Granules of silver melted onto the base metal - just hot enough to pool the silver without it running off. Rare because getting the temperature correct is extremely difficult.
Technique found here in:: https://ia801304.us.archive.org/2/items/arsorientalisar111979univ/arsorientalisar111979univ.pdf
ARS ORIENTALIS
THE TECHNIQUES OF THE Japanese TSUBA-MAKER
By ELAINE I. SAVAGE*
and CYRIL STANLEY SMITH**
VOL . 11 FREER GALLERY OF ART, SMITHSONIAN INSTITUTION
DEPARTMENT OF THE HISTORY OF ART, UNIVERSITY OF MICHIGAN
Copyright © 1979
" An interesting variation is the use of silver in the effect called gama-hada , “toad-skin” surface. In this, convex drops of silver are attached to an iron surface to yield interesting contrasts of shape, texture and color (fig. 35). For rather subtle reasons dependent on the balance of inter-atomic forces at the interfaces between the iron, the silver, and the air, the molten metal does not spread out over the surface, but remains as drops with a well-defined angle of contact (fig. 36)."
The technique does sometimes [mostly?] fail, I have an example of such.