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Grey Doffin

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Everything posted by Grey Doffin

  1. My vote is real mounts and fake blade. The kissaki is wrong and the bo hi end strangely. The hamon and hada are weird. Grey
  2. Hi Noah, The task at hand, removing the handle to see the sword's tang, might be relatively easy, if you're lucky. but it might be difficult and there is no way for any of us to know which it will be just from the pictures. Explaining how to safely go about an attempt would be too much typing; there are too many variables. If you'd like to call sometime, I'll tell you what I know, talk you through it. I'm not an authority but I've been at this for 40 years and I've removed many difficult handles in that time. Cheers, Grey 218-340-1001 central time.
  3. Hi Noah, I agree with Brian. This needs to be seen by someone who knows Japanese swords before you'll have a better idea what you have. Maybe the handle can come off without cutting into the string maybe not, but it needs someone with experience to attempt it. In the mean time, don't try to fix anything yourself; well meaning amateurs often do damage. Here is a care and cleaning brochure that will tell you more: https://nbthk-ab2.or...ord-characteristics/ Grey
  4. Hi Dale, In my years of book selling I have seen only the 1964 and 1975 editions (your 4th link, to my site). The major difference between them is the addition of English in the later edition and there are differences between the pictured tsuba. Grey
  5. Fuller & Gregory have him as Mitsutama in their Swordsmiths of Japan 1926 - 1945. Grey
  6. Looks like Mitsutama and November of 1943. Grey
  7. Hi guys, If all goes as planned, I will be taking possession of a pile of books at the show in August. I fly to the show and can't possibly get the books home with me. I'm looking for someone who drives to the show and would be able to take the books and mail them to me. I expect to pay for the service; not asking for a gift. If you're interested give me a call. Thanks, Grey 218-340-1001 central time
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  8. Hi Brian, You probably know this already but, just in case, don't travel with the tsuba inside their boxes. Here is why: https://www.Japanese...suba-in-a-tsuba-box/ That was a tsuba I received from a Japanese dealer. Grey
  9. Hi Simon, I vote cast and, even if it is unsure that it is cast, it is an iron tsuba that has never been mounted, which is usually a warning sign. Grey
  10. Your sword is signed, "Bushu Shitahara Ju Terushige." Not 100% sure I have the Teru right. If I do this means , Resident of Shitahara (or Shimohara) in Musashi Province, Terushige. There were a few smiths working with this signature in the 16th and 17th centuries. Here is a link to a care and cleaning brochure you should read at least once. https://nbthk-ab2.org/sword-characteristics/ Cheers neighbor, Grey
  11. Actually, when I relisted the book on my site I neglected to mark it as in stock. The book is still available. Grey
  12. Hi guys, Just took in a copy of the rarest of WWII sword books: Dai Nihon Token Shoko Meikan. Read about it here: https://www.japaneseswordbooksandtsuba.com/store/book/sword-books/b662-dai-nihon-token-shoko-meikan/ If you are interested please contact me by email through my site, not by personal message. Cheers, Grey
  13. Hi Dan, I don't know of competent, properly trained restoration in the Boston area. You shouldn't be restoring this now in any case. You don't know anywhere near enough about Nihonto to make informed decisions and there is no reason to rush into the process (it isn't as simple as saying, Here, fix this please and send me the bill). I am not an authority but I do have 40 years experience. If you'd like to ask questions feel free to call. Cheers, Grey 218-340-1001 central time
  14. Hi Nick, The mei reads Fujiwara Noriyuki. Not a blade from WWII; rather an older blade and likely Bungo Takada School. Grey
  15. Hi Dan, Your sword was picked up during/after WWII by your father but it is much older than that. Not much specific information we'll be able to provide from just the pictures - needs to be seen in hand for a true appraisal - but here is a care and cleaning brochure you would be smart to read. https://nbthk-ab2.org/sword-characteristics/ Grey
  16. This is not a military sword and it wasn't carried during the war. This is an older, Samurai sword in storage mounts (shirasaya), which has no method to attach it to a soldier. Most likely this was picked up by a US soldier after the war in occupied Japan. Here is a care and handling brochure you should read: https://nbthk-ab2.org/sword-characteristics/ This will show you how to properly remove and replace the handle. As mentioned, if you can give us decent photos of the sword's tang (nakago) and of the writing on the scabbard, we will be able to tell you more. Take the pictures on a dark background; light colored backgrounds make it difficult to see details on darker objects. Grey
  17. Hi Kyle, As mentioned, rough condition but, if the sword is better quality, which it may be in spite of its condition, it may be restorable and end up more valuable than the cost of restoration, which will be significant if done right by a properly trained craftsman. If you'd like someone to bounce questions off, feel free to call. I'm not an authority but I have 40 years experience with these swords and I will tell you what I know. In the mean time, don't rush into any decisions; take the time to better understand what you have before acting. And this includes the bronze brush which is about to be recommended in the next post; don't do it. Restoration should be left to those with training and rank beginners shouldn't be told how to fix their swords. Cheers, Grey 218-340-1001 US central time
  18. The nakago ends at the machi but the top of the nakago is polished and should be oiled with the rest of the polished balde, if you are oiling. Grey
  19. Hi Tyler, The signature is Kiyonori and I think there is a good chance he was working in Bizen Province in the 16th century. But others who know better may have a better idea. Grey
  20. Congrats on the sword but I don't like the "general advice" to drill a small hole in a tight mekugi. Never heard of it, never used it, and sounds like an excellent way to mess up the nakago with a drill bit. A stuck, brittle mekugi can be removed without resorting to fast moving tool steel. Grey
  21. Hi Jay, The nakago and habaki look poorly done. Can't be 100% sure it is a fake but even if it isn't I don't think it is anything you want to collect. Grey
  22. Hi Vitaly, I would stop where you are now. You have cleaned off dirt and grease and you should let well enough alone. Patinas on soft metal fittings often will heal themselves over time. Even if they don't, the wear on your pieces are where they would be expected with use and you may regret any fix you attempt. Grey
  23. Honoki is chosen for, among other attributes, its little or no acid content. I don't know the acid content of alder. Grey Doffin, furniture maker
  24. Thank you Moriyama-san. So this is a statement of ownership rather than a signature of the smith? Grey
  25. Hi folks, Can someone give me Romaji and translation for the picture below? Not sure if this is a mei or possibly something else. Much appreciated. Grey
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