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Henry Wilson

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Everything posted by Henry Wilson

  1. Dear Malcolm I have tried sending you a pm. Is there any way I can get in contact with you?
  2. I would agree with John and also say it is Ko Kinko. It is possibly Kagamishi but only begin cast Yamagane would make such a call uncertain.
  3. Many thanks Malcolm
  4. Does anyone know where I can find an on-line source that has maps of old Japan? I am interested in ones that depict in detail the Owari 尾張 and Mikawa 三河 areas. Many thanks.
  5. From the Kokusai Tosogu Kai. "Find attached a flier announcing an up-coming Shinsa held by the NTHK-NPO (Nihon Token Hozon Kai, Non-Profit Organization), the Mr. Miyano group, in Minneapolis, Minnesota, during October 7, 8, 9, 2011." 2011 Shinsa Flyer-2.pdf
  6. The whole atmosphere of the piece makes me think Muromachi which is what Fine Sword AKA Ginza Choshu attribute it to.
  7. Hi Mariusz The kantei points to me are as follows: It is made of Yamagane. It appears to be cast. It has a dote mimi. The motifs are classic to Kagamishi. The quality is not very good which is not a surprise as most Kagamishi tsuba were probably mass produce. The motif is quite weak which is probably due to the model it was cast from deteriorating from use.
  8. Trust me, it is Kagamishi. Not the best quality, but none the less....
  9. Here is another Kagamishi that I missed out buying a few years ago. I think it was priced around 200 dollars. http://www.finesword.co.jp/sale/kodougu/htm/841_880/859/859.htm
  10. The work on the rim and the amount of open work makes me think Katchushi.
  11. I think this is an Edo period tosho which belonged to me once.
  12. It looks like a late Edo period Owari sukashi tsuba. I am not so sure it is cast but the condition is not very good. The overall design looks very stiff and not natural....
  13. If you mean the Tosho style of tsuba, I am not so sure there is much written about them as they are regraded as only being revival pieces. The book "Tsuba no Bi" has some examples I think but not much of a description. I owned an early Edo Tosho tsuba and while it was a good honest tsuba, it was lacking compared to earlier pieces IMHO.
  14. Developing on Craig's post (and quoting myself)
  15. Are repro swords not band in Japan?
  16. You might find some help here. viewtopic.php?f=9&t=8341&p=68981&hilit=robinson#p68981
  17. Brian, I think Craig answered the question for me. The tsuba above is not even half nice.... :|
  18. Goodness gracious me. This must be one of the worst threads I have ever read. I think I shall just ignore it as some one is probably going to tell me.
  19. 赤尾 red tail Actually, I think this might be the second name or IOW family name
  20. A part of me says leave it alone. If not I would avoid chemicals at all costs. If you have to fiddle, how about trying to dry the lacquer out or leaving it in direct sunlight for a while and see if lacquer cracks and flakes off. I would avoid abrasives as lacquer is tough and you could damage the patina below.
  21. I am not familiar with the Akao school so can't comment. As a thought the seppa dai is very distinct which could be a factor. Overall the design seems a bit rigid compared to the last one.
  22. Personally the iron reminds me of what is seen on some Tosho tusba. The lines in the plate are probably fold marks where the plate has been worked. The metal looks quite good but to be honest I am not that keen on the motif.
  23. In my opinion that tsuba is so not Heianjo Sukashi. I would say Shoami personally. Here is something I found from Tsuba Kodogu Kantei Nyumon by Wakayama Takeshi that I think was translated by the NCJSC.
  24. I was thinking layered steel too, (around the nakago ana) which is not a bad thing at all...
  25. I would go Akasaka too, for the reasons above. Also I think the punches around the nakago ana are the kind you see in some Akasaka guards
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