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Spartancrest last won the day on April 26
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About Spartancrest
- Birthday 04/22/1957
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Tasmania
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Writing books on tsuba, collecting. Building things and finding novel ways to reuse objects for other purposes.
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Painted collection number comes in handy for provenance.
Spartancrest replied to Spartancrest's topic in Tosogu
It does add to their history - I don't think most people would mark their collections anymore, but then we have the ability to photograph and take detailed digital records. I just traced some more information from some old references, which can show how some information can get lost and now brought back together. These two images are two years apart and neither source had both sides published - goes to show that sometimes displaying the incorrect side can come in handy otherwise you would need to guess what the other side looked like. The Poncetton image has a paper tag attached to the nakago-ana & hitsu so it didn't have to have a number painted on - these little paper tags are a less intrusive way to catalogue a collection, pity we can't read the information on it. It would appear Poncetton didn't like stickers on his tsuba in all cases? fickle -
I was doing some work on the Poncetton collection [1924] and noticed an Onin tsuba that twigged a memory back to the Hayashi Tadamasa collection of 1902. [yes I do live in the past! ] I found the images and tried to do a visual comparison. Both collections only showed one side view and of course they were not the same view! However the older Hayashi collection had a brief description which included its catalogue number from that time [1902] - The Poncetton image had even less by way of descriptions except for a tiny number at the top of the nakago-ana no. 49 - - the same collection number as the Hayashi description. Bingo!! That allows me to push the provenance of the piece back beyond what the Poncetton collection knew. The Poncetton collection cites H. Vever. as the previous owner and Henri Vever has an interesting Wikipedia article https://en.wikipedia.org/wiki/Henri_Vever Which in part states "By the 1880s, Vever became one of the earliest Europeans to formally collect Japanese ukiyo-e woodblock prints, purchasing extensively from dealers such as Hayashi Tadamasa." He must also have collected tsuba, at least the one that was still in Hayashi's collection in 1902 (Tsuba are not mentioned in the article but other collectors of the same, such as Gonse & Migeon are listed) I guess the point is if you have any old collection numbers on your tsuba, please, please leave them in place - they may come in handy!
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An early Saotome or Tempo school tsuba for your appreciation and comment
Spartancrest replied to Mario Tod's topic in Tosogu
Hi David, it has also one of mine [one and only 'Hot stamp' Hamidashi!] Blink and you will miss it. It is really great of Mat [Mecox] to organise all the elements of his research into a single document - and on various subjects. Top rate stuff! -
Popped another one out, just sent to the printers. - A bit bigger book of some 390 pages, single side view images with limited information. It will take some time to be released after I get to proof check the print quality. https://www.barnesandnoble.com/w/tsuba-in-the-national-museum-of-norway-spartancrest/1147268270?ean=9798349985782 https://www.barnesandnoble.com/w/the-national-museum-in-warsaw-tsuba-collection-spartancrest/1147268269 https://www.thriftbooks.com/browse/?b.search=tsuba#b.s=mostPopular-desc&b.p=1&b.pp=50&b.oos&b.tile Cheaper than Amazon!
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https://www.amazon.com.au/National-Museum-Warsaw-Tsuba-Collection/dp/B0F4K8RYFL/ref=sr_1_1 https://www.amazon.com.au/Tsuba-National-Museum-Norway-Spartancrest/dp/B0F4K6551P/ref=sr_1_1 Nine days to get listed - usually takes up to six weeks!
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It has gone very quiet with responses - it must be Easter. I found these two sukashi tsuba with something close to the design on the tanto. Totally different technique of course but I think the B&W Kiri drawing was getting there. Happy Easter all!
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https://www.slam.org/collection/objects/37977/ An oval iris sukashi - the dimensions don't add up. From time to time in the collection measurements change orientation from Height x Width x Thickness - to H. x T. x W. Weight is never given accurately in grams Dimensions 3 1/16 x 2 1/4 x 3 1/16 in. (7.8 x 5.7 x 7.8 cm) weight: 3.2 oz. (0.1 kg)
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Hamidashi tsuba both hitsu are open. It is for a smaller sized tanto, nice raised rim. Wisteria decoration (?). The ura side looks recessed to fit over the Habaki closer into the saya. There is some information in this thread about similar types. An odd one here https://soldiersmuseum.com/shop/index.php?main_page=product_info&products_id=97 It says it was fitted with a thick wooden seppa but the one you have has the recess better made.
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Twice the mistake as the cm are wrong as well - they slipped a decimal point. The museum has a few badly out of whack dimensions and shows far too many images ura side only. It is a relatively big collection and mistakes are bound to happen but shouldn't a conscientious museum take corrections onboard?
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This is the Museum that just keeps giving and giving https://www.slam.org/collection/objects/37862/ Wow the sword must have been enormous if the guard is 29 inches across! Dimensions 29 x 3/16 x 29 in. (73.6 x 0.5 x 73.6 cm) weight: 3.5 oz. (0.1 kg)
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Viktor, have you noticed the two main designs of these "Fallen Liondancer"? One lot has bare feet like your last example and the other are wearing 'tabi' shoes as in your first one. Nice paperweights - now obsolete even for that purpose! Ebay junk https://www.eldreds.com/auction-lot/inlaid-shibuichi-presentation-tsuba-with-high-rel_10B489BA6A [expensive auction junk] https://www.ebay.com/itm/285283666195 [worse than junk!] https://germaniainternational.com/Japan.html Dragon High-Art [] Tsuba (signed) (Item Japan 1-14) DESCRIPTION: Here is a very fine bronze Tsuba. PRICE: $485.00 Christies sale - at least his tabi are clean
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It looks very grand, Soten or Hikone style. I think from the work invoved in making it, you could expect the higher price. Out of my price range as well.
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Hi Louis and welcome! Perfect place to ask. I think the tsuba is genuine - possibly late Edo - not top of the line but good. Sages studying a makimono [scroll]. You are correct the decorative tsuba were not used in warfare as such - at the time there was very little warfare going on, maybe a few personal feuds. The decorated tsuba were a means of showing status or wealth, Samurai didn't wear jewellery as such and displayed their wealth in their swords, inro and tobacco pouches.
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Nice pieces Gary. I love the long eared rabbit sukashi! Some extra information for you on the double Ho-ou/Hōō https://yokai.com/houou/?srsltid=AfmBOopYPekWwOoB7MaC6Y_dMh3LxyxYTPes2yP-ePy9-Gbuf7KKQ8CY https://cyfrowe.mnw.art.pl/en/catalog/512025 https://bibliotheque...re&o=bookmark&n=0&q= See the illustration section [back of PDF] guard number 26
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https://www.slam.org/collection/objects/8677/ - can someone close to Saint Louis lend the Museum a tape measure please. Just doing some basic image comparison the height [if indeed it is 44 mm] when compared to the width shows a difference of about the rim thickness - at a guess 3 mm? I don't see the guard being 44 mm in height to start with, it is much larger than for a tanto wouldn't you say? I don't think we can trust many of the sizes given by this museum. I look forward to seeing what the museum has to say - Dimensions 1 3/4 x 1 1/8 x 1/8 in. (4.4 x 2.9 x 0.3 cm)