Bugyotsuji

Can't read the two characters, although I would like them to be 菊水 for simplicity! The other single black splash/squiggle is a Kao 花王 artist signature.

(Kevin, apologies, I was replying to the thread starter.)

Sure Alex, it's a tough one, and a case can be made either way. As with classic cars, if it is a part of history, and there's enough good meat in it to enjoy, then why not? Many if not most examples out there have a repair of one kind or another, often old repairs, but not exclusively old. Some new repairs are fine, others plain naughty! Auctions sites will often mention evidence of repairs. In my case the barrel was mostly fine, a gift from a friend, but leaning in a corner doing absolutely zilch, nada. Then another friend offered me this old battered stock from the woodpile, and I was surprised to see how they fitted together pretty well! As a decorative object, with genuine parts, it's just about got its foot in the door...

Jacques, what do you mean by 'upper' and 'lower'?

And the Mei Luckily the wife was out shopping

Meantime I finally got the long Yari down for a health check on the tiny sankaku blade. Signed Yamashiro no Kami Kunishige. Overall About the length of my forefinger.

Maybe I’ll leave it like this. (A friend urges to go the whole hog, i.e. fix it up with a working lock and serpentine.)

If it’s Japanese it’s the name Nakao 中尾. The rest is in two other languages like Mongolian, Thai or Burmese…(?)

Richard, you spelt/spelled 'Sukesada' wrong. Was that a slip of the keyboard, or are you totally new to Nihonto? In the meantime, 75 cm is a relatively long blade. Will you be OK with shipping? Also, are they both in shirasaya or does either of them have full koshirae available? Ultimately, it will be a question of how you feel as you gaze at the blade. Which one might you get tired of, and which one bears looking at repeatedly with pleasure and satisfaction?

It's tempting to have a proper Netsuke corner (even temporarily) here on the NMB. Pietro, where are you?! The INS (International Netsuke Society) forum has been wallowing in the seas for months, actually years now, almost unable to function. Seven or eight times out of ten it says that the site is down; even when it's up, attempting to post a photo seems never to work.

Allegedly there should be a small gap between the edge of the kozuka handle and the machi. This was to avoid damaging the handle.

Some years ago I bought a simple bone Netsuke but I was never sure why the design was the way it was. Some kind of rain dragon design, sure, but… Today while searching through Mon books for something else, I suddenly spotted a Mon/Kamon that fitted the bill. Two pieces of the puzzle. A The offending object B the Kamon Ama-ryu-bishi 雨竜菱

Which one do you like, and why?

Pronounced “Yún Qióng”, according to my Chinese dictionary.

Came across these Mon/Kamon today.

Could it be 雲窮　？ Unkyū, a spiritual sense engendered when the top of a (certain) mountain is hidden in clouds.

Step 2. Strip it back to expose the wood putty again, shape and restain. Definitely getting there, but still rougher than I’d like. You often find guns like this, stood upright on an earthen storehouse floor for 150 years or more. The hard wood of the butt will have borne relentless attacks by insect and damp.

Hi Rick, glad we are hitting the sweet spot. Some back sights did have fitting parts, but the majority did not. The variation of number 3 above looks as if it did, slide and stand, like the sights of Awa guns. Mostly they were decorative, indicating different regions or schools. Osaka and Choshu guns for example had a Mt Fuji (or half Fuji) rear sight, like No.4. Most of the grooves, or ridges, were simply lines of sight. Bizen used a blob of silver on the front sight to help draw the eye. Vertical holes were for short sticks of burning incense, for night sighting, it is said. So yours are both box type front and rear, with a valley split? Someone told me two slits is an older type, but I have not been able to corroborate that.

The owner, or a dealer, has added in pencil the opinion that this is a Momoyama period Seki blade. (Normally official registration paperwork does not record such things.) PS The date of the torokusho itself is Shōwa 52.

Tetsu sabi ji nuri.

When I said Mañana, you guessed it, I meant never. But today I picked it up and started reducing the butt, filing it smooth, and forming sharper edges to the curves. Why? My hands seem to be following the original artisan. Who is directing this?

Spot of silver inlay on front sight. Although Bizen guns used mostly iron for their locks and general metalwork, they also inlaid here and there in silver. Note the Rakkyo-gata (pickled-onion) shaped muzzle.

Well, you could say that if you have a blade in shirasaya, and you adapt an old Koshiraé to take your blade, then why not? By the same token, perhaps it is not so very strange to find another stock and reshape it to fit a lonely barrel, especially if they are both clearly from the same rough time and location. Give a semblance of new life to each. Yes/no? (My next step would be to cut back the butt to a clean outline and smooth out the surfaces before re-staining. Mañana!)

4/5ths complete. (Actually there would be hard work ahead, the devil being in the detail. The trigger does not even move, for example.) But we can see the main Bizen features already, the Fujioka-Ryū indentation on the butt, the iron lockwork, the ‘pickled-onion’ shaped muzzle, etc. Oh, the bisen breech screw moves now, and the barrel it is signed by a listed Bizen smith.

In the meantime, the hybrid Bizen long gun has moved from 2/3rds to 4/5ths complete. I think I will leave it like this before it becomes a viable gun with working lockwork, and therefore requiring full registration. Part of the problem is that Bizen gun parts were largely fashioned in iron, so trying to recreate a rusty iron serpentine etc. for it might be a challenge. The butt was worm-eaten to hell, but I kind of reshaped it with wood putty. Not yet pretty, but better than it was. I have managed to reset the amaooi, fukikaeshi and kusabi wedge section, and fitted Mekugi pins and a ramrod.