Bugyotsuji

長船 Osafuné 郷 normally read as Gō Heavy? One kilogram or more? Be careful though as there are many Sukenaga fakes, making for a wide disparity in values. The real Sukenaga worked around 1830-1850 ish

Just been reading this thread today, late to the party. There is plenty to learn and enjoy in this set, as Malcolm says, and you could even do some gentle cleaning yourself to make it more presentable. Ask for cleaning tips first! Stabilizing the cracking and huge lacquer flakes will take some thought. So much is lost on the kote that reducing them to bare iron could be a consideration. The kabuto looks nice underneath, and the overall shapes of the bowl and the shikoro look fine. The dealer probably knew little about it, as the sune-ate were upside-down. I'd look closely at the ho-ate though, as that could be (painted) fibreglass showing under the chin(?). I would mend or even change the maedate too as the destruction of the horn tips draws the eye and is ugly to look at. I feel that this armour will be happy that someone is giving it a home, and in return it should give you the new owner hours of pleasure. No need to listen to any negativity. Just save what you can of history, and eventually pass it on, hopefully in slightly better condition.

Thanks Steve. Tsubame had me puzzled!

Azalea and pheasants? The second one seems to read Quail in Chrysanthemums. Kiku Uzura Some kind of red-throated birds in Wisteria flowers.(?) Just off the top of my head in order to get the ball rolling!

Kmad, looks like one sticker over another…(?) Old Japanese price tag???

氏春　Ujiharu

Yes, probably this is the habaki on the Kanemitsu.

The remains of three price stickers I see! The dark dyed signature seal looks as if it was added later, following along some of the ivory cracks. For this reason my gut feeling is that any reading will not help us at all. Ready to be proved wrong of course! Good luck with your project. It’ll be interesting to see what others say.

Another signed Sadamune!!!???!!!

Only coz your bird’s feet reminded me of it, but here is a Kaga-zōgan kozuka with 5 egrets. Cousins? Congratulations on your tsuba!

D E F

Yesterday's meeting and update indicated that 78 people have contributed JPY2,430,000 so far, just shy of the 2.5 million yen they are initially aiming for by the end of this month. A plan for the polishing of the Odachi was also handed out, to take place over the first three cold months of 2027 when rust will not be too much a problem. I had a chance to see their Muromachi period blades display, including upstairs a 1499 Katsumitsu/Sadamitsu joint-work naginata that Jussi might recognize. Photos: A B C

That’s the stuff, yes. Functions like sandpaper. Also widely used for polishing lacquer. 砥草 Tokusa, often pronounced Togusa.

Hmmm… good spot. It could be used as part of the process for making a Tanegashima, granted, but it’s not strictly related to Tanegashima. Apologies. Hint, why is the Japanese name Tokusa?

Not quite in the slot just yet.

Apparently yes, it is a type of horsetail grass. (Had to check the English before I could answer that!)

No, not the answer to this quiz, (they’re light and hollow so would not be much use as whips) …but it is the answer to the next quiz I was lining up.

May have had this question before, but apart from their decorative appeal what were/are these plants used for? (The wife brought these home last night.) If you know, then let’s hear it! Cheating OK. Closer…

On the ethics of restoration, I have been thinking a little more recently. If you look at the photo below, a lot that came my way last week, you'll see there are bits and bobs that would normally get thrown out in any kura clean-up. Pieces of attached rag and wire look like junk. And that would be the end of their history. Occasionally I will find a powder flask body that has lost its cap and/or other fittings. Conversely in the photo you can see a necklace string with two caps, (one primer flask, one coarse powder flask) but missing flask bodies. There is an apostle 'hayago' tube with no cap, and the remains of a kurigata from a powder flask. Fairly useless on their own. What looks like a coin purse has a slit in the side for insertion/ removal of musketball. This at least should clean up a smidgen. These things, made with design and purpose, need to be saved. If I can find a new life for any of them, I will.

Ishikawa 石川 is one of the Japanese looking/sounding names often used by Chinese workshops.

柴山工 Work by Shibayama? The signature 芝工 looks very weak, so I would skip any attempt to understand why it was written like this, i.e. probably in order to give a cursory impression of Shibayama. (The decorations under the base look to have been undertaken to hide the natural cracking.)

Thanks for showing these. A nice overall package!

Will do, Colin! PS I was joking about the cheating bit. Too many years in education!

Genbu of the north is the ancient Chinese tortoise upon which the universe stands. A snake appears from its rear end. Genbu is the black warrior of the north, chief of the four directional guardians. Genbu is painted on ancient tomb walls in Japan. Genbu later became Bishamonten, chief of the Shiten-no-o guardians. Bishamonten was the god of warriors and listened to their cry. For this reason the turtle Genbu has ears, although tortoises and turtles don’t. Genbu is the turtle shell, the brain pan, the crown, the 甲 shell of armour. 甲 the shell is Number One, the top/best, in the old counting system 甲、乙、丙、丁… Recently I bought a pair of Menuki with a gold-shell Genbu on a shakudo background. You can see the ears, …but the tail is from a Minogamé.

Guessing that no one knows the answer. Genbu is very interesting though for a number of reasons…