Peter Bleed

I didn't jump right to the end and was stumped. Nice going, Manuel. Starting with the Ishido part was the way to go. Peter

This has been an interesting and informative thread... Peter

Stephen, And of course you are right. There is a lot less snow in Arkansas than there is up north. And, now you have to deal with the whole campaign thing. Are you gonna caucus for Warren or Klobechar? Peter

I know we live in a digital era. And, “Yes, yes,” I am saying this on a digital venue, but I have just returned from a wonderful visit with a wonderful sword friend and I want to encourage NMB members to reach out to actual, real, “sword owning PEOPLE.” I drove out to a friend’s home and brought a couple of swords that I was ready to discuss. These included an Ichiryusai SADATOSHI by a smith discussed in the last issue of Token Bijutsu. He also had a new blade that needed to be compared to one of mine so I brought it along for the sake of discussion. It was a nice comparison. I’m not sure mine was better or worse than his, but I certainly saw more as a result of the comparison. . . Well, the cutting test on his blade probably is better that the one on mine, but, hey! It was still useful to see them together. The point I am trying to make is that human contacts of sword collecting are very important. Nothing takes the place of seeing and closely inspecting real swords. And the best way to do that is to find others with whom you can discuss and inspect swords. Knowing how to read about swords and knowing how to look at picture of swords is useful, but nothing is better than looking at the real deal! Turn off your computers and go find another collector and look at swords! Peter

I think this sword will NOT hold its value. It was a mass produced weapon that does not reflect or represent the artistry and high craft of Japanese swords. The tsuba is a nice example of a type that has attracted some attention. And the recycled WWII era menuki with a family crest are mildly interesting. But I doubt that there will ever be serious interest in this sort of sword. Peter

1) Find a collector, 2) Contact that person 3) ask for help and a time to chat about swords. 4) GO look at things that person has assembled.Be polite and curious.LOOK 5) get and read BOOKS on swords. 6) Ignore the person who offered you that 5000 Euro sword OMG!

My bet's on "YUKI" as in Bizen Yukimitsu. pretty Bizen looking nakago IMHO

Arno, You should start coming to American sword shows. Peter

Mia culpa, Jaques is correct this is a Tsunahiro, and probably a later generation of that line. I will stand by the rest of my assessment , "Nice rig" Peter

Looks like a nice, signed (TSUGUHIRO) Muromachi blade. Nice rig. Peter

What we are seeing here is the fact that iron tsubas can be rather dynamic. Sometimes they can be is "poor" condition. A dab of wax offers a means of stopping red rust, 'washing' away the crust, and giving it a bit of color. It is 'first aid". I also think that rubbing this stuff on a guard is a lot better that doing anything like heating it or scouring it with some kind of abrasive. I am certainly not in anyway advocating this stuff. Peter

This stuff was made to be quick and easy and it is quite removable. It is far easier to remove than renaissance wax, I think. Please let me post another before and after (I'm trying to get ready to start sell some tosho tsuba and trying t0 get the orientation right) notice that the wax cleans the surface and kills red rust, but does nothing to holes in the patina. That means to me that it is less strident than etchants (feric cloride etc etc) that have been used and suggested. Peter

Here is a quick before and after comparison of a very thin touch of the wax to a dirty guard. In the old days, we could find masses of dirty "as found" tsuba and there was a role from this sort of stuff. Mebbe not so useful in this era of well organized and thoroughly assessed stuff. Peter

sorry about this errant post

Poking around a box of VERY old stuff, I just came across a jar of wax that I got many years ago from Tom Buttweilor. It contains wax that Tom made/sold/used to instantly refinish iron tsubas. It was eventually sold thru the JSSUS Newsletter. Tom would carry it to gun shows or wherever he might encounter an old guard. Rubbing a thin coat of the stuff on dirty iron guards gave them an instant improvement. The stuff is easily removed in hot water so it seems benign, although after 50 years it might be pretty crusty. What is current thinking about waxing iron fittings? Peter

I think that his sword has ALL of the evaluation it needs or deserves. Sending it thru another team MIGHT provide different opinions, but IMHO it won't yield more useful information. That thing in the boshi absolutely is NOT a hagiri. It is a forging kizu - and these things happen. And the Dotanuki guys were a line of country smiths. What more is there to say. This is a perfectly legitimate Edo period sword. Peter

Kenny, My sense is that $430 for this sword was very reasonable. Your babies will not starve. My "guess" is that this is an old sword that was shortened during the Edo period. Getting it polished would probably be beyond its value, but I think that it can be appreciated with ample cleaning (nothing abrasive). Hunting for a nice old tsuba and comfortable seppa will be fun and will make this a very presentable antique. Congratulations! Peter

Nick How sword collecting has changed. There was a time when swords like these would require joyous effort, when someone lucky enough to fall heir to "Japanese swords that seem to be quite old" had to get out books and read discussions about swords. Doing that would provide insights about the history and complexity of Japanese sword production. It also required learning something about Japanese language, geography, and history. Now all a guy has to do is post some images and wait 20 minutes for a world-wide community of experts will tell you what you have. You have done that part, but I hope you won't be stopped by the success you have had. Dive in farther. Get some books. Meet other collectors. Where is Bushu or Kashu, or Nanto, or Higo for that matter Edo? And whats a Showa-to? Your fun is just beginning! Peter

This has been a very interesting thread and I appreciate the insights that have been shared. I have no expertise about this topic and my opinion has shifted and changed. There certainly has been lots of interest and close inspection. I will not vulgarize the discourse, but I think it may be safe to say that this thread shows that sword collectors are NOT "Leg men.". Peter

Reid, You are doing a fine job of learning from what you have in hand.Good for you. I think you are only going to learn so much from this particular sword, tho. I am very doubtful about this Machokuo Naval Polic story. These are IMHO Meiji era civil authority fittings - police, guards, etc. I'll bet the Manchukuo Navy was - ahh - pretty small. The advice you have been given about the value of this sword seems reasonable. It could be anyhting under that scratches, but I would bet that the the sword could be brought back. The nakago will be bobbed off and reshaped and will probably be all right. I had one of these years ago. It was in good polish and was a nice long katana. When I finally brought it to the Chicago show it languished until a Japanese dealer bought AND AS SOON AS IT DID AND RIGHT IN FRONT OF ME another Japanese dealer asked him what he wanted for the fittings. They haggled for a minutes and right there in front of me, the blade was stripped and given to the second guy for HALF of what the first guy had just paid me! All this to say that the fittings of you sword carry collectors' value. You might want to treat the blade as a "tsunagi." Peter

It is situation LIKE THIS (!) that make the NMB Wonderful. This is a happy resolution and a good treatment of the object! Happy 2020! Peter

Dave, you are getting lots of free advice here. I hate to add to the torrent. The dragon menuki do look good. And I agree that the fuchi looks a bit odd. BUT I would retain it unless it is not a comfortable piece. Beyond that, I think this guy really was proud of this kiri mon. I would shop for a set of high quality kiri mon-zukuri menuki. It will be a fun shopping experience and a completely safe result. Peter

Stephen, Thanks for asking and I am honored to say that Darren kindly asked me about this signature. This is such a wonderful - and wonderfully complex - sword that the MEI is just the tip of the iceberg. My GUESS (and a very safe bet) would be that it is ABSOLUTELY by one of the Kunikane smiths between #4 and #12. That seems to be a consistently vague area, tho. I would bet against it being by #13 based on "penmanship." Horimono doesn't seem at all common on Sendai swords so it is hard for me to assess this engraving. Lust, lust.... This is an interesting blade and a very nice object.. Oh, and did I mention?.... Lust, lust! Peter

Peter, You are lucky to have Ray here on the list - and so are the rest of us since this sword would have been a challenge without his help. I checked the images and was at the "Well, gee, .." phase when I decided to see what else had been said... and there was the answer. Thanx! Peter

Marc, Thank you for sharing the 1950 article. Indeed, I have never seen that paper and it is very wonderful. Thank you thank you! Peter