DirkO

In Showa Dai Meito Zufu it is described as follows: "The by-name "Yamadorige" is said to have come from the way the exuberant hamon appears to be similar to the feathers of wild highland birds, but because of existence of varied propositions no definite story has been established to date." It's one of the few books actually containing pictures of the Yamadorige, do you perhaps have an oshigata? I always thought it was in a private collection...

Just from the top of my head, but didn't Goto Ichijo do this kind of design? eg. http://sanmei.com/Pictures/tuba/Tuba1889.jpg

+1 My guess would be Uda school

Didn't she only engrave blades? Although I did find work alledgedly done by her:

Maybe hit the submit button a bit too quick there, Chris? :D

We don't, we use mm instead :-) That's the beauty of the metric system! so in this case, 0,75cm or 7,5mm

Now here's a truly impressive piece of carving on Yahoo Japan! Reminds me of a blade (I think it was a wakizashi) that Darcy posted about years ago. Here the whole rokasen is done on a o-kogatana (30.5cm). Quite impressive, but not surprising from this smith. https://www.jauce.com/auction/n135619442

Here are some more examples that are identical on both sides:

Shin Nihonto Kantei Nyumon by Yuichi and Kazuo is also a good one, and Afu Watson did a translation of the text.

Hi Jean, my picture is shodai. I know the nakago of the one for sale is more in line with the second generation, but it's still off in my opinion. " The finish of the tang of the first generation as his students Masashige and Masazane shows a conspicious roundness at the back and also the edge of the ha-mune is noticeably round. Only the second generation finished his tangs with an angular back but a round ha-mune..... Another important characteristic of Muramasa blades is the typical tanago-bara which tapers along the side of the cutting edge. Also forgeries try to emulate this peculiarity, but the ha-mune is too thick which proves that the tang was just reduced but not thinned later. Authentic work show a constant thickness of the hamune at the upper and lower areas, whereof we can conclude that this shape was applied right at the beginning " I know we don't see the blade from the mune side (just put that in for the benefit of the readers) , but my main issue is the weird form of the tanago bara - it has a more accute angle than any example of Muramasa I know of (obviously I can be wrong)

OK, discard the mekugi ana (and thx for pointing out the typos! - lack of sleep is catching up with me ) Compare the Yahoo JP nakago + mei with these 2 and you'll see what I mean when I say that the tanago bara is not quite what it's supposed to be (also compare mei and nakago-jiri) From Nihonto Wo Miru:

Indeed, and not a good tanago bara at that. The angle is off. Also, the lower mekugi-ana indicates shortening or at least a good portion of machi-okuri, however then they reformed the tang to its original shape whereas it should be kiri at the end. And the mei should be placed lower as well then. It could also be a second ana for grip as you sometimes see with gendaito, however, the placement is well off for that. In my opinion, if the 2nd ana wasn't there, it would've been a lot more convincing. Just my opinion though... /edited typos/

I'm particularly impressed by the 2nd nakago-ana - it really raises a lot of questions that shouldn't be there :-)

some close ups would be nice :-) I think the date might be : 昭和 貮拾 壹 年 戌 although I can't quite make it out with the current pics.

代金 子 五 拾枚 – dai-kinsu goju mai - value 50 gold coins

I wouldn't make a print, but a pencil oshigata/tracing on a simple piece of paper would suffice to get a better look at the signature and what's written in the textbox!

I've been looking for an affordable copy of these for some time now - sometimes you see prices of +1500$ - which in my view is a bit steep. But it is a very desirable set to have and the benifits of full length oshigata can't be denied! (also see the .pdf Eric posted)

Realistically in 5-10 years a nice Norishige In my dreams a Shintogo Kunimitsu tanto...

Brian, Isn't this you can simply see in your webalyzer or webstats tool? Most hostings have this and you can actually see the platform from which the pageviews or hits are coming...

I've always thought Choshu to be an underestimated school - this is a very fine example indeed! It's not all vague mountains and Sansui themes... Some of them were quite inventive. The cut out moon in reeds comes to mind (Choshu Yukitaka I think - should look it up in my books).

Hi Fred, A very similar, if not the exact same, tsuba was discussed here: http://www.militaria.co.za/nmb/viewtopic.php?f=2&t=4608&start=0&st=0&sk=t&sd=a

Yuichi Hiroi is co-author of the books so that makes sense, thanks for all the info Piers

Hi Piers, I'm not surprised he didn't see the set - only 580 copies exist and it's quite pricy I myself currently only have 1 of the 8 volumes, but I'm actively hunting down the set - for a reasonable price. Weighing 18 kgs, it's also not cheap to ship from Japan :-) A few sets are for sale but they usually sell around the 250.000 yen mark. http://www.worldcat.org/title/nihonto-juyo-bijutsuhin-zenshu/oclc/20247054 http://www.isshindo-shoten.com/product/314 It's 8 volumes, all nihonto (so swords, mountings and kodogu) 7 volumes on swords - the last volume is actually 2 books. 1 on kodogu and the other one an index of the whole lot in English.

Hi Piers, Please do - from what I seem to remember, in order to put things straight, they (government?) asked Junji Homma to create Nihonto Juyo Bijutsuhin Zenshu - 日本刀重要美術品全集. Because there were some forged certificates as well. Homma verified them before putting them in these 8 volumes and this was to be the definitive list. Please correct me if I'm wrong.