Bugyotsuji

Alex, that is painful to look at. I am in danger here of breaking the 11th Commandment. ”Thou shalt not covet thy neighbour’s sword.”

Specifically Nihontō alone in quality and large quantity maybe no, but the Wallace Collection in London is well worth seeing, as is the Tower of London, plus the arms and armour in the Japan section of the Royal Armories in Leeds.

Colin (Matsunoki) is an expert in this field.

Although it says 細川家, Hosokawa Household, I suspect that someone has simply added that later.

“Who were the Shōami tsuba makers in Japan?“ I just fed that into ChatGPT.

Correct

The tsuba is unfortunately just too large to go on a tanto which has inlay of silver arrows all over the koshirae.

Besides the two seppa washers, you also seem to be missing the fuchi rim fitment for the tsuba end of the tsuka haft. See ‘metal sleeve fuchi’ in the illustration above.

Is there such a Japanese name as 求助 Kyūsuke?

See this for reference, Keio/Meiji, Yamashiro, Kyoto.

Did you buy a single lot at auction, Kirill?

Kirill, the first one has all the marks of a late 1800s Meiji okimono, the central nerve channel being used to pay lip-service to netsuke. Good work, the artist was possibly a netsuke carver first before the end of the Bakumatsu and changes in fashions. The second one (stork?) is hard to make out; if it is not resin it could well be a legit boxwood netsuke. The third one, bamboo shoot and toads(?) gives indications of later Chinese work, the signature written typically in a ‘casual’ manner to suggest Japanese, but not.

Sweet tomobako, and one looks like a nijūbako double box. Dare we ask to see the jizai, or is there a better thread for them somewhere? That reminds me to update this thread myself. I’ve come into possession of some nice bits over the last year or two.

Further thoughts above!

Ah, thank you. *The second one could start with Yoshi spelt not the standard 吉 with 士, but with known variant 土 on top. Borrowing -hisa from Ray above, Yoshihisa? 吉久？

Hi Ryan, No that’s it! Make sure all the details of the registration card match the gun, and send off the change of ownership paper to the Education Board of where the gun was registered, or do it online. It also asks for the previous owner’s name and address and contact details. You will need to keep the reg card preferably with the gun or within reaching distance, and you’ll need to keep the gun well wrapped if ever you need to carry it somewhere. Also if the police find it in your car for example you’ll have to provide a good reason for its presence.

What do you mean when you say you 'found this by google'. Are you wanting to buy a blade, or did you run a search for unreadable Mei? Usually posting one photo alone makes the job exceptionally hard for anyone to decipher. Two or three photos from different angles is more friendly. Re 'help me identify the smith'; by reading the characters alone you might not be identifying the smith, since it could easily be gimei. Confused in Gotham

The mon all look suspiciously close to Toyotomi Hideyoshi's, not Tokugawa Ieyasu! That would annoy Ieyasu for a start!

Hmmm… a present from a friend. Adzuki bean manju from Fukuyama Castle. Expecting a guest today my wife put these out before she went out. This thread is easy stuff, not for you Colin, master of the arcane.

4. Thread your doubled cord through about 20 eyelets in the leather. This is a fiddly job requiring all kinds of useful tools, and plenty of free time and patience. 5. Somehow get the loop and the two loose ends to all go through the ojime. (Note that many beads will look like ojime, but the central channel of a typical ojime is usually larger than most ordinary beads.) 6. Final result with new black cord. Jabara concertina mouth pulled shut with tightly fitting ojime.

To start this thread here is a leather kinchaku drawstring purse set hanging from a stag antler netsuke, with a red glass(?) ojime. Four braided cords passed through the ojime, but two had snapped. I sourced some black cord (not string) and after a couple of hours restored it to working condition. Some would say to keep it the way it was found, as is, with frayed and snapped cords. There is no absolutely ‘correct’ answer, but if it’s an easy job, I like to resurrect without damaging what is solid. 1. Photograph original stringing for later referral if necessary. 2. Remove Netsuke by undoing internal knot. Observe how the knot was tied. 3. Find a cord of similar braiding and strength, four strands of which the ojime will accept. (I like to collect natural strings and cords, old and new.)

Now you tell me Colin!

Matsukawa-bishi and yajiri-tsuki chigai-ya. Needs a bit of TLC!

As in the two pages above too, the MCI seems to have more detail.

“Worked between 1840 and 1875…”