably 'n's, so it would actually be Jeanne. Plus the Japanese underneath reinforces this with 'Jane'.

Mmmm... yes you would have enjoyed it, but as to buying all of them, yes and no for me. The guy who used to do all the heavy wood and metalwork on bugu like swords and guns has retired and gone into a home, having divested himself of all his equipment. This means you have to judge in advance if there's anything you cannot handle yourself, meaning the possibility of sending something away to someone who can do such work. Time consuming and not cheap. But still, it's hard to disagree. Tomorrow I have some free time so I'll take some shots. You'll have to forgive the missing pan lid, but I do have plans for that. The Mei under the barrel is a Sakai smith house I have not come across before, with the unusual reading of Nakami or Nakamizu. 半巻張 'Han makibari' suggests it might be quite old. 摂州住中水吉兵衛 Sesshu Ju Nakami(zu) Kichibei. The secret reason that I chose the cheaper one is that under the dirt I spotted among the typical Sakai copper and brass decorative inlay what looked like some silver kirigane, and possibly even some gold, very rarely found on a Tanegashima. This intrigued me and I was looking forward to finding out what was really under there. A demain... (Manyana)

Haha! Like to know sometimes if there are real people out there John! The short answer is yes. Two were lacking the correct registration cards and needing so many lost parts they were virtually junkers. Two were kind of OK but in filthy condition. My friend suggested suitable prices to the owner, asked if I’d like to choose one, so I chose the cheaper of the two, the one with correct paperwork and a working serpentine. The rust, mold, and heavy verdigris were daunting. He took the percussion conversion with good condition metalwork and a registration card saying the Mei was 不明 fumei. It was actually legible so it can be resubmitted to the Education Committee for alteration of registration cards. Anyway I spent the day cleaning it up and made a list of pleasing discoveries. Actually I have been looking for a suitable Sakai (Osaka) gun, so this may be the fated one! One funny thing happened. We cracked open the barrel and I said ‘Sakai’! The lady owner said “Yes?” I said “What?” She said, “My name is Sakai!” (I wonder if her family had these from generations back? The Okayama Han used to order teppō from Sakai.)

Why is the price in yen Dave, if you are in Hawaii?

In the meantime a friend called on Sunday and said someone wanted to get rid of four Tanegashima, and would I be interested in having a look? Well, I was in my pyjamas (pajamas) and about to have breakfast, and it was a three-hour round-trip on the tollway. “Nah, can’t really be bothered”, I thought… But then I discovered myself getting dressed and telling the wife I’d need the car and I’d be out for a bit. Got back around 6 pm.

If black indicated lacquering to protect against wet weather, then by the same logic, any white samekawa should surely indicate use of a clear lacquer?

Having seen several ‘homemade’ shirasaya, Simon, yours looks the best so far.

Apparently the natural colour is kind of beige, and that was used too. They perfected whitening techniques in the Edo period?

In black that could be 岩二, could you see just those two characters?

Recently I came across a statement in a research paper that white samekawa on tsuka came into fashion with the Edo Period, but before that black lacquered samekawa was fashionable. This was a surprise to me. Then completely independently and randomly a friend assured me that black samekawa is/was favo(u)red in the Satsuma, south Kyushu region. So far ,on neither the English nor the Japanese net have I been able to back up either of these assertions, but I wondered if anyone here might know where I could get more insight? Is there a historical or geographical story out there? Tonight I also plan to ask around at the monthly gathering of the local NBTHK society. Spread your nets! (I did run across some photos of red samekawa, and even purple, but I am guessing these would only be more modern interpretations, such as those used in in Kimetsu no Yaiba Demon Slayer, etc.) Thank you.