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Hi BP. First a forum technical note. If you actually go by "BP", then never mind, but if that's not what you go by, please go to your profile page and add a first name. It's NMB policy and we all like to talk to real people. Thanks! So, for decades the collecting community have held the all-brown tassel to be a late-war army tassel (Navy is all brown, but it's a richer, darker color and of course found on kaigunto). Even the reference books call it that. However, a couple years ago, a respected researcher found the 1943 Uniform Regulation Change that spoke of the brown tassel and said that it was assigned to the Gunzoku. I asked Nick if the wording would have allowed that the tassel was already in use by the army, but was now also assigned to Gunzoku. Nick answered that due to the wording, it would have been specific to just the Gunzoku. That's all I can say. If you would like to read his discussion, see this: The All Brown Army Tassel - Nick Komiya

Hopefully it's not taboo to post about repros in this sub, I did see another thread on the main page that was so I figured why not lol. I just bought a full suit of samurai armor that appears to be a modern example of gendai katchū associated with the Marutake / Kōnin workshop tradition. The armor came with documentation describing the workshop history and identifying it as a modern handcrafted suit rather than an antique piece. From what I understand, the Marutake workshop began producing armor in the 1970s under Shinobu Tanoue using the art name Kōnin. This suit seems to fall into that lineage and is likely a relatively recent production, somewhere around 2006/7 I believe. The set appears complete with kabuto, menpō, dō, sode, kote, haidate, suneate, and the yoroi-bitsu storage chest. The chest has a gold inscription and crest on the exterior, which I’m told is typical of modern presentation sets rather than historical armor where signatures were usually hidden. One thing that stood out to me about this workshop, compared to cheaper reproductions, is the materials and construction approach. Marutake armor is generally built using lacquered metal plates, real silk odoshi lacing, and traditional assembly methods rather than the synthetic cords, thin stamped steel, aluminum, or plastic components that are often used in lower-end decorative suits. The fittings and hardware also appear to be properly made rather than cast costume parts, which gives the armor a much more authentic weight and structure. Another interesting aspect of the workshop is that they have produced armor used in Japanese film and television productions. Their work has been used in several historical films and NHK Taiga dramas, including productions such as The Last Samurai and Sekigahara, which I thought was a neat connection between traditional craftsmanship and modern media. Although this example is firmly a collector display piece and not a prop or museum quality recreation. What really drew me to this one was how cohesive the whole suit is, but most especially, the color palette is spot on to my taste. The lacing, lacquer, and fittings all match well and the overall look is very striking when assembled. It has some light handling and storage wear, but overall presents well. I know it won't be everyones taste as the suit is a bit of a mish-mash of periods/armor types for sort of a greatest hits suit of armor. I paid what I think is a good price so I'm happy with it all around. For me, buying a real katchu would divert funds from other collectables, and I'd rather not be the caretaker for fragile textiles that are hundreds of years old. I’ll attach a few photos below showing the armor and some close details (sadly the forum won't let me attach the high-res files). I also purchased an armor display stand. I have the perfect spot in my living room for it right next to my sword display.

Partially edo and modern?

Thanks for letting me know about the naming preference. Happy to make a change. I read through what you shared, thanks for that. So from what I can gather he got a sword from the civil division equivalent of an NCO and it was mass produced. Thank you for the information I suppose any other info to be gained would be from removing the handle part and looking at the metal to see if there’s any stamping or names placed. Thanks. Ted S.

Found this video by one of the curators of the new Samurai Exhibition opening this week at the British Museum and was quite excited to watch it. He starts off explaining that the British Museum has one of the largest collections of Samurai artefacts outside of Japan. Unfortunately if you visit it you would not know as the permanent collection on display is rather poor. But hopefully the Exhibition will right this wrong... Unfortunately it appears it will not. The curator goes on to explain sword history but shows only one sword but does not even mention the smith and then focuses on the Koshirae of the various periods. Kind of like the Louvre explaining French history by their choice Louis Vuitton hand bags - cause they are pretty, rather than showing the Imperial collection. I guess it is interesting for a newbie but I was left very disappointed. I fear if this is the level we are engaging for the Samurai Exhibition, then unfortunately this Exhibition will leave the enthusiast and even the general public with a lot to be desired. Nice if you like unusual pretty things but otherwise very frustrating as they continue to hide the good stuff in their warehouse. I hope to be proven wrong.

Having a particular fondness for brass-inlaid tsuba, I eventually added several pieces from the Washida school of fittings makers to my collection. This sparked my interest in learning more about the school and its production. Over time I gathered a fair amount of information and eventually decided to compile it into a single document, which you can find in the download section of the board: https://www.militaria.co.za/nmb/files/file/210-the-shōnai-washida-school/ I hope you enjoy reading it as much as I enjoyed putting it together. As I mentioned, given my particular weakness for brass inlay, the document is somewhat biased toward the work of Washida Mitsunaka! Just as an example of the Washida production here are the pieces from this school (or supposed to be from this school) in my collection: NBTHK Hozon to Washida. Dimensions 85.4 mm x 85.3 mm, thickness 3.9 at seppa dai, 4.2 at mimi. NBTHK Hozon to Washida. Dimensions 85.3mm x 79.2 mm, thickness 3.6 at seppa dai, 4.0 at mimi. Identical to tsuba attributed by NBTHK to Washida. Dimensions 87.2 mm x 82.2 mm, thickness 3.7 at seppa dai, 4.0 at mimi. Signed in kinzogan mei Kyozan Mitsunaka with Kao. Dimensions 87.2 mm x 77.6 mm, thickness 2.6 at seppa dai, 4.2 at mimi. Dimensions 83.5 mm x 78.6 mm, thickness 3.0 at seppa dai, 4.1 at mimi. Dimensions: 96.9 mm x 13.9 mm, thickness 4.7 mm. REgards Luca

Hi Jean, Only moderators or admin are able to relocate threads. Brian has already commented on the post and could have moved it if he felt it was necessary. Since the topic is about selling the item online, specifically on eBay, it doesn’t seem to be significantly out of place. Also, given the content of the posts, this new member may not be a frequent contributor, and we generally try to allow new members a bit of leeway as they get familiar with navigating the forum. All the best, -Sam

Miranda: We don't generally do valuations here, however I can give you some info for your description. I believe the sword is signed Kanesada saku kore (respectfully made by Kanesada). The stamp above the signature is a Seki Cutlery inspection stamp. It also indicates the sword is semi-forged but not traditionally made. Traditionally made swords are made from tamahagane steel and are water quenched. The painted numbers (762) are assembly numbers. In addition, the fittings are not high quality and are missing parts. The tassel is also missing. This makes your sword slightly less valuable on the collector market but still has military/historical value. Folks on ebay tend to list these for crazy prices. I recommend using ebay completed auctions and search for "ww2 Japanese sword". Find similar examples and it will give you an indication as to what these actually sell for. John C.

I visited the ‘show’ today. i am shocked about the many wrong datings… elementary knowledge is absent, and this for such an institution. if you visit the expo, which I recommend, let the items speak for themselves, and forget the text on the labels.