DirkO

Typical things to consider. Would a Japanese sell this on eBay, unpapered? He has easy access to shinsa and experts and it would be easier to sell domestically if legit...

More information from Supreme Sword Country, Bizen

This from Markus' kantei book. I know it's also published in another book, but I don't have access to that one right now.

There's one published Tsuguyuki Kozori blade I know of. I'll try and post pics tomorrow.

Signed up as well! If anything, this post gives me some time to build up my warchest

This is not a bad starting point : Markus Sesko's Compendium https://markussesko.files.wordpress.com/2015/04/nihontocompendium-e1.pdf Start at about page 60

While I agree that most of them take place in Germany, it's more than worth the travel if you're at all possible to attend one of these. Friendly people sharing the same passion and very knowledgeable! Not to mention the endless stream of high end nihonto and kodogu.

Yes - I don't have a picture of the exact paper, but it's noted in the sales page that it carries NBTHK Hozon papers

It's Ko-Mino - I have several papered yamagane(although that term is debatable)Ko-Mino kogai on file. This one actually comes close to yours.

I think it's: 大金子拾参枚 Dai-kinsu jū-san mai And as you said, both forms mean the same and are commonly found on Hon'ami origami.

Hi Chris, Being the owner (and obviously biased), I think this one's more for me - the Tohachi attribution is backed up by recent Hozon papers directly to Tohachi and when you examine it in hand, there's really little doubt that this is a correct attribution, albeit not an obvious one. The seppadai, when you look at it straight down, is correct for Tohachi, I can easily find references with the same seppadai shape. The hitsu-ana in this case are part of the rope design and can't really be taken into the equation - otherwise they're indeed a-typical. And about copying designs - this exact design is also noted in the Kamiyoshi Tsuba Ehon, which makes it less likely to be a copy by another school, seeing those usually add their own take on a design.

Regarding the actual catalogue, I usually get them from Sanmei, but YJP also has them: http://www.sanmei.com/contents/en-us/d24.html https://auctions.yahoo.co.jp/search/search?auccat=2084259484&tab_ex=commerce&ei=utf-8&aq=-1&oq=&sc_i=&exflg=1&p=%E5%A4%A7%E5%88%80%E5%89%A3%E5%B8%82&x=0&y=0&fixed=0

Thx @Markus for the explanation - had the kanji right, but didn't know the correct reading/meaning!

Hi Steve, this puzzled me as well, especially seeing I could easily find other Hon'ami origami with the same kanji (albeit a bit less stylized) After some searching, I came up with the idea that it might not be describing an exact month (going from your poetic variation remark) and it might be this: 極月 giwametsuki not a real word, but could be something like "appraisal month" ?

Checked my resources - it's Hon'Ami Tenrai (from the Komi lineage). Far more reputable than his father, published some books and was avidly looking to revive interest in nihonto (start of 20th century).

Kao looks like Honami Tadataka or Tenrai. The first one sadly being a notorious drinker and of somewhat doubtfull repute and Tenrai his son. There's more info about them in Markus' excellent book on the Honami family.

The thing is, these names make little sense to modern Japanese, so they make their own interpretation of what's stated. You might want to have a look here: http://www.jssus.org/nkp/common_kanji.html

for comparison (Juyo Hirata):

A lot harder than I thought! Although I didn't spend nearly enough time with my books on these - I will give it a try: Kantei 1 Taikei Naotane – Shinshinto – Koto Bizen revival piece. Seeing the outstanding hada with a lot of activity and the yakigashira that seem to vanish in the hi, I opt for Naotane rather than Munetsugu. Kantei 2 Tsuda Echizen Sukehiro – Shinto Kanbun - a bit machi-okuri –- High Mune - condensed ko-itame with a lot of ji-nie – frayed nie that go into the ha together with clear and bright jiba point towards Sukehiro. Was first leaning more towards Hizen Tadahiro, but obviously the yasuri weren’t correct. Kantei 3 Late Kamakura, Yamashiro traits, utsuri that tends to shirake, jiba not bright enough for main Rai smiths. My guess would be Ryokai.

Love Michaels tsuba, mine pale in comparison. @Curran - no nice Hazama with sahari inlay?

With your additional info, Curran, I'll switch to ko-shoami as well. Odd nakago-ana in that case. interesting piece,nice buy!

Higo Jingo? Basing it on nakago ana and design...

Although usually more in favour of older blades, there's no denying the quality in this one - just thought I'd share. The attempts at Kiyomaro are obvious - I do stress 'attempts' seeing it's nowhere near the real thing. http://www.kusanaginosya.com/SHOP/384.html

Nice one, Valery! Congratulations!

Patrice also had a nice mumei FK, with incredible detail. Seriously tempting. All in all a very nice experience that will energize the EU collector community. A big thank you to Paul and Eckhard for arranging all the interesting presentations. Paul, you can be sure that no questions went unanswered! A great event to rekindle old friendships and make new ones!