Bugyotsuji

They may be (originally) a series of mini mirrors to carry in a purse or wallet.

The starting tsuba looks to be odo, shinchū or brass to which a patinating agent has been added, or am I being unfair? The holes are not exactly round, though, so it is not simply drill work. The Hosokawa were Christian; the original conception, the kuyō and cross blend, was quite a clever inspiration.

Although the one in your Wiki link is slightly different in places…

For your eyes only, in thanks as always, Moriyama San!

Does anyone feel confident with this brush writing? Just wondering if there is a Shunga-esque element to the print.

I can see why you pounced on this one, Colin. The scent of the hunt! The temptation to take a punt. Love these pursuits for the truth!

Well give him a heart!

This old NBTHK certificate for a Koshiraé, right?

¥150, but the date of 26 must be… Meiji 26??? (1893) Not Showa 26, 1951…(?)

That’s a different Kanetaka to Xiayang’s suggestion above, Bruce. I wonder which one we are looking at. The way -taka is inscribed is quite unusual and should be a good pointer.

Traditional Ro-zuke (at over 450 degrees) is different from modern Handa-zuke (at less than 450 degrees).

(There was a time in the early to mid 20th C when an ivory substitute was in fashion, creamy celluloid with Schreger-type striations. Not applicable here.)

That’s quite elaborate, Gary. Is it actually a tortoise/turtle shell or made to look like one? Do the lacquer lines emphasize natural features? I once had a black one but it was too realistic (probably genuine carapace) so having had a traumatic experience as a child, I quietly moved it on!

As above. Probably three separate sections have been attached. Would not really function as a netsuke. NLO at best.

No. 2 Maybe ‘Kanetaka’. 兼隆

Sat in on a two-day workshop as a habaki creation interpreter for a shirogané-shi and was stunned by the serious amount of detailed work and the numbers of materials, tools and processes.

Satsuma bits? Thinking back through my grey matter, just for reference. (Not offering for sale!) All I’ve scraped together over the years. Sadly one katana was quickly ripped from my grasp. 1. Satsuma rustic vase (Tokkuri?) with large ‘kutsuwa’ cross. 2. a) Two Satsuma hitoribiraki priming powder flasks b) Three coarse blackpowder flasks, one with large red lacquer Satsuma ‘kutsuwa’ cross. 3. Satsuma gunyō-zutsu long matchlock. 4. Various little oil lights, oil pots and wick weights from the region. 5. Netsuke of farming lady. 6. Small Naminohira ‘Kaiken’ Tantō. And that’s about it.

A wasp and a persimmon? What a great object! Congratulations. The uchidashi is nice, as are the fish latch and 蝶番 ‘Chō tsugai’ butterfly hinges. No markings?

If there is a second, smaller hole alongside the spout, then it would have carried water. Water canisters are often sold by dealers as ‘gunpowder’ flasks. A doctor’s sword variation, possibly, also looking the part as chatō for tea ceremony.

Antler (also ivory, and to a lesser extent bone) was often fashioned to look like bamboo.

If you are bringing in 30 blades, I wonder if there might not be some special governmental cultural dispensation, seeing that you are also providing work for traditional Togishi.

Overall weight would have to be a consideration, unless the warrior wished to show off. During the attacks on Nagashino Castle before the great battle at Shitaragahara, warriors scaled the rocky face from the river below; for that they wore their Nodachi on their backs. Quite possible that they also carried a metezashi.

Many people in Japan will bring things out only if they ‘like’ the visitor!

Welcome. Why don’t you give us your ideas first, Khalid? We do have several threads here showing off people’s personal displays, their stands, their cases, their accessories, their lighting, etc. Maybe take some time to look through those first and get some inspiration?

Bishū Osafuné Katsumitsu Nōshū Seki Takeyama Yoshinao Saku